Cipriani g b (16 resultados)

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:0847807762.…

Original Blatt in Braun (s. Abb.) Vom Oberrand ca. 2 cm leicht gebräunt, gutes Blatt. - *) Giovanni Battista Cipriani: Maler und Kupferstecher geb. 1727 in Florenz, gest. 1785 in Hammersmith bei London. s. Thieme/Becker Bd. 7. Lieferungen in die Vereinigten Staaten von Amerika (USA) ist derzeit nicht mögliche. Sprache: Englisch 27,5 x 31 Büttenpapier von . KING; Durchmesser der Darstellung ca. 17,5 cm.…

paperback. Condición: Used - Good. Some wear. Very readable copy.

No Binding. Condición: Good. "Composition", drawn by Giovanni Battista Cipriani, Engraved by Robert Samuel Marcuard. it is an original mezzotint etching printed in a characteristic brown ink. Size 31.5 x 27.5 cm; paper laid on board. Condition Good, clean. Comes with a brown mount, see scans. It is an allegory; a classical female figure, on the right in front of fluted pillars, with a pot of brushes beside her, drawing a figure of a Athena on a large oval board held up by a cupid, while another stands behind her, advising her; after Cipriani; roundel. 1786 Stipple and etching printed in brown ink. By Robert Samuel Marcuard after Giovanni Battista Cipriani, who was a founder-member of the Royal Academy, where he exhibited pictures and drawings, primarily of Classical and religious subjects, between 1769 and 1779 and taught at the Royal Academy Schools. Cipriani, G. B. Cipriani . Giovanni Battista Cipriani (ilustrador).…

844 p. annata 1984 in-8.

XIV + 975 p. Annata 1990 in-8.

No Binding. Condición: Good. "Study", drawn by Giovanni Battista Cipriani, Engraved by Robert Samuel Marcuard. it is an original mezzotint etching printed in a characteristic brown ink. Size 31.5 x 27.5 cm; paper laid on board. Condition Good, clean. Comes with a brown mount, see scans. A classical female figure, looks up on in front of a draped pillar, holding lyre in her right hand with a cupid strumming it, in her left hand is o long horn with a cupid nearby holding it's head, after Cipriani; roundel. 1786 Stipple and etching printed in brown ink. By Robert Samuel Marcuard after Giovanni Battista Cipriani, who was a founder-member of the Royal Academy, where he exhibited pictures and drawings, primarily of Classical and religious subjects, between 1769 and 1779 and taught at the Royal Academy Schools. This seems to be a very rare print as unable to find another listed on Google. Cipriani, G. B. Cipriani . Giovanni Battista Cipriani (ilustrador).…

Full-Leather. Condición: Very Good. 2nd Edition. A very good 3 volume set with 29 plates (some text engravings) and 3 maps as called for in contemporary full calf bindings. Jacob Bryant (1715-1804) is chiefly known for this work which attempts to link the mythologies of the world to stories and events in the book of Genesis. It was seen as an important publication and is credited with influencing the work of William Blake. Blake was apprenticed to the engraver James Basire whose name appears at the bottom of most of the plates, and is believed to have worked on them. The bindings are in very good clean condition and have been rebacked at some point, retaining the original spines with gilt decorative compartments and red title labels. The boards are in very good condition with some corner wear. The marbled endpapers look to be contemporary with repair at the joints. There is the armorial bookplate of William Orme Foster (1814-1899) to the front pastedowns. He was an iron and coal-master, owning the firm of John Bradley and Co, and was MP for South Staffordshire 1857-68. All 3 volumes have page markers and all page edges have been yellowed. Volumes I & II are 2nd edition; Vol III is a 1st. Vol I: half title; title; preface pp v-xvii; blank; plate list p xix; text 1-516 with 10 'plates' of which the final is un-numbered and inserted at the end of the text. Vol II: half title; title; plate list pp iii-vi; text pp 1-535 with 19 plates (one by Cipriani and one by Chambars) - the final plate un-numbered and at the end of the text. Vol III: half title; title 1776; preface pp v-viii; text pp 1-601 with 3 maps, 2 of which are folding and one of which is credited to Basire. There is a final engraving before the Finis. Contents are in very good condition. The occasional page is toned and there is very occasional spotting, mostly on the final blanks. There is offsetting from the plates, only one of which is tissue-guarded. The offsetting affects pages before and after the plate. There are a couple of ink amendments to mistypes in Vol III. The rear bottom corner of Vol II is quite fragile as are the front corners of Vol III. J Basire, William Blake, G B Cipriani, I K Sherwin, S Chambars (ilustrador).…

Paperback. Condición: Very Good. Oblong 4to (275 x 402mm). 10pp. Full-page engraved title-page, plus 9 engraved plates printed in sepia. Two tables are of 1786 (the date of the first edition), the frontispiece and 7 plates are from 1796. Blue paper covers with marbled backstrip, ms. title to front cover; (corners rounded, some brittle edges, only marginally spotted, engravings still fresh and bright). The engravings of Francesco Bartolozzi, executed with his characteristic technique of stippling, the drawings are by Cipriani (depicting eyes, ears, noses, mouths, hands, feet and faces). Cicognara, 293 for the first Italian edition.…

