Cisneros julia (21 resultados)

Soft cover. Condición: Very Good. 1st Edition. ISSN: 1045-0831. An original copy of the legendary literary journal founded in 1931. May have some minor wear. For international shipping, we may ask for additional charges, if actual costs are above quoted costs.

Soft Cover, Pictorial Wraps. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket as Issued. Paper Back Original,1st Edition1st Print. NEW COPY.

Paperback. Condición: New. Thankless, mundane, and ""never done,"" housework continues to be seen as women's work, and contemporary women poets are still writing the domestic experience - sometimes resenting its futility and lack of social rewards, sometimes celebrating its sensory delights and immediate gratification, sometimes cherishing the undeniable link it provides to their mothers and grandmothers. In Sweeping Beauty, a number of these poets illustrate how housekeeping's repetitive motions can free the imagination and release the housekeeper's muse. For many, housekeeping provides the key to a state of mind approaching meditation, a state of mind also conducive to making poems. The more than eighty contributors to Sweeping Beauty embrace this state and confirm that women are pioneers and inventors as well as life-givers and nurturers. ""My fingers are forks, my tongue is a rose.I turn silver spoons into rabbit stew/make quinces my thorny upholstery.how else could the side of beef walk/with the sea urchin roe?"" sings the cook in Natasha Saje's ode to kitchen alchemy. ""I love the notion that we can take our most poisonous angers, our most despairing or humiliated or stalemated moments, and make something good of them - something tensile and enduring,"" says Leslie Ullman. Whether we are fully present in our tasks or ""gone in the motion"" of performing them, whether our stove tops are home to ""stewpots of discontent"" or grandmother's favorite jam, something is always cooking.…

Soft cover. Condición: Near Fine. A nice copy of this scarce issue. A clean and bright copy with no markings of any kind. Typical light foxing (age-spotting) to the covers and the edges of the text block. Includes stories Sandra Cisneros, Julia Alvarez, Madison Smartt Bell, William Kotzwinikle, Lewis Nordan, and Rick DeMarinis, as well as a reprint of the classic story by Kay Boyle, "A Story Classic." (128 pages.) Ships from NC. All magazines are sealed in recycled plastic, packaged securely with recycled cardboard backing, and shipped promptly with tracking information. (B-7.). …

Condición: NEAR FINE. First appearance in print of these works. SIGNED by two authors at their stories: Alvarez at 'Floor Show' and Cisneros at 'My Friend Lucy Who Smells Like Corn' In addition to the contributors shown above, this includes stories by David Huddle, Rick DeMarinis, Antonya Nelso, Lewis Nordan and a 'story classic' reprint of Kay Boyle's 1931 story 'Rest Cure' We specialize in literary journals, and have many others - including many not yet catalogued and listed on line. Very good- in wrappers (some soiling and wear to the covers, the contents are near fine.). …

128p. mild foxing to edges and covers otherwise a good trade paperback literary journal in pictorial wraps. "Floor Show" by Alvarez appears here before the publication of her first novel, plus several other Chicano contributors as well as William Kotzwinkle, Kay Boyle and Madiscon Smartt Bell.

Magazine. 72p., 8.5x11 inches, photos, articles, features, reviews, ads, very good semi-glossy magazine in pictorial wraps. Includes a Love and Rockets strip and an article on how transvestites may save feminitiy "Sin caballero, no hay dama" by Claudia S. Meléndez and photos by Paul Myers.

Condición: New. Edgardo Antonio Vigo (La Plata, 1928-1997) produced unfathomable and multidimensional work. Useless machines, experimental poetry, woodcuts, mail art, three-dimensional work (or better known as "things"), tributes, specialized magazines, critical texts, life records, signs, "art (in) sonoro" (soundless art), added to all the material he preserved from other artists. All this configures the map of an endless file. The present collective work participates in the practice of critical discourse, but, above all, in curiosity and affective dedication towards the figure, now transfigured, of Vigo. Thanks to a precise and precious work of immersion in the archives, the authors crystallize a meticulous investigation that responds, within its enormous documentary collection, a corpus not yet explored, highlighting new-old sources, providing testimonies, new data and keys to interpretation, while reconstructing with detail and precision the "soundless" perspective of the work of the artist from La Plata. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Condición: New.

Rustica (tapa blanda). Condición: New. Estado de la sobrecubierta: Nuevo. 1. edgardo antonio vigo (la plata, 1928-1997) produjo una obra inabarcable y multidimensional. máquinas inútiles, poesía experimental, xilografía, envíos de arte correo, obra tridimensional (o mejor, cosas), homenajes, revistas especializadas, textos críticos, récords de vida, señalamientos, arte (in)sonoro, sumado a todo el material que conservó de otrxs artistas. todo este registro configura el mapa de un archivo interminable. personaje de culto y artista de vanguardia, formó parte de una red de artistas alrededor del mundo enviando obras y textos por medio del servicio de correo postal: una verdadera internet analógica antes de la red de fibra óptica, dedicada a la circulación de arte, un cruce creativo y comunicacional fundamental para tramar la estética de una época. LIBRO. …

Condición: gut. 32 S., 21 cm, gebräunt, Staubrand, Bleistiftmarkierung. Sprache: Deutsch.

