Christian uva (109 resultados)

148 Seiten, broschiert, guter Zustand.

paperback. Condición: As New. Clean, sturdy, unmarked copy in like new condition. SZ.

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 439.

Condición: New. pp. 439.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. pp. 439.

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Condición: DISCRETO. NOTA:sottolineature a lapis. / Roma, Dino Audino Editore cm.15,5x21,5, pp.142, brossura con copertina figurata a colori. Collana Manuali, 82. In questo libro, ad una prima parte manualistica tesa a spiegare l'uso delle diverse tecnologie di ripresa segue una seconda parte che raccoglie il racconto e le riflessioni di famosi registi stranieri e italiani, di giovani filmaker e di direttori della fotografia che hanno fatto esperienza del mezzo. Le testimonianze sono state suddivise a seconda del tipo di macchina da presa usata, in modo che costituiscano una sorta di manuale d'uso coerente per i differenti tipi di fruitori. Prefazione di Vito Zagarrio.…

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Condición: New. In English.

Condición: NEW.

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Paperback. Condición: New. Spectacle, myth, fable - these words instantly leap to mind when considering director Sergio Leone's celebrated films. His popularization of the Spaghetti Western genre, through works like A Fistful of Dollars (1964) and Once Upon a Time in the West (1968), continues to have a profound impact on filmmakers worldwide. In this exciting new study, Italian film scholar Christian Uva explores a side of Leone's works rarely before discussed: the political. Grappling with the contradictions between Leone's politically critical cinematic eye and his aversion to ideological classification, Sergio Leone: Cinema as Political Fable makes sense of how the director's internal political tensions shaped the radical themes of his Western fables.Looking at Leone and his films through a number of lenses, the book examines the elements of Italian history and identity interwoven in the director's stories, provides cultural context for a career spanning from Italy's fascist regime to Leone's death in 1989, and discusses the influences that formed Leone's directorial identity. Uva focuses in particular on the postmodernist theory behind Leone's works, revealing the critical basis of his stylistic and narrative innovations and newly analyzing the most iconic sequences from The Good, the Bad, and the Ugly (1967), Duck, You Sucker (1971), and Once Upon a Time in America (1984). An admirably thorough take on the man and his works, Sergio Leone: Cinema as Political Fable provides fresh perspective on a director long-established in cinema canon.…

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Paperback. Condición: Brand New. 136 pages. 9.25x6.25x0.50 inches. In Stock.

Condición: New. Despite the powerful anti-political impulses that have pervaded Italian society in recent years, Italian cinema has sustained and renewed its longstanding engagement with questions of politics. This book explores these political dimensions of contemporary Italian cinema. Editor(s): Lombardi, Giancarlo. Num Pages: 439 pages, 34. BIC Classification: ABA; APF; GTC; JFDT. Category: (P) Professional & Vocational. Dimension: 153 x 227 x 28. Weight in Grams: 632. . 2016. New edition. Paperback. . . . . …

Condición: NEW.

Condición: NEW.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Spectacle, myth, fable - these words instantly leap to mind when considering director Sergio Leone's celebrated films. His popularization of the Spaghetti Western genre, through works like A Fistful of Dollars (1964) and Once Upon a Time in the West (1968), continues to have a profound impact on filmmakers worldwide. In this exciting new study, Italian film scholar Christian Uva explores a side of Leone's works rarely before discussed: thepolitical. Grappling with the contradictions between Leone's politically critical cinematic eye and his aversion to ideological classification, Sergio Leone: Cinema as Political Fable makes sense of how the director's internalpolitical tensions shaped the radical themes of his Western fables.Looking at Leone and his films through a number of lenses, the book examines the elements of Italian history and identity interwoven in the director's stories, provides cultural context for a career spanning from Italy's fascist regime to Leone's death in 1989, and discusses the influences that formed Leone's directorial identity. Uva focuses in particular on the postmodernist theory behind Leone's works,revealing the critical basis of his stylistic and narrative innovations and newly analyzing the most iconic sequences from The Good, the Bad, and the Ugly (1967), Duck, You Sucker (1971), and Once Upona Time in America (1984). An admirably thorough take on the man and his works, Sergio Leone: Cinema as Political Fable provides fresh perspective on a director long-established in cinema canon. Celebrated film director Sergio Leone brings to mind spectacle, myth, and fable. But what about the political aspects of his films? This book offers a sophisticated portrait of Leone's professional and intellectual evolution through the lens of the political. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …