Christine wertheim (22 resultados)

Paperback. Condición: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Brand New. 112 pages. 10.25x8.00x0.50 inches. In Stock.

Soft cover. Condición: Fine. No Jacket. FEMINAISSANCE. Wertheim, Christine (editor) Les Figues Press, 2010. 129p. trade paperback, covers bumped/scuffed, binding tight, text clean--fine condition--15.00.

Soft cover. Condición: Near Fine. 1st Edition. Los Angeles, CA: Les Figues Press, 2007. Trade paperback. Stated First Edition. 4.5 x 9.5 inches, 109 pp., plus 3 pages describing Les Figues Press and the TrenchArt: The Casements Series. Inscribed by the author on the lower corner of the front endpaper (see images). Bound in bright red, glossy cardstock with a sturdy binding and corners that are lightly bent. Pages are clean with no names or markings; not Ex-Library. Book condition: Near Fine. An experimental collection of poetry by Christine Wertheim, published in the TrenchArt: The Casements Series, a small-press collection devoted to innovative contemporary writing that challenges traditional literary forms. Christine Wertheim is an Australian-born poet, critic, and performance artist whose work explores language, science, feminism, and experimental writing. Books are shipped quickly and securely packed in a new box. Inscribed by Author(s).…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Fine. SIGNED by Patricia Piccinni to front free endpaper. Slight fading along spine to front cover. Otherwise an excellent tight clean copy. Australia Council, Australia, 2003. Oversize Paperback. Condition: Very Good. A clean, unmarked book with a tight binding. 64 pages. Exhibition catalog first published by the Australia Council on the occasion of the exhibition Patricia Piccinini: We Are Family for the Australian Pavilion at the 50th International Biennale of Art, Venice, 15 June - 2 November 2003. 9 3/8"w x 11 7/8"h. Size: XL. GL. Signed by Author(s). …

Condición: new.

Hardcover. Condición: New. 1st Edition. Walker Art Center: 2009. Octavo. Hardcover lacking a dust jacket, as issued. First edition. Book is still in publisher's original shrink wrap and is thus in new condition.

Soft cover. Condición: Near Fine. 1st Edition. Stated 1st Edition. Near Fine. Pages clean & unmarked with no rips or creases. Binding tight. Red covers with black titles are clean & bright. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request.…

SOFTCOVER. Condición: Almost AS NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 64pp on thick art paper, colour plates, etc. Dual text in English and Italian . [CONDITION: Slight sunning to covers spine margin else an extremely well preserved AS NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Condición: Fine. - Octavo, softcover bound in pink pictorial wrappers. [40] pages, including profuse color illustrations. Near fine. Smart Art Press, Volume IX, No. 86.Catalog for an exhibition shown at Track 16 Gallery, Santa Monica from April 21 to May 19, 2007. Copy from a press release quoted on the inside front wrap reads: "The Godfrey Daniels School of Charm salutes MOCA, L.A.'s retrospective of feminist pioneers, WHACK!, with an act of rebellion entitled: The Powder Room, referencing both a lady's toilette, and the place in forts where gunpowder was stored. The works selected follow neither a thesis nor a theme. Rather, the exhibition focuses on unruly women (and a few men), whose unique work made our hair stand on end."Scarce. WorldCat locates two copies.…

Hardcover. Condición: As New. First Edition. Publisher: Walker Art Center, Minneapolis, 2009. FINE hardcover boo0k in gilt-stamped, grey and black-cloth covered boards, as issued. First Edition, First Printing. As New.

Condición: Very Good. Very Good; Softcover; Light wear to the covers; Unblemished textblock edges; The endpapers and all text pages are clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Medium-Large Format (Quatro, 9.75" - 10.75" tall); 2.3 lbs; Blue-green covers with image of fabrics, and title in white lettering; 2015, Institute for Figuring Publishing; 208 pages; "Crochet Coral Reef: A Project by the Institute For Figuring," by Marion Endt-Jones, et al.…

Paperback. Condición: As New. basically a new book, very slight shelfwear to wraps; 8.5 X 1 X 10.5 inches; 208 pages.

paperback. Condición: Very Good.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

paperback. Condición: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Paperback. Condición: Very Good. 206pp. Color and monotone photography throughout. J9.

Hardcover. Condición: new. Hardcover. Documenting the internationally acclaimed collective craft project by the Wertheim sisters that brilliantly merges ecology, knitting, science and installation artAustralian-born, California-based sister artists Margaret and Christine Wertheim draw on a unique fusion of mathematics, marine biology, traditional handicraft methods and collective art practice to create large-scale coralline landscapes both beautiful and blighted. Responding to anthropogenic crisis, their soft sculptures and wall-mounted reliefs simulate living reefs using crochet techniques to mimic in yarn the curling, crenelated forms of actual marine organisms. Initiated in 2005, the Crochet Coral Reef project has been exhibited internationally. In addition to their own reefs, the Wertheims have collaborated with communities in 50 cities and countries to create local Satellite Reefs, to which more than 20,000 people have contributed, constituting one of the largest, longest running participatory art happenings on the planet.This publication gathers the Wertheims work over the past 17 years alongside a new Baden-Baden Satellite Reef, the largest to date, encompassing over 40,000 individual coral pieces. With commissioned essays about the scientific, social, environmental, mathematical and communal dimensions of the project, the book provides a critical in-depth look at a stunning example of the power of art and community in the face of climate change. Collaborative, figurative, material, conceptual, artistic, feminist and playful, the Wertheims Crochet Coral Reef alerts us to the reality that life on Earth is nothing if not entangled.The Crochet Coral Reef risks making real and fabulated things together to open up still-possible times for flourishing. Palpable, polymorphous, terrifying and inspiring stitchery. Donna Haraway This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…