Damm heiko (44 resultados)

Perfect Paperback. Condición: New.

Perfect Paperback. Condición: New.

63 S. : zahlr. Ill. ; 28 cm, Orig.-kart. (neuwertig).

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hard bound in dust jacket. Text in English and German.

Sprache: Deutsch Mit zahlreichen Abbildungen. 63 Seiten. OriginalKarton, etwas angeschmutzt. Namenseintrag. Altersentsprechend guter gebrauchter Zustand.

Paperback. Condición: New. The treasure trove of art that is presented in this volume for the first time lay dormant and unknown in the depot of the state museums of Tyrol for nearly 2 years. More well-known collections of graphic prints generally store such works mounted in passe-partouts, on which there are occasionally brief, at times cryptic-seeming annotations, in which art experts jotted down their proposed attributions. For the still unexplored holdings in Innsbruck, such a scholarly discourse, which was often conducted on passe-partouts over decades, was initiated quasi in time lapse. This publication brings together annotations jotted down by experts on the passe-partouts of the drawings, which are presented here for the first time. This thus offers fresh insights into the practice of the forming of expert opinion.…

hardcover. Condición: Gut. 147 Seiten; 9783932830372.3 Gewicht in Gramm: 1.

Condición: Nuovo. Ril. in tela con sovr., cm 30,5x25, pp 424, tavv. e ill. a col. - ISBN: 9783731904717.

Paperback. Condición: Brand New. 194 pages. German language. 8.43x0.41x11.02 inches. In Stock.

Condición: New. 2026. Bilingual. paperback. . . . . .

Brossura. Condición: fine. Edited by Assmann Peter.German Text.Berlin, 2021; paperback, pp. 352, col. ill., cm 23x28. Libro.

Condición: Nuovo. Bross., cm 28 x 21,5, pp 194, molte tavv. e ill. a col. - ISBN: 9782503579665.

Condición: New. 2026. Bilingual. paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Hardcover. Condición: New. &Uumlber den AutorHeiko Damm is a research assistant at the Johannes Gutenberg University of Mainz. He received his PhD in Art history from the Freie Universitat Berlin with a dissertation on Santi di Tito (1536-1603) und die Reform de.

Hardback. Condición: New. Illustrated. Reading is apparently the greatest proof of refinement when viewed within the context of the social climb of the visual artist. It is only as reader that the artist can participate in the exclusive culture of clerics, humanists, rulers and courtiers. How did it come about that such a figure was integrated into the general history-of-knowledge context of research on the early modern period - in order to outline what artists' reading specifically entails. Based on the history of knowledge, the contributions to this volume will then correspondingly elucidate various aspects of how, in the early modern period, artists' education, knowledge, reading and libraries were related to the ways in which they presented themselves.The volume endeavours at long last to go beyond merely publishing inventories by investigating the problem of artists' libraries with a fundamentally stronger emphasis on a discourse-analytical and history-of-knowledge approach.Contributors include: Rainer Bayreuther, Maria Berbara, Cécile Beuzelin, Heiko Damm, Annette de Vries, Kelly Donahue-Wallace, Angela Dressen, Lex Hermans, Eckhard Leuschner, Alexander Marr, Martin Papenbrock, Tico Seifert, Eva Struhal, Michael Thimann, Huub van der Linden, Elsje van Kessel, Iris Wenderholm, and Claus Zittel.…

Buch. Condición: Neu. Neuware.

Buch. Condición: Neu. Neuware -In Fortsetzung des ersten Bandes galleria portatile - Handzeichnungen alter Meister aus der Sammlung Hoesch entfaltet Henning Hoesch den Reichtum und die Vielfalt der italienischen Altmeister zeichnungen. Anlässlich der Vorstellung seiner Sammlung im Kupferstich-Kabinett der Staatlichen Kunstsammlungen Dresden gibt er zusammen mit Heiko Damm einen zweiten Band der galleria portatile in Zusammenarbeit mit dem Michael Imhof Verlag heraus, der neu entdeckte Zeichnungen vom frühen 16. Jahrhundert bis zum 18. Jahrhundert enthält. Jede Zeichnung wird wissenschaftlich untersucht und von einem Team international renommierter Autoren interpretiert, denen es ein Anliegen ist, die Kultur Italiens mit den am wenigsten bekannten Artefakten der italienischen Kunst, mit den originalen Handzeichnungen auf Papier in die öffentliche Wahrnehmung zu tragen. Der Band zeigt die Mannigfaltigkeit zeichnerischer Kunst in den Städten Italiens von Neapel über Rom nach Florenz und Bologna bis nach Mailand, Genua und Venedig. 272 pp. Deutsch.…

