Carels edwin (36 resultados)

Paperback. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? This title answers these questions. It focuses on the contemporary art world. Num Pages: 256 pages, 181 col, 35 b/w. BIC Classification: ABA; ACXJ. Category: (G) General (US: Trade). Dimension: 265 x 215 x 26. Weight in Grams: 1148. . 2009. paperback. . . . . Books ship from the US and Ireland.…

Condición: New. Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? This title answers these questions. It focuses on the contemporary art world. Num Pages: 256 pages, 181 col, 35 b/w. BIC Classification: ABA; ACXJ. Category: (G) General (US: Trade). Dimension: 265 x 215 x 26. Weight in Grams: 1148. . 2009. paperback. . . . .…

Softcover, new condition, still sealed in shrinkwrap; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: As New. Unread book in perfect condition.

Condición: New.

Wrappers. Condición: Fine Condition. 64 pages. Paperback exhibition catalogue, bound in stiff printed paper covers. Texts in English. Faint shelfwear to the bottom edge. Else, the binding is tight, the spine uncreased, and interior is clean and free of markings. Published on the occasion of the exhibition held from August 12, 2012-January 7, 2013. Illustrated.…

Hardcover without dustjacket as issued, 148 pages, very good condition, light rubbing to covers and small crimp to upper left corner of rear cover; no internal marks. Foreign shipping may be extra.

Condición: New.

Soft cover. Condición: Very Good. Excellent used condition, lightest shelf wear. English and German text, Ships from Berlin Bookshop bxN06.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: Brand New. 01 edition. 259 pages. 10.00x7.25x0.75 inches. In Stock.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Fine. Qto., 149 pages, colour illustrated. Bound in printed hardcovers. Unused, a Fine copy. Size: Qto. Book.

4to. 64 pp. Illustrations in color and black-and-white. Softcover binding, pictorial wraps, fine condition. (91489).

French flaps|Softcover. Condición: AS NEW COPY. ART -Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers who for over thirty years have been in the avant-garde of stop-motion puppet animation. Creating work in the tradition of Czech surrealists Jan Svankmajer and Jiri Trnka, Russian animator Yuri Norstein and Polish animator Walerian Borowczyk, they practice a design aesthetic influenced by Polish graphic artists such as Jan Lenica, Roman Cieslewicz, Franciszek Starowieyski and Henryk Tomaszewski. Since 1971, they have produced over forty-five moving images, including features, music videos, dance films, documentaries and signature personal works, and have designed sets and projections for opera, drama and concert performances. Published to accompany an exhibition at The Museum of Modern Art - the first presentation of the Quay Brothers work in all their fields of creative activity - this richly illustrated publication presents their betterknown films as well as previously unseen moving image works and a little-known body of works on paper, including graphic design, drawings, typography and notebooks for films. Identical twins Stephen and Timothy Quay are internationally renowned moving image artists and designers for over thirty years have been in avant-garde of stop-motion puppet animation. This title presents their better known films as well as previously moving image works and including graphic design, drawings, typography and notebooks for films.pp. 64 illusts. First Edition. #150325  Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.…

Paperback. Condición: new. Paperback. Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? Answers to these questions are explored here by five internationally acclaimed curators. Illustrated with the works of dozens of contemporary artists this publication attempts to shed light on the contemporary art world. Artists include: Al + Al, Annie Cattrell, Camilla Low, Eva Berendes, Francesco Gennari, Gabriel Kuri, General Idea, Goshka Macuga, Harald Thys, Jimmie Durham and many more. Text in English & Dutch. AUTHOR: Edwin Carels is programmer and curator for the International Film Festival Rotterdam (IFFR) for the Exploding Cinema section and is also affiliated as a lecturer at the KASK in Ghent. Since 2002 Bart De Baere has been the Director of the Museum of Contemporary Art of Antwerp. Before that, he was involved in policy making for two years, developing a policy for cultural heritage that envisages the whole of it as an immaterial activity. Prior to that, he was chair of the Flemish Government Council of Museums, and now he is chair of its Council for Culture. He was, among other things, an advisor to the City of Johannesburg for the foundation of the Biennale of Johannesburg and a member of the International Board of the network of Soros Centers of Contemporary Art in Eastern Europe. He was a curator of Documenta IX in Kassel. Liliane Dewachter is an author & curator who writes about visual arts. Dieter Roelstraete was trained as a philosopher at the University of Ghent and currently works as a curator at the Antwerp museum of contemporary art MuHKA. His curatorial projects there include Emotion Pictures; Intertidal, a survey show of contemporary art from Vancouver; The Order of Things; and the collaborative projects Academy: Learning from Art and The Projection Project. In 2005 he co-curated Honore d'O: The Quest in the Belgian pavilion at the 51st Venice Biennale. He is an editor of Afterall as well as a contributing editor to Prior Magazine and FR David, a journal published by De Appel arts centre in Amsterdam. Grant Watson is currently Projects Curator at MuHKA, Antwerp. ILLUSTRATIONS 200 colour illustrations Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? This title answers these questions. It focuses on the contemporary art world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Uitvoerig geà llustreerd, Engelstalig. Lichte gebruikssporen, verder goed.

