Chiara franceschini (65 resultados)

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

Paperback. Condición: New. "Seldom does a collection of art history essays leave readers yearning for a second volume."-Barbara Wisch, Renaissance QuarterlyRoman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 01 edition. 271 pages. French language. 11.00x8.50x1.00 inches. In Stock.

Condición: New. In English.

Paperback. Condición: new. Paperback. Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta. AUTHORS: Chiara Franceschini is associate professor of Early Modern Art History at the Ludwig-Maximilians-Universitaet in Munich. Her publications include Storia del limbo (2017) on images of limbo from Mantegna to Michelangelo as well as essays on the political use of antiquities and on family chapels in pre-modern Rome. She directs the ERC project SACRIMA on The Normativity of Sacred Images in Early Modern Europe on the interrelations between art and religion in Renaissance and Counter-Reformation Europe. Steven F. Ostrow, a specialist in the art of Post-Tridentine Italy and Roman Baroque sculpture, is professor of art history at the University of Minnesota. He is the author of Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore (1996), and co-editor of and contributor to Dosso's Fate: Painting and Court Culture in Renaissance Italy (1998), Bernini's Biographies: Critical Essays (2006), and Critical Perspectives on Roman Baroque Sculpture (2014). Patrizia Tosini teaches Early Modern Art History at the Third University of Rome. She has published several works on the figurative arts in the age of Counter-Reformation, among which a monograph on the painter Girolamo Muziano Dalla Maniera alla Natura (2008) and Immagini ritrovate. La decorazione di villa Peretti Montalto tra Cinque e Seicento (2015). SELLING POINT: . New discoveries on the patronage and art of several important chapels in Roman churches 120 colour, 10 b/w images New discoveries on the patronage and art of several important chapels in Roman churches, exploring thie historical and artistic phenomenon through a number of examples. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: new.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

paperback. Condición: New. 1st.

Paperback. Condición: new. Paperback. Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta. AUTHORS: Chiara Franceschini is associate professor of Early Modern Art History at the Ludwig-Maximilians-Universitaet in Munich. Her publications include Storia del limbo (2017) on images of limbo from Mantegna to Michelangelo as well as essays on the political use of antiquities and on family chapels in pre-modern Rome. She directs the ERC project SACRIMA on The Normativity of Sacred Images in Early Modern Europe on the interrelations between art and religion in Renaissance and Counter-Reformation Europe. Steven F. Ostrow, a specialist in the art of Post-Tridentine Italy and Roman Baroque sculpture, is professor of art history at the University of Minnesota. He is the author of Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore (1996), and co-editor of and contributor to Dosso's Fate: Painting and Court Culture in Renaissance Italy (1998), Bernini's Biographies: Critical Essays (2006), and Critical Perspectives on Roman Baroque Sculpture (2014). Patrizia Tosini teaches Early Modern Art History at the Third University of Rome. She has published several works on the figurative arts in the age of Counter-Reformation, among which a monograph on the painter Girolamo Muziano Dalla Maniera alla Natura (2008) and Immagini ritrovate. La decorazione di villa Peretti Montalto tra Cinque e Seicento (2015). SELLING POINT: . New discoveries on the patronage and art of several important chapels in Roman churches 120 colour, 10 b/w images New discoveries on the patronage and art of several important chapels in Roman churches, exploring thie historical and artistic phenomenon through a number of examples. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New. New discoveries on the patronage and art of several important chapels in Roman churches&Uumlber den AutorChiara Franceschini is associate professor of Early Modern Art History at the Ludwig-Maximilians-Universitaet in Munich. Her pub.

Taschenbuch. Condición: Neu. Neuware - 'Seldom does a collection of art history essays leave readers yearning for a second volume.'Barbara Wisch, Renaissance Quarterly ?Roman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.…

Condición: As New. Unread book in perfect condition.

hardcover. Condición: New. 1st.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New.

Condición: New. In English.

Paperback. Condición: New. "Seldom does a collection of art history essays leave readers yearning for a second volume."-Barbara Wisch, Renaissance QuarterlyRoman church interiors throughout the Early Modern age were endowed with rich historical and visual significance. During the sixteenth and seventeenth centuries, in anticipation of and following the Council of Trent, and in response to the expansion of the Roman Curia, the chapel became a singular arena in which wealthy and powerful Roman families, as well as middle-class citizens, had the opportunity to demonstrate their status and role in Roman society. In most cases the chapels were conceived not as isolated spaces, but as part of a more complex system, which involved the nave and the other chapels within the church, in a dialogue among the arts and the patrons of those other spaces. This volume explores this historical and artistic phenomenon through a number of examples involving the patronage of prominent Roman families such as the Chigis, Spadas, Caetanis, Cybos and important artists and architects such as Federico Zuccari, Giacomo della Porta, Carlo Maderno, Alessandro Algardi, Pietro da Cortona, Carlo Maratta.…

Hardcover. Condición: Brand New. 231 pages. In Stock.

Hardcover. Condición: new. Hardcover. Children play a key role in the visual cultures of early modern Europe. On the one hand, they are central figures because of the Christian belief in a divine embodiment as a child; on the other, since children were assigned with values of mediation and transitions between different worlds, liminality became one of the ideas that structured the extensive spectrum of their roles in premodern imaginations. By fostering a conversation between art historians from different backgrounds and specializations, this volume departs from the conventional focus on representations of children as evidence for inquiries into childhood to explore their status as (normative) images. Starting from the ancient putto and liminal representations of children, before moving on to holy children, the Christ Child or child martyrs at the crossroad of religious conflict, the eight essays in this book seek to grasp the many different ambiguous meanings carried by objects representing children and the ways in which artists and viewers reflected on the concepts of childhood and liminality between the fourteenth and the nineteenth centuries across different European trajectories: from Ravenna to Sarajevo, from Milan to Mechelen, and beyond. Holy Children is a collection of essays that offers an innovative exploration of the visualization and materiality of infancy in early modern sacred contexts in different medias, by looking at the relationship between form and meaning from a cross-cultural perspective. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

hardcover. Condición: New. 1st.

Condición: NEW.

Condición: New. pp. 100.

Hardback. Condición: New.

Paperback. Condición: Brand New. 100 pages. 9.00x6.00x0.25 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.