Connors matt (22 resultados)

Softcover. Condición: Fine. First Edition. Magazine. Octavo. 127pp. Perfectbound. Art editor is Gail Howell-Jones. Black and white illustrations. Light rubbing else fine. Ian Robinson founded Oasis in 1969 and continued to publish the magazine while Robinson founded Oasis Books in 1970. This magazine is devoted to the translation and review of well known poets and authors such as: Bruno Jasienski, Florence Chia Ying Yeh Chao, and Max Jacob. Well known poets and author's include George Bowering, a well known poet and historian and Martin Booth, a British novelist and poet who founded the Sceptre Press. Three chapters of Lotte Bullock's *The Lost Tiger* are printed in this issue. Also includes Illustrations by Carol Chapman, Jean Demelier, Patrick O'Keeffe, Stanley Engel, and John Mitchinson. Additional contributors include Anthony Hodge, Philip Weeks, David H W Grubb, Reginald Levy, John Rice, Donato Cinicolo III, Sally Tylecote, Paul Matthews, William Oxley, Paul Gogarty, Colin Nixon, Thea Clark, Ervin Gaspar, Michael Gold, Richard Austin, Paul Green, Robin Lee, William Bedford, Bruton Connors, Andrew Darlington, Valerie Owen, Charles Black, Craig Anderson, Matt Simpson, Simon McNulty, Cecily Lambert, John Mitchinson, David Jaffin, Roger Bonner, Rachel Blake, Mark Young, and Francesca de Masi.…

Soft cover. Condición: As New. Estado de la sobrecubierta: No Jacket as Issued. Published on the occasion of the two-person show at Canada Gallery, Body Forth / A Cliff To Climb is an image correspondence between the artists Matt Connors and Ryan Preciado. Two directional, the book switches in the middle and requires the viewer to rotate the book, changing the perspective; East to West, West to East; Matt to Ryan, Ryan to Matt. The book also features a newly commissioned essay by Durga Chew-Bose.…

Spiral bound soft cover. Condición: Near fine. Limited to 1000 copies. Lg. Octavo. 9 x 7". Unpaginated. Color illustrations printed on one side only. Light wear to edge and corners. "Connors' artmaking involves a process of translating his subjects into images by employing visual strategies such as accumulation, scale shifts, replication, reversals, distortion and mirroring. Connors' works consequently develop their own internal logic, guided by structure, pattern, rhythm and colour, while remaining open to improvisation."-xavier hufkens.…

Paperback. Condición: New.

Paperback. Condición: Near Fine. * Book cover like new - pages clean, bright and unmarked spiral bound. * Proceeds benefit Friends of the Library; books sold are NOT ex-library. * "Honest and reliable service - every book hand-packaged with care.".

Paperback. Condición: Fine. None. From an exhibition at Canada gallery, a Fine small quarto in wraps with tipped in color images on both covers. Color ills. throughout. Each artist has half the book and the reader/viewer is required to turn it around half way. This copy is SIGNED by Matt Connors only on "his" side of the book.…

Connors, Matt. ROBERT RYMAN: The Real Thing. 420 pages, including 100 color plates. 4to, boards. Pre-Echo Press, 2026.

Condición: new.

Hardback. Condición: Very good. First Edition. 23 x 25cm 116pp very good hardback showing the American artist's abstract works which take the form of colour plus black and grey squares.

