fowler caroline (195 resultados)

Condición: Good. Fowler, Rosamund Ilustrador. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Fowler, Rosamund Ilustrador. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Fowler, Rosamund Ilustrador. First Printing Hardbound VG-/Good+., DJ Rosamund Fowler, illus. 16mo square, 61, Light wear to covers. DJ has general wear. DJ is not price clipped. ISBN:1-85697-536-3.

Hardcover. Condición: New. Fowler, Rosamund Ilustrador.

Hardcover. Condición: Fine. 1st. Pictorial boards, ix, 174 pages, illustrations (chiefly colour), facsimiles (chiefly colour), map, portraits (some colour); 24 cm. Firm binding, clean inside copy. *** "The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries. In the late medieval and Renaissance period, paper transformed society-not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became 'Europeanized' through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper-as refuse and rags transformed into white surface-informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world." - Publisher. *** CONTENTS: Introduction: a new kind of route; Tracking paper routes across the early modern world; Forgetting paper's origins; The model of loss in late-medieval drawing; Albrecht Du rer and the geography of paper; Paper: modernizing the ancients' wax tablet; Conclusion: Rembrandt and a new paper world. Size: 8vo. Collectible.

Hardcover. Condición: New. The history of paper and how it transformed both art and print. New oversized hardcover with decorative paper over boards with navy buckram and gilt lettering on spine. Includes author's notes, bibliography, index, and full color illustrations throughout. 174 pp. Fast shipping in a secure book box mailer with tracking. The untold story of how paper revolutionized art making during the Renaissance, exploring how it shaped broader concepts of authorship, memory, and the transmission of ideas over the course of three centuries In the late medieval and Renaissance period, paper transformed society--not only through its role in the invention of print but also in the way it influenced artistic production. The Art of Paper tells the history of this medium in the context of the artist's workshop from the thirteenth century, when it was imported to Europe from Africa, to the sixteenth century, when European paper was exported to the colonies of New Spain. In this pathbreaking work, Caroline Fowler approaches the topic culturally rather than technically, deftly exploring the way paper shaped concepts of authorship, preservation, and the transmission of ideas during this period. This book both tells a transcultural history of paper from the Cairo Genizah to the Mesoamerican manuscript and examines how paper became "Europeanized" through the various mechanisms of the watermark, colonization, and the philosophy of John Locke. Ultimately, Fowler demonstrates how paper--as refuse and rags transformed into white surface--informed the works for which it was used, as well as artists' thinking more broadly, across the early modern world. .

Softcover. Condición: Near Fine. Color illustrations. ; 8vo 8" - 9" tall; 292 pp; Clark Studies In The Visual Arts.

oblong 12mo, pictorial boards, hardcover, 61 pages, collection of poems on friendship; a very good clean tight copy in a lightly edgeworn dustjacket with the original price sticker on the back panel.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: New. In Slavery and the Invention of Dutch Art, Caroline Fowler examines the fundamental role of the transatlantic slave trade in the production and evolution of seventeenth-century Dutch art. Whereas the sixteenth-century image debates in Europe engaged with crises around the representation of divinity, Fowler argues that the rise of the transatlantic slave trade created a visual field of uncertainty around picturing the transformation of life into property. Fowler demonstrates how the emergence of landscape, maritime, and botanical painting were deeply intertwined with slavery amp rsquo s economic expansion. Moreover, she considers how the development of one of the first art markets was inextricable from the trade in human lives as chattel property. Reading seventeenth-century legal theory, natural history, inventories, and political pamphlets alongside contemporary poetry, theory, and philosophy from Black feminism and the African diaspora, Fowler demonstrates that ideas about property, personhood, and citizenship were central to the oeuvres of artists such as Rembrandt van Rijn, Hercules Segers, Frans Post, Johannes Vermeer, and Maria Sibylla Merian and therefore inescapably within slavery amp rsquo s grasp.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Near Fine. A nice, clean copy. ; Color Plates; 8vo ; 184 pages.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: new. Paperback. Why modern and contemporary art and art conservation can't be understood without taking account of the revolutionary impact of plastics.Modern and contemporary art wouldn't exist without the invention of plastics. From sculpture to paint, and photography to film, plastics have shaped every major medium of art. In turn, plastics have revolutionised art conservation, transforming the possibilities of preservation but also producing new challenges for conservators struggling to preserve toxic and degrading material. Hailed as utopian in the twentieth century, plastics today are often understood as pollution and waste a central cause of ecological crisis. Plastics is the first book to address the multifaceted history of plastics from the perspective of artists, art historians, conservators, and environmental scientists.Plastics demonstrates that this material cannot easily be summarised as toxic or utopian, catastrophic or necessary. Instead, plastics define the modern world in both its possibility and failures. The book also reveals how artists have been a critical overlooked voice in debates about plastics, and how they have offered theories of the material through works that explore its potential and harmfulness.Presenting a variety of perspectives on the world of plastics through the lens of art, artmaking, art history, and art conservation, Plastics shows why and how coming to terms with this material is critical to understanding not only modern and contemporary art and art conservation but also the crises of the twenty-first century. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.

