Cheryl finley (203 resultados)

Condición: Good. hardcover 100% of proceeds go to charity! Good condition with all pages in tact. Item shows signs of use and may have cosmetic defects.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Softcover staple bound, 32 pages, very good condition; clean and crisp; no internal marks.

Paperback. Condición: Very Good. U.S. orders are shipped from N.Y. state.

Hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

Hard cover. Condición: Fine in fine dust jacket. Sewn binding. Paper over boards. 132 p. Contains: Illustrations. Audience: General/trade.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. 4to 11" - 13" tall; 132 pages.

Hardcover. Condición: Near Fine. An illustrated history of African American popular music from 1930 to 1960." 132 pages, covers Robert Johnson, Memphis Minnie, T-Bone Walker; through Duke Ellington, Count Basie and Fats Waller; through Charlie Parker and Billie Holiday; to Louis Jordan, Nat King Cole, Dinah Washington and Sam Cooke.; 9 1/4 x 11 1/4 " Near Fine in Near Fine dust jacket.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. No markings. Published in conjunction with an exhibition.

dvd. Condición: Used - Good.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: fine. Hardcover. 10 1/4" X 9 1/4". 116pp. As New in publisher's shrink wrap. ABOUT THIS BOOK: A new consideration of extraordinary art created by Black artists during the mid-20th century My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists working throughout the southeastern United States. These paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profound assemblages of Thornton Dial to the renowned quilts of Gee's Bend. Nearly 60 remarkable examples are illustrated alongside insightful texts that situate them in the history of modernism and the context of African American experience in the 20th-century South. This remarkable study simultaneously considers these works on their own merits while also making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists' interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant works of art.(Publisher). 10 1/4" X 9 1/4". 116pp. As New in publisher's shrink wrap. ABOUT THIS BOOK: A new consideration of extraordinary art created by Black artists during the mid-20th century My Soul Has Grown Deep considers the art-historical significance of contemporary Black artists working throughout the southeastern United States. These paintings, drawings, mixed-media compositions, sculptures, and textiles include pieces ranging from the profound assemblages of Thornton Dial to the renowned quilts of Gee's Bend. Nearly 60 remarkable examples are illustrated alongside insightful texts that situate them in the history of modernism and the context of African American experience in the 20th-century South. This remarkable study simultaneously considers these works on their own merits while also making connections to mainstream contemporary art. Art historians Cheryl Finley, Randall R. Griffey, and Amelia Peck illuminate shared artistic practices, including the novel use of found or salvaged materials and the artists' interest in improvisational approaches across media. Novelist and essayist Darryl Pinckney provides a thoughtful consideration of the cultural and political history of the American South, during and after the Civil Rights era. These diverse works, described and beautifully illustrated, tell the compelling stories of artists who overcame enormous obstacles to create distinctive and culturally resonant works of art.(Publisher).…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New.

Hardcover. Illustrated dust jacket. First Edition. Stated First PrintingClean as unread with crisp dust jacketPlease contact us about shipping costs for international orders of over-sized books or multi-book sets. We are happy to provide accurate quote prior to purchase. Clean as unread with crisp dust.…

Hardcover with dustjacket, 116 pages; new condition, still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Near fine large hardcover in a like dj. Mark free first edition. 116pp. Illustrated art oversized.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st printing. 132pp. A little wear, dust jacket stained some at top and at bottom edge, only shows on reverse side, a small tear at spine.

Soft cover. Condición: Fine. 1st Edition. Unpaginated. Grey wrappers with black title. Clean, tissue guards present, in unused condition. Collection of 62 black and white photographs of New York City taken by renowned photographer Berenice Abbott in the 1930s, 40s, and 50s. Introductory essay by Finley. 50 p. Berenice Abbott (ilustrador). Book.…

Hardback. Condición: Very Good. How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembranceOne of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was?shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance.Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film?and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors.Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.…

Hardcover. Condición: Very Good. Elliott & Clark Pub April 1994 Binding: Hardcover.

Hardcover. Condición: New. In shrink wrap.

Condición: New.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardback. Condición: Very Good. How an eighteenth-century engraving of a slave ship became a cultural icon of Black resistance, identity, and remembranceOne of the most iconic images of slavery is a schematic wood engraving depicting the human cargo hold of a slave ship. First published by British abolitionists in 1788, it exposed this widespread commercial practice for what it really was?shocking, immoral, barbaric, unimaginable. Printed as handbills and broadsides, the image Cheryl Finley has termed the "slave ship icon" was easily reproduced, and by the end of the eighteenth century it was circulating by the tens of thousands around the Atlantic rim. Committed to Memory provides the first in-depth look at how this artifact of the fight against slavery became an enduring symbol of Black resistance, identity, and remembrance.Finley traces how the slave ship icon became a powerful tool in the hands of British and American abolitionists, and how its radical potential was rediscovered in the twentieth century by Black artists, activists, writers, filmmakers, and curators. Finley offers provocative new insights into the works of Amiri Baraka, Romare Bearden, Betye Saar, and many others. She demonstrates how the icon was transformed into poetry, literature, visual art, sculpture, performance, and film?and became a medium through which diasporic Africans have reasserted their common identity and memorialized their ancestors.Beautifully illustrated, Committed to Memory features works from around the world, taking readers from the United States and England to West Africa and the Caribbean. It shows how contemporary Black artists and their allies have used this iconic eighteenth-century engraving to reflect on the trauma of slavery and come to terms with its legacy.…

First Edition. First edition. Softcover. 31 pages. Exhibition catalog for a show that ran May 9 through July 30, 2000. Features an introduction by Jock Reynolds and essays by Daniell Cornell and Cheryl Finley. Includes black and white illustrations of works by Lorna Simpson, Romare Bearden, Albert Chang, Hale Aspacio Woodruf, Joy Gregory, Moira Pernambuco, Carrie Mae Weems, Charles Sheeler, and Walker Evans. A near fine copy in stapled wrappers and with a laid in checklist, and promotional information sheets about and press photo by Moira Pernambuco.…

Condición: As New. Unread book in perfect condition.