Corrado neri (99 resultados)

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Paperback. Condición: New. This special issue of Cinéma and Cie explores the cultural dynamics, ideological aporias and political struggles that characterize the relationship between Maoism and national cinemas, from the immediate aftermath of the Cultural Revolution to the present day. All the articles included in the special issue highlight the complexity of the process of translation and 'reinvention' of Maoism in different cultural contexts, focusing on subjects and historical episodes that have been suppressed in public debates and in traditional film history books.…

Condición: Good. Has some wear and creases. Has a remainder mark. paperback Used - Good 2026.

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DVD. Condición: Used - Good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2019. Paperback. . . . . .

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Paperback or Softback. Condición: New. Taiwanese Horror Cinema in the 21st Century: Spectral Narratives and Screen Culture. Book.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. Explores how contemporary Taiwanese horror cinema uses ghostly narratives to address identity, trauma, and cultural change, blending folklore and futurity within global, queer, and art-house film contextsContemporary Taiwanese Horror Cinema offers a groundbreaking exploration of the resurgence of ghostly and supernatural motifs in Taiwan's contemporary film landscape. Against the backdrop of Taiwan's evolving cultural identity and its historical legacies, the book examines how horror cinema engages with issues such as memory, trauma, spirituality, and globalization. It traces the development of ghost representations from traditional folklore adaptations to postmodern horror comedies and art-house meditations, demonstrating how these films reflect Taiwan's ongoing negotiation of local and global forces. Through careful analysis of major works, including Detention, Incantation, Dead Talent Society, and Marry My Dead Body, the study highlights the rich, multifaceted uses of haunting as both aesthetic device and cultural metaphor.The book adopts an interdisciplinary approach, bridging film studies, cultural theory, and media studies. It situates Taiwanese horror within broader cinematic and transmedia phenomena, such as the influence of J-Horror, the global boom of streaming platforms, and the intersections between queer representation and genre cinema. By doing so, Contemporary Taiwanese Horror Cinema not only sheds light on Taiwan's vibrant genre film production but also demonstrates the ways horror can serve as a flexible language for exploring societal anxieties, technological transformations, and evolving modes of storytelling. Particular attention is given to how films employ traditional ghost tropes alongside contemporary digital aesthetics, creating hybrid narratives that resonate with both local audiences and global viewers.Aimed at scholars, students, and cinephiles, this book fills a significant gap in current literature by offering the first focused study on contemporary Taiwanese horror and ghost cinema. It articulates how spectral narratives provide a prism to decipher Taiwan's historical wounds, its cultural hybridity, and its imaginative responses to modernization and globalization. Contemporary Taiwanese Horror Cinema invites readers to reconsider the cultural significance of horror beyond clichés of fear and entertainment, positioning Taiwanese cinema at the forefront of critical conversations about memory, identity, and global media flows.…

Paperback. Condición: New. Explores how contemporary Taiwanese horror cinema uses ghostly narratives to address identity, trauma, and cultural change, blending folklore and futurity within global, queer, and art-house film contextsContemporary Taiwanese Horror Cinema offers a groundbreaking exploration of the resurgence of ghostly and supernatural motifs in Taiwan's contemporary film landscape. Against the backdrop of Taiwan's evolving cultural identity and its historical legacies, the book examines how horror cinema engages with issues such as memory, trauma, spirituality, and globalization. It traces the development of ghost representations from traditional folklore adaptations to postmodern horror comedies and art-house meditations, demonstrating how these films reflect Taiwan's ongoing negotiation of local and global forces. Through careful analysis of major works, including Detention, Incantation, Dead Talent Society, and Marry My Dead Body, the study highlights the rich, multifaceted uses of haunting as both aesthetic device and cultural metaphor.The book adopts an interdisciplinary approach, bridging film studies, cultural theory, and media studies. It situates Taiwanese horror within broader cinematic and transmedia phenomena, such as the influence of J-Horror, the global boom of streaming platforms, and the intersections between queer representation and genre cinema. By doing so, Contemporary Taiwanese Horror Cinema not only sheds light on Taiwan's vibrant genre film production but also demonstrates the ways horror can serve as a flexible language for exploring societal anxieties, technological transformations, and evolving modes of storytelling. Particular attention is given to how films employ traditional ghost tropes alongside contemporary digital aesthetics, creating hybrid narratives that resonate with both local audiences and global viewers.Aimed at scholars, students, and cinephiles, this book fills a significant gap in current literature by offering the first focused study on contemporary Taiwanese horror and ghost cinema. It articulates how spectral narratives provide a prism to decipher Taiwan's historical wounds, its cultural hybridity, and its imaginative responses to modernization and globalization. Contemporary Taiwanese Horror Cinema invites readers to reconsider the cultural significance of horror beyond clichés of fear and entertainment, positioning Taiwanese cinema at the forefront of critical conversations about memory, identity, and global media flows.…

Condición: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

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Paperback. Condición: New. Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.…

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Condición: New.

Paperback. Condición: Brand New. 100 pages. 9.01x6.00x0.50 inches. In Stock.

Paperback or Softback. Condición: New. Taiwanese-Language Cinema: Rediscovered and Reconsidered. Book.

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Paperback. Condición: Brand New. 143 pages. 9.50x6.50x0.50 inches. In Stock.

Paperback. Condición: New. Taiwanese-Language Cinema: Rediscovered and Reconsidered presents diverse approaches to the vibrant commercial film industry known as Taiwanese-language cinema (taiyupian). After a long period of neglect, films are being restored and made available with subtitles.Taiwanese-language cinema was a cycle of over 1,000 dramatic feature films produced between the mid-50s and early 70s in the local Minnanhua Chinese language most commonly spoken on the island, also known as "Taiwanese" (taiyu). The rediscovery of Taiwanese-language cinema is stimulating new scholarship, both in Chinese in Taiwan and in other languages, which challenges our conventional understandings of Taiwanese film history and opens up new approaches to the films themselves. This volume includes a mix of new English-language scholarship material with key essays by Taiwanese scholars newly translated from Chinese for the volume.…

Condición: New.

Condición: new.

Condición: New.