Clements candace (56 resultados)

Paperback. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Clements, Gary (ilustrador).

Stapled wraps. Condición: Near Fine. University of Missouri - Columbia, c 1982, stapled wraps about 7x9", Near Fine, 71 pages, Annual of the Museum of Art and Archeology, articles by Sharon Herbert, William Biers & Jose Caeiro, Albert Leonard Jr., Candace Clements, Mario Del Chiaro, Nancy Reed, [dp 0906]; H2275 OVRB6.…

Paperback. Condición: Very Good. Eat Up Healthy Food for a Healthy Earth by Candace Savage. Firefly Books, 1993. 56pp. Language: English. Condition Notes. Clements, Gary (ilustrador).

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Calte, Beverley. FRANCIS PICABIA: Eternal Beginning. 224 pages, including 128 color and 19 b&w plates. 4to, boards. Hauser & Wirth Publishers, 2025. The French avant-garde painter Francis Picabia (1879-1953) was one of the great innovators of 20th-century modernism, with a career defined by his restless, visionary approach. In 1945 he settled permanently in Paris and in his final years returned to abstract painting. This book delves into Picabia's practice between the years 1945 and 1953-an incredibly rich yet largely unknown period during which Picabia created paintings unlike anything he had produced before. Essays by art historian Arnauld Pierre and scholar Candace Clements shed new light on the hidden signs and symbols buried in his abstractions, the new painting techniques he employed, and the mysterious and fantastical reappearance of the "dot" in his work. Eternal Beginning is an essential resource, marking the first in-depth exploration of a crucial period in Picabia's practice.…

Hardcover. Condición: Brand New. 224 pages. 11.50x9.50x11.61 inches. In Stock.

Hardcover. Condición: Brand New. 224 pages. 11.50x9.50x11.61 inches. In Stock.

Condición: New. Print on Demand.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: New. 2023. Hardcover. . . . . .

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia This publication, the fourth volume of an important catalogue raisonne of the work of Francis Picabia (18791953), includes paintings and selected drawings dating from 1940 into 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjectsmulti-figure allegories, female nudes, and glamorous female "portraits"painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949three years before ill-health effectively ended Picabias half-century of artistic provocation. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Hardcover. Condición: Good. Francis Picabia - Catalogue Raisonne Vol. 1 (1898-1914) by William Camfield, Arnauld Pierre, Candace Clements & Beverley Calte. Published by Yale University Press and Mercatorfonds, 2014. Large hardback, mild shelf wear, slight lean on spine due to weight of book. Please see attached photos for more information about this copy.…

Condición: New.

Condición: New.

Condición: new.

Condición: New.

Condición: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia This publication, the fourth volume of an important catalogue raisonne of the work of Francis Picabia (18791953), includes paintings and selected drawings dating from 1940 into 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjectsmulti-figure allegories, female nudes, and glamorous female "portraits"painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949three years before ill-health effectively ended Picabias half-century of artistic provocation. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: new. Hardcover. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia This publication, the fourth volume of an important catalogue raisonne of the work of Francis Picabia (18791953), includes paintings and selected drawings dating from 1940 into 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjectsmulti-figure allegories, female nudes, and glamorous female "portraits"painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949three years before ill-health effectively ended Picabias half-century of artistic provocation. This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Clements, Candace. FRANCIS PICABIA: Catalogue Raisonne Volume IV (1940-1953). 480 pages with 580 color and b&w plates. Folio, cloth. New Haven, Yale University Press, 2023. This publication, the fourth volume of an important catalogue raisonné of the work of Francis Picabia (1879-1953), includes paintings and selected drawings dating from 1940 to 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjects, multi-figure allegories, female nudes, and glamorous female "portraits" painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949-three years before ill-health effectively ended Picabia's half-century of artistic provocation.…