Cary loren (38 resultados)

Soft cover. Condición: VG. A VG or better original 11 X14 lobby card. Poster.

dvd. Condición: Used - Good.

No Binding. Condición: VG. None. This is an original vintage print trade ad that measures approximately 8 1/2 x 11 and is in VG or better condition. Ideal for framing, this ad comes protected in a plastic sleeve and backer and is shipped first class mail in a cardboard mailer. We combine shipping with multiple ads shipping at no additional charge. Size: 8" x 11". Paper.…

Soft cover. Condición: VG. A VG or better original 11 X14 lobby card. Poster.

Soft cover. Condición: VG. A VG or better original 11 X14 lobby card. Poster.

Soft cover. Condición: VG. A VG or better original 11 X14 lobby card. Poster.

Soft cover. Condición: VG. A VG or better original 11 X14 lobby card. Poster.

Kl.4°. Doppelblatt mit zahlreichen Abbildungen. Mittig leichte horizontale Faltspur. Gutes Exemplar. Illustrierte Film-Bühne Nr. 4988. Amerikanische Filmkomödie von 1958. "Wirklichkeitsferne Komödie in grellen Farben, deren Bekenntnis zur Familie durch Halbwahrheiten, plakative Geschlechterrollen und Klamauk verdeckt wird. Die nicht sonderlich inspirierte Inszenierung erhält ihre komödiantischen Glanzlichter durch die beiden gut aufgelegten Hauptdarsteller, die mit ihren unterschiedlichen Temperamenten für gute Unterhaltung sorgen" (Lexikon des internationalen Films). Sprache: de.…

Condición: New.

Hardback. Condición: New. Polaroids by American artist, musician, writer and bookshop keeper Cary Loren interleaves snapshots of his 1970s Detroit entourage with photographs of his elaborately staged collage assemblages of prints, TV stills, magazine covers, stickers, movie posters and other ephemera. The Polaroid medium enables him to manipulate what are seemingly unrelated visual idioms and image carriers in the development process by scratching and pressing the emulsion and combining them into pictures of painterly quality. Loren's alchemy of works fuses personal with mythological elements, mixing Christian iconography with icons of pop, sci-fi/monster and b-movie culture with the Golden Age of Hollywood as well as aesthetics from trash magazine publications (The National Enquirer, Famous Monsters of Filmland and Screw) into a highly idiosyncratic post-Warholian pop cultism. The Addams Family rubs shoulders with heavenly angels, as does the notions of the grotesque morphing with the beautiful. It's Loren's reinterpretation of Dante's Inferno which is lined with the chaotic backdrop of cupcakes and hearts. Loren ultimately creates ecstatic pictorial altars of memento mori, at once reverentially and irreverently indulging his obsession with pop and trash culture, glamour, transience and death. This artist's book includes an interview conducted by American artist Cameron Jamie in cemeteries beside the graves of Loren's idols (including Vampira, Ed Wood Jr, Jane Mansfield), where Loren's own life story is told against the biographical background of those buried icons of pop culture.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Polaroids by American artist, musician, writer and bookshop keeper Cary Loren interleaves snapshots of his 1970s Detroit entourage with photographs of his elaborately staged collage assemblages of prints, TV stills, magazine covers, stickers, movie posters and other ephemera. The Polaroid medium enables him to manipulate what are seemingly unrelated visual idioms and image carriers in the development process by scratching and pressing the emulsion and combining them into pictures of painterly quality. Loren's alchemy of works fuses personal with mythological elements, mixing Christian iconography with icons of pop, sci-fi/monster and b-movie culture with the Golden Age of Hollywood as well as aesthetics from trash magazine publications (The National Enquirer, Famous Monsters of Filmland and Screw) into a highly idiosyncratic post-Warholian pop cultism. The Addams Family rubs shoulders with heavenly angels, as does the notions of the grotesque morphing with the beautiful. It's Loren's reinterpretation of Dante's Inferno which is lined with the chaotic backdrop of cupcakes and hearts. Loren ultimately creates ecstatic pictorial altars of memento mori, at once reverentially and irreverently indulging his obsession with pop and trash culture, glamour, transience and death. This artist's book includes an interview conducted by American artist Cameron Jamie in cemeteries beside the graves of Loren's idols (including Vampira, Ed Wood Jr, Jane Mansfield), where Loren's own life story is told against the biographical background of those buried icons of pop culture.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. In great shape, clean text, tight binding, no stickers.