Original engraving. Image measures 2 5/8" x 2 7/8" This finely detailed engraving is an admission ticket, designed by G.B. Cipriani and engraved by Francesco Bartolozzi circa 1780, made for a professional concert held at Hanover Square in 1788. It features a putto, resting on a cloud holding an oval sign with the concert details. In very good condition, cropped to edge. Francesco Bartolozzi (1727-1815) was an Italian engraver who spent his most productive years in London, where he served as Engraver to King George III and became a founding member of the Royal Academy. Giovanni Battista Cipriani (1727-1785) was an Italian-born painter, draughtsman, and designer who became a key early exponent of Neoclassicism in England. He moved from Florence to London in the mid-1750s, where he spent the rest of his life producing elegant classical and allegorical designs for paintings, decorative schemes, book illustrations, and engraved prints, many of which were engraved by his close collaborator Francesco Bartolozzi. G.B. Cipriani (ilustrador).…

Original engraving. Image measures 3 1/8" x 3 3/4" This finely detailed engraving is an admission ticket designed by G.B. Cipriani and engraved by Francesco Bartolozzi in the early 1780s. It was made for a specific private or subscription ball hosted by (or benefiting) a Mr. Fierville. Signed in ink verso 'Mrs. Halsey'. It features three putti, two dancing and one playing musical instruments. In very good condition. Francesco Bartolozzi (1727-1815) was an Italian engraver who spent his most productive years in London, where he served as Engraver to King George III and became a founding member of the Royal Academy. Giovanni Battista Cipriani (1727-1785) was an Italian-born painter, draughtsman, and designer who became a key early exponent of Neoclassicism in England. He moved from Florence to London in the mid-1750s, where he spent the rest of his life producing elegant classical and allegorical designs for paintings, decorative schemes, book illustrations, and engraved prints, many of which were engraved by his close collaborator Francesco Bartolozzi. G.B. Cipriani (ilustrador).…

Original engraving. Image measures 2 7/8" x 2 7/8" This finely detailed engraving is an admission ticket, designed by G.B. Cipriani and engraved by Francesco Bartolozzi circa 1780, made for a benefit concert for an unidentified Mr. Jones. It features two putti, one playing a harp and the other holding sheet music and singing. In very good condition. Francesco Bartolozzi (1727-1815) was an Italian engraver who spent his most productive years in London, where he served as Engraver to King George III and became a founding member of the Royal Academy. Giovanni Battista Cipriani (1727-1785) was an Italian-born painter, draughtsman, and designer who became a key early exponent of Neoclassicism in England. He moved from Florence to London in the mid-1750s, where he spent the rest of his life producing elegant classical and allegorical designs for paintings, decorative schemes, book illustrations, and engraved prints, many of which were engraved by his close collaborator Francesco Bartolozzi. G.B. Cipriani (ilustrador).…

gravure de Francesco Bartolozzi (1727-1815) rehaussée en couleurs, d?après Giovanni Battista Cipriani (1727-1785), sans cadre Please notify before visiting to see a book. Prices are excl. VAT/TVA (only Switzerland) & postage.

Condición: Binding. No Jacket. First Edition. Engraved frontispiece, (1-2), vi, 8, 24, 23 (24), engraved frontispiece to Letter III + 67 (68), 12. Binding is missing except for remnants of leather and gilt on spine. Frontispiece is detached but complete with a rough edge on the hinge side and mild creasing. Engraving by Cipriani is clear and distinct. General title printed in red and black: Three letters On the Subject of the Marine Society. Let. I. On Occasion of their clothing for the Sea 3097 Men, and 2045 Boys, to the End of Dec. 1757. II. Pointing out several Advantages Accruing to the Nation from this Institution. III. Bein a full Detail of the Rules and Forms Of the Marine Society. With a List of the Subscribers to the 16th of February, and State of Accounts to the 23d of March, 1758. To which is prefixed, a General View of the Motives for establishing this Society. Each letter subsequently has its own title page. Title page has separated from the hinge for 1 1/2" at the top, but is secure. The bottom corner of last page is dog-eared and the flap has a closed tear. Text block is in very good condtion, secure and complete. Internally very clean with only light general toning and a small inventory number stamp on p. iii. Two additional smaller engravings illustrate the third letter. The Marine Society, founded in 1756, was the first charity dedicated to seafarers. Its founder, Jonas Hanway (1712-1786) was a trader who was concerned his crew would be poached to fight in the Kings navy as England was on the brink of war. His solution was as pragmatic as it was philanthropic. He recruited boys from poor backgrounds and gave them naval training so they were equipped to fight on the Kings ships. While this protected his own business interests, it also gave the boys a chance for a respected career, when few other opportunities were open to them. This began the Marine Societys relationship with what, over 100 years later, became the Royal Navy. (Marine Society website). Scarce primary source. Size: Quarto. G. B. Cipriani (ilustrador). Book.…

London, G. Bartolozzi, 1786. 9 copper-engraved plates in red ink. Blanc paper wrappers. Obl. - Covers worn; plates foxed and some of them waterstained.

Kupferstich. [ca. 16,8 x 12,6 cm]. In Balu gedruckt. Auf Blatt altmontiert, leicht stockfleckig, leichte Gbrsp. - Hds. Bleistift-Zuordnung durch Vorbesitzer: 1750 - 1800.