Christopher p heuer (52 resultados)

Paperback. Condición: Fine. Publisher overstock. May have remainder mark / minimal shelfwear. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Standard ex-library flaws, otherwise unmarked. Covers glossy. Binding square & firm. Ex-Library.

Paperback. Condición: New. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Soft cover. Condición: Fair. Oversize trade paperback. Ten pages have light-green highlighting; spine is a bit cocked; binding has faint soil; volume has wear/mottling at bottom of inner margins. xvii, [1], 330, [4] p., well illustrated [aro otob: 61].

Condición: New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Illustrated. paperback. . . . .

Condición: New. Num Pages: 158 pages, col. Illustrations. BIC Classification: ACX; AFH; AGB; AKLP. Category: (G) General (US: Trade). Dimension: 210 x 143 x 12. Weight in Grams: 226. . 2011. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Black cloth boards in very good condition. Unclipped dust jacket is clean and bright. Couple of small scuffs to top edge. Binding tight and text clean.

Condición: Fine. First edition. 4to, 334 pp. Paperback. Illustrated in color. "The newest volume in the acclaimed Clark Studies in the Visual Arts series, this collection of essays explores the intrinsic connection between art and the environment. The romance and rejection of "nature" have always occupied places at the heart of art making and art history, and the resulting practices and discourses have had significant impact on public imagination and perception of ecological crises. The essays in this volume discuss many topics at the intersection of art and ecology, including literal convergences of art and earth, such as 1960s Land Art; social ecologies, like legislative art; rhetorical discourses of environmental interconnectedness or estrangement, such as large-scale agriculture; and performative landscape/body situations, including site-based ceremonies. Ultimately, the essays here provoke us to rethink art and ecology in material-practical terms, looking for alternatives to tropes of "landscape" and 'place.'" - From the publisher.…

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover. Condición: Near Fine. Color illustrations. ; 8vo 8" - 9" tall; 292 pp; Clark Studies In The Visual Arts.

Soft cover. Condición: Near Fine. 334 page soft cover collection of essays (15) from a conference title "Ecologies, Agents, Terrains" held at Clark Art Institute in May 2017. Some illustrations with the essays plus a photo essay at the end. No flaws.

Hardback. Condición: New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: New. Glossy orange illus. wraps with white lettering. 157 pp. with 7 color/duotone plates and 64 bw figures. "In the last 30 years of the Soviet communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. This book presents a series of interconnected essays devoted to Koretsky's art and the social worlds that it hoped to transform. Produced by 5 editors who also consider the visual art, film, and music included in the exhibition Vision and Communism, presented at The University of Chicago's Smart Museum of Art.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Paperback. Condición: Brand New. 157 pages. 8.25x5.50x0.50 inches. In Stock.

Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: new.

Condición: New. 2019. Hardcover. . . . . .

Hardcover. Condición: new. Hardcover. How the far North offered a different kind of terra incognita for the Renaissance imagination.European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally "abstract," the far North-a different kind of terra incognita for the Renaissance imagination-offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a "non-site," spurring dozens of previously unknown works, objects, and texts-and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth-long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself. How the far North offered a different kind of terra incognita for the Renaissance imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: New.

Condición: New. 2019. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.