Condición: New.

Condición: New. 2022. Hardcover. . . . . .

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. Polaroids by American artist, musician, writer and bookshop keeper Cary Loren interleaves snapshots of his 1970s Detroit entourage with photographs of his elaborately staged collage assemblages of prints, TV stills, magazine covers, stickers, movie posters and other ephemera. The Polaroid medium enables him to manipulate what are seemingly unrelated visual idioms and image carriers in the development process by scratching and pressing the emulsion and combining them into pictures of painterly quality. Loren's alchemy of works fuses personal with mythological elements, mixing Christian iconography with icons of pop, sci-fi/monster and b-movie culture with the Golden Age of Hollywood as well as aesthetics from trash magazine publications (The National Enquirer, Famous Monsters of Filmland and Screw) into a highly idiosyncratic post-Warholian pop cultism. The Addams Family rubs shoulders with heavenly angels, as does the notions of the grotesque morphing with the beautiful. It's Loren's reinterpretation of Dante's Inferno which is lined with the chaotic backdrop of cupcakes and hearts. Loren ultimately creates ecstatic pictorial altars of memento mori, at once reverentially and irreverently indulging his obsession with pop and trash culture, glamour, transience and death. This artist's book includes an interview conducted by American artist Cameron Jamie in cemeteries beside the graves of Loren's idols (including Vampira, Ed Wood Jr, Jane Mansfield), where Loren's own life story is told against the biographical background of those buried icons of pop culture.…

Buch. Condición: Neu. Neuware - In Polaroids des US-amerikanischen Künstlers, Musikers, Schriftstellers und Buchhändlers Cary Loren verweben sich Schnappschüsse seiner Detroiter Entourage der 1970er-Jahre mit Aufnahmen von Assemblagen, die Loren aus Drucken, TV-Fotografien, Punkzine-Covern, Stickern, Filmplakaten und anderen Ephemera zu inszenatorischen Dispositiven montiert hat. Das dabei eingesetzte Medium Polaroid erlaubt es, scheinbar wesensfremde Bildsprachen und -träger während des Entwickelns durch Einkratzen und Pressen der Emulsion zu manipulieren und in Bildern malerischer Qualität zusammenzuführen. In Lorens Arbeiten verschmilzt wortwörtlich das Persönliche mit dem Mythologischen: Christliche Ikonografie wird mit den Ikonen des Populären, des goldenen Zeitalters Hollywoods und der Ästhetik von Punkzines (The National Enquirer, Famous Monsters of Filmland und Screw) zu einem post-Warhol'schen Popkultismus gemendelt - die Addams Family verschmilzt mit Engeln, das Groteske mit dem Schönen, Dantes Inferno mit Cupcakes. Der ultimative «Fanboy» Loren schafft so bildliche Altäre ekstatisch-popkultureller Memento mori, in denen er seiner Obsession für Trash, Glamour, das Vergängliche und den Tod huldigt. Das Künstlerbuch wird von einem Interview begleitet, in dem Loren dem US-amerikanischen Künstler Cameron Jamie vor den Gräbern seiner persönlichen Idole (darunter Vampira, Ed Wood jr., Jane Mansfield) anhand von deren Biografien seine eigene Lebensgeschichte erzählt. …

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Gebunden. Condición: New. In Polaroids des US-amerikanischen Kuenstlers, Musikers, Schriftstellers und Buchhaendlers Cary Loren verweben sich Schnappschuesse seiner Detroiter Entourage der 1970er-Jahre mit Aufnahmen von Assemblagen, die Loren aus Drucken, TV-Fotografien, Punkzine-Cover.