Paperback. Condición: new. Paperback. A vital resource for understanding the depth and significance of Ryman's practice, this volume reveals his steadfast belief that painting, when really seen, is for pleasureAmerican artist Robert Ryman believed that the poetry of painting was in feeling. For almost 60 years, he devoted himself to making paintings devoid of pictures of symbolic content, instead focusing his attention on materials and their effects. In works that range from intimate to monumental and flat to three-dimensional, Ryman explored the basic assumptions of painting--that it involves paint, on a surface, hung on a wall. His rigorous and playful body of work is marked equally by surprise and subtlety, sameness and difference, and by shifting uses of paint, gesture, support, size, line, fastenings to the wall and space. This new publication designed by Studio Mathias Clottu documents a range of Ryman's paintings, showing the variety he produced as he experimented with painting's expanse. Alongside new scholarship from influential writers, artists and musicians including Darby English, Roni Horn, Richard Tuttle and Howardena Pindell, this book includes never-before-seen archival material and pays special attention to Ryman's studio.Born in Nashville, Robert Ryman (1930-2019) moved to New York with the hopes of becoming a professional saxophonist. To make ends meet, he took a job as a security guard at the Museum of Modern Art, New York, but became fascinated with the Abstract Expressionist works on display there. He started painting in the early 1950s, and was honored with a retrospective exhibition at MoMA in 1993, almost 40 years later. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover with dustjacket, 172 pages; good condition; moderate edgewear to dj; no internal marks. Foreign shipping may be extra.

Taschenbuch. Condición: Neu. Neuware - A vital resource for understanding the depth and significance of Ryman's practice, this volume reveals his steadfast belief that painting, when really seen, is for pleasureAmerican artist Robert Ryman believed that the poetry of painting was in feeling. For almost 60 years, he devoted himself to making paintings devoid of pictures of symbolic content, instead focusing his attention on materials and their effects. In works that range from intimate to monumental and flat to three-dimensional, Ryman explored the basic assumptions of painting--that it involves paint, on a surface, hung on a wall. His rigorous and playful body of work is marked equally by surprise and subtlety, sameness and difference, and by shifting uses of paint, gesture, support, size, line, fastenings to the wall and space. This new publication designed by Studio Mathias Clottu documents a range of Ryman's paintings, showing the variety he produced as he experimented with painting's expanse. Alongside new scholarship from influential writers, artists and musicians including Darby English, Roni Horn, Richard Tuttle and Howardena Pindell, this book includes never-before-seen archival material and pays special attention to Ryman's studio.Born in Nashville, Robert Ryman (1930-2019) moved to New York with the hopes of becoming a professional saxophonist. To make ends meet, he took a job as a security guard at the Museum of Modern Art, New York, but became fascinated with the Abstract Expressionist works on display there. He started painting in the early 1950s, and was honored with a retrospective exhibition at MoMA in 1993, almost 40 years later.…

Cloth. Condición: New. Fine Condition. 96 pages with 64 color illustrations. Still in shrink-wrap. Interview with Matt Connors and Brice Marden. Published on the occasion of the exhibition from the Matthew Marks Gallery, Los Angeles, CA January 23-April 23, 2016. Select Biography. Book.

Paperback. Condición: new. Paperback. A vital resource for understanding the depth and significance of Ryman's practice, this volume reveals his steadfast belief that painting, when really seen, is for pleasureAmerican artist Robert Ryman believed that the poetry of painting was in feeling. For almost 60 years, he devoted himself to making paintings devoid of pictures of symbolic content, instead focusing his attention on materials and their effects. In works that range from intimate to monumental and flat to three-dimensional, Ryman explored the basic assumptions of painting--that it involves paint, on a surface, hung on a wall. His rigorous and playful body of work is marked equally by surprise and subtlety, sameness and difference, and by shifting uses of paint, gesture, support, size, line, fastenings to the wall and space. This new publication designed by Studio Mathias Clottu documents a range of Ryman's paintings, showing the variety he produced as he experimented with painting's expanse. Alongside new scholarship from influential writers, artists and musicians including Darby English, Roni Horn, Richard Tuttle and Howardena Pindell, this book includes never-before-seen archival material and pays special attention to Ryman's studio.Born in Nashville, Robert Ryman (1930-2019) moved to New York with the hopes of becoming a professional saxophonist. To make ends meet, he took a job as a security guard at the Museum of Modern Art, New York, but became fascinated with the Abstract Expressionist works on display there. He started painting in the early 1950s, and was honored with a retrospective exhibition at MoMA in 1993, almost 40 years later. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Softcover. Condición: Near Fine. Estado de la sobrecubierta: VG-. First. First Edition SIGNED by Matt Connors on the title page. Softcover, various paper stocks, 171 pages, 10-5/8" x 8-1/4". Dust-jacket shows rubbing and wear but no rips or tears. It is also slightly shorter than the book itself which peeks out the top of jacket, probably as intended. Grey covers show faint wear; and all interior pages without flaw. Printed in Iceland. A must have for the Connors afficionado.…