Buch. Condición: Neu. Neuware -In Fortsetzung des ersten Bandes galleria portatile - Handzeichnungen alter Meister aus der Sammlung Hoesch entfaltet Henning Hoesch den Reichtum und die Vielfalt der italienischen Altmeister zeichnungen. Anlässlich der Vorstellung seiner Sammlung im Kupferstich-Kabinett der Staatlichen Kunstsammlungen Dresden gibt er zusammen mit Heiko Damm einen zweiten Band der galleria portatile in Zusammenarbeit mit dem Michael Imhof Verlag heraus, der neu entdeckte Zeichnungen vom frühen 16. Jahrhundert bis zum 18. Jahrhundert enthält. Jede Zeichnung wird wissenschaftlich untersucht und von einem Team international renommierter Autoren interpretiert, denen es ein Anliegen ist, die Kultur Italiens mit den am wenigsten bekannten Artefakten der italienischen Kunst, mit den originalen Handzeichnungen auf Papier in die öffentliche Wahrnehmung zu tragen. Der Band zeigt die Mannigfaltigkeit zeichnerischer Kunst in den Städten Italiens von Neapel über Rom nach Florenz und Bologna bis nach Mailand, Genua und Venedig. 272 pp. Deutsch.…

Hardcover. Condición: Sehr gut. 123 Seiten Das Buch bietet eine umfassende Betrachtung von Email als Kunstform, Handwerk und Industriegut, vorgestellt im Rahmen einer Ausstellung des Kölner Stadtmuseums im Jahr 1981. Zustand: Einband mit geringfügigen Gebrauchsspuren, insgesamt SEHR GUTER Zustand! HC1-734-7/8-00412589 Sprache: Deutsch Gewicht in Gramm: 1025. …

Condición: Nuovo. Ril. in tela con sovr., cm 30,5 X 25, pp 270, molt. tavv a colori e ill. b/n. - ISBN: 9783731912217.

Paperback, Pages: 194, Size:216 x 280 mm, Illustrations:6 b/w, 76 col., Languages: English, German. ISBN 9782503579665. Summary Seventeenth-Century painting in Naples distinguishes itself from that of other artistic capitals for its immense variety of coexisting styles and, in turn, for the rivalry this inspired among artists living in the principal city of the Spanish viceroys. The various tendencies, in fact, might best be described as the manifestation of these rivalries among predominant artists in and around Naples, known in the annals of art history as the great reformers of painting at the turn of the seventeenth century: Caravaggio, who on his travels to and from Malta left behind a number of highly influential paintings; two pupils of Annibale Carracci, Domenichino and Giovanni Lanfranco, who left their individual marks on the city for nearly a decade; the Spaniard Jusepe de Ribera, who lived and worked in Naples and was visited by Velázquez as he journeyed through Italy. Under Spanish rule and closely tied to the Papal States, this major center of trade on the gulf presented a unique point of convergence for these heterogeneous cultural currents. This conference volume brings together contributions on painters such as Caravaggio and Jusepe de Ribera, as well as Aniello Falcone, Artemisia Gentileschi, Salvator Rosa, and Francesco Solimena. The recurring subject throughout the texts is self-promotion and self-fashioning, as well as the artists' social and intellectual situation 'in situ'. TABLE OF CONTENTS A Laboratorio of Painting: Style, Self-Fashioning and Competition in Neapolitan Baroque Elisabeth Oy-Marra & Heiko Damm Caravaggios Sieben Werke der Barmherzigkeit: Zur Frage devianter Details Rudolf Preimesberger (?) After the Fall of Osuna: Ribera's Work of the 1620s in the Context of Artistic Rivalry, Patronage and Stylistic Currents Justus Lange Riberas Self-Fashioning als Naturalista Elisabeth Oy-Marra Portents of Nature: Jusepe de Ribera and the Bearded Woman Carlo Avilio The Fame Game: A Business Analysis of Artemisia Gentileschi's Neapolitan Career Christopher R. Marshall Beyond Naples: The Self Fashioning of Salvator Rosa Helen Langdon The Clock, the Court, and the Canvas: Luca Giordano and the Virtue of Productivity Tiffany A. Racco Francesco Solimena zwischen Egologie und Eusozialität Salvatore Pisani Aniello Falcone? Der tote Soldat in der National Gallery in London. Annäherungen an ein kunsthistorisches Methodenproblem Stefan Albl Die Kunst der Macht: Die spanischen Vizekönige als Auftraggeber neapolitanischer Barockmalerei am Beispiel des Conde de Monterrey (reg. 1631-1637) Katrin Zimmermann 0 g.…

Paperback. Condición: New. The treasure trove of art that is presented in this volume for the first time lay dormant and unknown in the depot of the state museums of Tyrol for nearly 2 years. More well-known collections of graphic prints generally store such works mounted in passe-partouts, on which there are occasionally brief, at times cryptic-seeming annotations, in which art experts jotted down their proposed attributions. For the still unexplored holdings in Innsbruck, such a scholarly discourse, which was often conducted on passe-partouts over decades, was initiated quasi in time lapse. This publication brings together annotations jotted down by experts on the passe-partouts of the drawings, which are presented here for the first time. This thus offers fresh insights into the practice of the forming of expert opinion.…

Condición: Nuovo. Ril. in cart., cm 28,5x25, pp 576, tavv. e ill. a col. - ISBN: 9783777426440.