Buch. Condición: Neu. Polaroids | Cary Loren | Buch | 136 S. | Englisch | 2022 | Edition Patrick Frey | EAN 9783906803883 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.

Hardback. Condición: New. Polaroids by American artist, musician, writer and bookshop keeper Cary Loren interleaves snapshots of his 1970s Detroit entourage with photographs of his elaborately staged collage assemblages of prints, TV stills, magazine covers, stickers, movie posters and other ephemera. The Polaroid medium enables him to manipulate what are seemingly unrelated visual idioms and image carriers in the development process by scratching and pressing the emulsion and combining them into pictures of painterly quality. Loren's alchemy of works fuses personal with mythological elements, mixing Christian iconography with icons of pop, sci-fi/monster and b-movie culture with the Golden Age of Hollywood as well as aesthetics from trash magazine publications (The National Enquirer, Famous Monsters of Filmland and Screw) into a highly idiosyncratic post-Warholian pop cultism. The Addams Family rubs shoulders with heavenly angels, as does the notions of the grotesque morphing with the beautiful. It's Loren's reinterpretation of Dante's Inferno which is lined with the chaotic backdrop of cupcakes and hearts. Loren ultimately creates ecstatic pictorial altars of memento mori, at once reverentially and irreverently indulging his obsession with pop and trash culture, glamour, transience and death. This artist's book includes an interview conducted by American artist Cameron Jamie in cemeteries beside the graves of Loren's idols (including Vampira, Ed Wood Jr, Jane Mansfield), where Loren's own life story is told against the biographical background of those buried icons of pop culture.…

Soft cover. Condición: Near Fine. 1st Edition. Limited Edition printing of 3,000. Near Fine; looks almost like new. Clean, bright, tight, unmarked copy with no rips or creases. Quick, secure shipping with free delivery confirmation from Los Angeles bookstore. Photos available upon request. International shipping may be extra due to weight. …

Hardcover. Condición: Good. Good .Ships From Multiple Locations. book.

Softcover. Condición: Fine. 27cm x 21cm. [272] pages, illustrations, some colour. Illustrated wrappers. "Facsimile edition of Destroy All Monsters Magazine including remnants of the Â"lostÂ" seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted." (publisher's blurb) Category: Art & Design; Counterculture. ISBN/EAN: 9780978869786. Inventory No: 0026162.…

Trade paperback. Condición: Very Good. No Jacket. Limited First Edition of 2,500 copies. Jeffrey Silverthorne: Photographs by Jeffrey Silverthorne; essays by Cary Loren and Gregory Fuller. Galerie A / Book Beat Gallery / D.A.P., 1993. Limited First Edition of 2,500 copies; First printing. ISBN 1881616142. Trade paperback. Very good softcover. Light rubbing and minor edge and corner wear. Binding intact. A limited-edition monograph presenting Jeffrey Silverthorne's uncompromising photographic work, with essays by Cary Loren and Gregory Fuller. Photos show the exact item for sale. Orders ship within 2 business days. Domestic standard shipping is via USPS Media Mail. Priority Mail upgrade available. Books are securely packaged to prevent damage in transit. Delivery times are estimates provided by USPS and are not guaranteed. For the satisfaction of our customers, we DO NOT and WILL NEVER use OSM Worldwide or third-party mail consolidators. Signed by Author(s).…

Paperback. Condición: New. The influential Detroit "anti-rock" group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974-1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974-1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which serve as both documents of a proto-punk group at its height and snapshots of the collective's often hilarious attempts to construct identities as characters in the larger Destroy All Monsters mythology; early prints and drawings by Jim Shaw that show the seeds of his later work, and remain powerful images; a voluminous quantity of drawings and etching by Mike Kelley, often of monsters and political personalities, that indicate the artist's anarchic roots; and hitherto unseen drawings and prints by Niagara that show the heady imagination and sure-footed line that would continue to serve her well. Return of the Repressed leaves off just as DAM shifted into the now legendary rock band with Niagara at the helm. (20120104).…