Soft Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. This is a fine softcover copy with a fine dust jacket with no wear at all. Just a touch of sunning to the spine. Completely clean. This catalog was prepared to accompany the exhiibition at P.S. 1, in 2012. Texts by Peter Eeley, Michel Leiris, Jack Spicer, and Gertrude Stein. Illustrated throughout in color. 11" high X 8" wide, 171 pages. Heavy book, foreign shipping may be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Scarce 1st Edition (Rainoff, 2012). Text & images are clean & unmarked w/no rips or creases. Binding tight. Grey covers w/black titles have no rips or creases, but a stain along bottom edges of spine. Purple dust jacket is bright w/no rips, but same stain at bottom edges of spine. Quick, secure shipping w/free delivery confirmation from Los Angeles bookstore. 172 pages. Matt Connors (ilustrador).…

Hardcover. Condición: New.

Soft cover. Condición: Very Good. 2nd Edition. Second edition of 1000, printed at 90% scale to the first edition. 7.5" x 9.5" softcover book in in pink card wraps with offset purple paper dustjacket (designed to be approx. 1/4" less long than book itself). 171pp. illustrated in color. Mild-moderate wear to DJ edges, with notable white spot to front joint. Mild rubbing. Unobtrusive light color marks to bottom of page block. Catalogue coinciding with an exhibition by American abstract painter/minimalist Matt Connors at MoMa PS1, 2012. Text by Peter Eeley, Michel Leiris, Jack Spicer, and Gertrude Stein. Very nice copy of this beautiful catalogue.…

No Binding. Condición: Fine. Invitation. 1) Xavier Hufkens, Brussels, 2018. --- 2) Xavier Hufkens, Brussels, 2016. Ephemera.

Soft cover. Condición: Very Good. 1st Edition. First edition. 8.25" x 10.5" softcover in plain card wraps with offset paper dustjacket (DJ designed to be approx 1/4" less long than book itself). 171pp. with color illustrations. Clean and unmarked with sound binding. Top of spine bumped to wraps and DJ. DJ with mild edgewear, slight creasing at front fore-edge, two scratches to rear. Moderate, if tiny, scuff to the outer page block at all pages at center bottom edge, see photos. Page interiors otherwise fresh and bright. Being a catalogue coinciding with an exhibition by American abstraact painter Matt Connors at MoMa PS1, 2012. Text by Peter Eeley, Michel Leiris, Jack Spicer, and Gertrude Stein. Lovely copy of this beautiful volume.…

Paperback. Condición: new. Paperback. A vital resource for understanding the depth and significance of Ryman's practice, this volume reveals his steadfast belief that painting, when really seen, is for pleasureAmerican artist Robert Ryman believed that the poetry of painting was in feeling. For almost 60 years, he devoted himself to making paintings devoid of pictures of symbolic content, instead focusing his attention on materials and their effects. In works that range from intimate to monumental and flat to three-dimensional, Ryman explored the basic assumptions of painting--that it involves paint, on a surface, hung on a wall. His rigorous and playful body of work is marked equally by surprise and subtlety, sameness and difference, and by shifting uses of paint, gesture, support, size, line, fastenings to the wall and space. This new publication designed by Studio Mathias Clottu documents a range of Ryman's paintings, showing the variety he produced as he experimented with painting's expanse. Alongside new scholarship from influential writers, artists and musicians including Darby English, Roni Horn, Richard Tuttle and Howardena Pindell, this book includes never-before-seen archival material and pays special attention to Ryman's studio.Born in Nashville, Robert Ryman (1930-2019) moved to New York with the hopes of becoming a professional saxophonist. To make ends meet, he took a job as a security guard at the Museum of Modern Art, New York, but became fascinated with the Abstract Expressionist works on display there. He started painting in the early 1950s, and was honored with a retrospective exhibition at MoMA in 1993, almost 40 years later. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…