Softcover, 240 pages; in English, French and Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cloth. Condición: New. Estado de la sobrecubierta: No Jacket, As Issued. 288 pages 300 illustrations 160 in color. Still in shrink-wrap. Illustrated boards. An exhibition compiled on the occasion of the Brugge Centraal city festival in 2010 and curated by Luc Tuymans, Tommy Simoens, and Edwin Carels. Book.…

Paperback. Condición: new. Paperback. Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? Answers to these questions are explored here by five internationally acclaimed curators. Illustrated with the works of dozens of contemporary artists this publication attempts to shed light on the contemporary art world. Artists include: Al + Al, Annie Cattrell, Camilla Low, Eva Berendes, Francesco Gennari, Gabriel Kuri, General Idea, Goshka Macuga, Harald Thys, Jimmie Durham and many more. Text in English & Dutch. AUTHOR: Edwin Carels is programmer and curator for the International Film Festival Rotterdam (IFFR) for the Exploding Cinema section and is also affiliated as a lecturer at the KASK in Ghent. Since 2002 Bart De Baere has been the Director of the Museum of Contemporary Art of Antwerp. Before that, he was involved in policy making for two years, developing a policy for cultural heritage that envisages the whole of it as an immaterial activity. Prior to that, he was chair of the Flemish Government Council of Museums, and now he is chair of its Council for Culture. He was, among other things, an advisor to the City of Johannesburg for the foundation of the Biennale of Johannesburg and a member of the International Board of the network of Soros Centers of Contemporary Art in Eastern Europe. He was a curator of Documenta IX in Kassel. Liliane Dewachter is an author & curator who writes about visual arts. Dieter Roelstraete was trained as a philosopher at the University of Ghent and currently works as a curator at the Antwerp museum of contemporary art MuHKA. His curatorial projects there include Emotion Pictures; Intertidal, a survey show of contemporary art from Vancouver; The Order of Things; and the collaborative projects Academy: Learning from Art and The Projection Project. In 2005 he co-curated Honore d'O: The Quest in the Belgian pavilion at the 51st Venice Biennale. He is an editor of Afterall as well as a contributing editor to Prior Magazine and FR David, a journal published by De Appel arts centre in Amsterdam. Grant Watson is currently Projects Curator at MuHKA, Antwerp. ILLUSTRATIONS 200 colour illustrations Does art have or give a meaning? Can contemporary art be a free haven of spirituality and enchantment in a time that is characterised by an increasing need for giving meaning in a globalised and sometimes virtual world? This title answers these questions. It focuses on the contemporary art world. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

HB, 297 x 210 mm, 104 pages, EN-NL edition Illustrated. ISBN 9789491262135. In selecting the photographs for this publication, Lisa Spilliaert (b.?1990) was adamant that the image of a sunrise should be among the first in her book. It is, indeed, an emblematic image. For anyone with a camera, such a splendid sunrise is an irresistible trope: a visual motif that simply begs to be captured and fixed on film. In reality, however, the magic of this scene resides in the fleeting, subtle changes in colours and vibrations. This is the dynamic that captivates us. Photography is usually understood as a technique for ?stopping? the flow of time. But as Spilliaert here demonstrates, the impact of photography can also be used to manifest an awareness of time and transience. By accentuating the photographer?s fixed position vis-à-vis the endlessly changing light source, Spilliaert evokes a correlation between stasis and movement, between the cosmic and the mundane. This duality is echoed again in the confrontation of the two equivalent silhouettes: that of the photographer and of his alias or ?partner?: a life-size technical camera.? From ?Time and Tide? Edwin Carels 0 g.…