Condición: New.

Paperback. Condición: new. Paperback. Thought-provoking and timely, this volume challenges inherited thinking on art conservation practice and purposefully reconsiders the definition of the field. Scholars from around the world discuss topics including the conservation of global painting practices, cold storage and digitization, conservation within institutions, and the decolonization of art conservation. The authors seek to broaden the scope of conservation practice and challenge the boundaries that set it apart from art history and art making. They thoughtfully consider the implications of conservation beyond museum walls. This volume in the esteemed Clark Studies in the Visual Arts maintains the seriess tradition of providing a nuanced reckoning with vital themes in the field. A global reconsideration and broadening of the definition of art conservation through the lenses of theory, ethics, culture, and history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. Estado de la sobrecubierta: New. Fowler, Ralph (book design); Johnson, Caroline Teagle (jacket design); Ilustrador. New condition blue boards with silver spine lettering contained in a new condition non price-clipped color photographic dust jacket. Includes Preliminary Page Poem by Charles Bukowski; Preliminary Page Note re: Fonts Used for Voices in Book; Preface; Acknowledgments; Image Credits and About the Authors. Illustrated with black-and-white photographs. "I saw a picture of myself with my parents yesterday. I was five or six. I'm standing between the two of them and they've each got my hand. I looked at my face as a child and thought, My God, if only anyone could have told you what you were going to go through in this life, what you were going to be up against. That cute little blond-haired child in the matching dress with her mommy." - Lisa Marie Presley, from the rear outer jacket. "Born to an American myth and raised in the wilds of Graceland, Lisa Marie Presley tells her whole story for the first time in this raw, riveting, singular memoir faithfully completed by her daughter, Riley Keough. In 2022, Lisa Marie Presley asked her daughter to help finally finish her long-gestating memoir. A month later, Lisa Marie was dead, and the world would never know her story in her own words, never know the passionate, joyful, caring, and complicated woman that Riley loved and now grieved. Riley got the tapes that her mother had recorded for the book, lay in her bed, and listened as Lisa Marie told story after story about smashing golf carts with her friends in the yards of Graceland, about the unconditional love she felt from her father, about being upstairs, just the two of them. About getting dragged screaming out of the bathroom as she ran toward his body on the floor. About living in Los Angeles with her mother, getting sent to school after school, always kicked out, always in trouble. About her lifelong relationship with Danny Keough, about being married to Michael Jackson, what they had in common. About motherhood. About deep addiction. About ever-present grief. Riley knew she had to fulfill her mother's wish to reveal these memories, incandescent and painful, to the world. To make her mother known. This extraordinary book is written in both Lisa Marie's and Riley's voices, a mother and daughter communicating -- from this world to the one beyond -- as they try to heal each other. Profoundly moving and deeply revealing, From Here to the Great Unknown is a book like no other -- the last words of the only child of an American icon." - from the inner front jacket flap.