Condición: Nuevo. COLECCIÓN: FONDO FONDO - ARTE DE LOS PUEBLOS INDIGENAS | HISTORIA DEL ARTE / ESTILOS DE ARTE Y DISEÑO | HISTORIA DEL ARTE Y ESTILOS DE DISEÑO: C. 1400-C. | HISTORIA DEL ARTE Y ESTILOS DE DISEÑO: C. 1600-C. | TEORIA DEL ARTE.

Condición: Nuevo. Edgardo Antonio Vigo (La Plata, 1928-1997) produjo una obra inabarcable y multidimensional. Máquinas inútiles, poesía experimental, xilografía, envíos de arte correo, obra tridimensional (o mejor, "cosas"), homenajes, revistas especializadas, textos críticos, récords de vida, señalamientos, arte (in)sonoro, sumado a todo el material que conservó de otrxs artistas. Todo este registro configura el mapa de un archivo interminable. Personaje de culto y artista de vanguardia, formó parte de una red de artistas alrededor del mundo enviando obras y textos por medio del servicio de correo postal: una verdadera internet analógica antes de la red de fibra óptica, dedicada a la circulación de arte, un cruce creativo y comunicacional fundamental para tramar la estética de una época. El presente trabajo colectivo participa de la práctica del discurso crítico, pero, sobre todo, de la curiosidad y la dedicación afectiva hacia la figura, ahora transfigurada, de Vigo. Gracias a un preciso y precioso trabajo de inmersión en el archivo, lxs autorxs cristalizan una investigación minuciosa que repone, dentro de su descomunal. …

01-03-2022 edición Edgardo Antonio Vigo (La Plata, 1928-1997) produjo una obra inabarcable y multidimensional. Máquinas inútiles, poesía experimental, xilografía, envíos de arte correo, obra tridimensional (o mejor, "cosas"), homenajes, revistas especializadas, textos críticos, récords de vida, señalamientos, arte (in)sonoro, sumado a todo el material que conservó de otrxs artistas. Todo este registro configura el mapa de un archivo interminable. Personaje de culto y artista de vanguardia, formó parte de una red de artistas alrededor del mundo enviando obras y textos por medio del servicio de correo postal: una verdadera internet analógica antes de la red de fibra óptica, dedicada a la circulación de arte, un cruce creativo y comunicacional fundamental para tramar la estética de una época. El presente trabajo colectivo participa de la práctica del discurso crítico, pero, sobre todo, de la curiosidad y la dedicación afectiva hacia la figura, ahora transfigurada, de Vigo. Gracias a un preciso y precioso trabajo de inmersión en el archivo, lxs autorxs cristalizan una investigación minuciosa que repone, dentro de su descomunal fondo documental, un corpus todavía no explorado, destacando en él nuevas/viejas fuentes, aportando testimonios, nuevos datos y claves de interpretación, al tiempo que reconstruye con detalle y precisión la perspectiva (in)sonora en la obra del artista platense. Este libro, dispositivo complejo y fascinante que es a la vez catálogo, archivo y ensayo arroja luz sobre una pieza singular (aún no del todo conocida) de la historia del arte argentino contemporáneo, su influencia local y su relación con la vanguardia internacional. páginas/pasges. …

Condición: New. Estado de la sobrecubierta: New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

Condición: new. Estado de la sobrecubierta: new. We ship worldwide. 100% guarentee.NEW.

14,5x10,5. Editorial Oficina perambulante, 2024. Encuadernación rústica. NUEVO. 10 págs. Ilustraciones de técnicas para dibujar o maquillar los labios. Poesía. Ediciones indómitas ENVIO POR CONTRAREEMBOLSO LLEVA UN CARGO ADICIONAL DE 3 EUROS.

Condición: New. 2022. paperback. . . . . . Books ship from the US and Ireland.

Condición: New. 2022. paperback. . . . . .

Paperback. Condición: New. Thankless, mundane, and ""never done,"" housework continues to be seen as women's work, and contemporary women poets are still writing the domestic experience - sometimes resenting its futility and lack of social rewards, sometimes celebrating its sensory delights and immediate gratification, sometimes cherishing the undeniable link it provides to their mothers and grandmothers. In Sweeping Beauty, a number of these poets illustrate how housekeeping's repetitive motions can free the imagination and release the housekeeper's muse. For many, housekeeping provides the key to a state of mind approaching meditation, a state of mind also conducive to making poems. The more than eighty contributors to Sweeping Beauty embrace this state and confirm that women are pioneers and inventors as well as life-givers and nurturers. ""My fingers are forks, my tongue is a rose.I turn silver spoons into rabbit stew/make quinces my thorny upholstery.how else could the side of beef walk/with the sea urchin roe?"" sings the cook in Natasha Saje's ode to kitchen alchemy. ""I love the notion that we can take our most poisonous angers, our most despairing or humiliated or stalemated moments, and make something good of them - something tensile and enduring,"" says Leslie Ullman. Whether we are fully present in our tasks or ""gone in the motion"" of performing them, whether our stove tops are home to ""stewpots of discontent"" or grandmother's favorite jam, something is always cooking.…

Paperback. Condición: Brand New. 1st edition. 156 pages. Spanish language. 9.00x6.00x0.36 inches. In Stock. This item is printed on demand.