Calsabigi ranieri de (18 resultados)

Condición: New.

Condición: New. In English.

Taschenbuch. Condición: Neu. Neuware - bTitle:/b Orpheus and Eurydice, an English Musical Drama, etc. (Translated into poetical English [by G. F. Tenducci].).br/br/bPublisher:/b British Library, Historical Print Editionsbr/br/The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.br/br/The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. br/br/++++br/The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:br/++++br/br/b/b British Librarybr/b/b Calsabigi, Ranieri de'; Tenducci, Giusto Ferdinando; br/b/b 1784.br/b/b 24 p. ; 8º.br/b/b 643.e.13.(2.)br/.…

Paperback. Condición: New. Print on Demand. This book is an intriguing and enigmatic libretto from an opera, Orfeo ed Euridice, about the mythological figure Orpheus's quest to rescue his beloved wife Eurydice from the underworld. The libretto explores themes of love, loss, and the power of music, while showcasing the author's mastery of language and lyrical prowess. Through the lens of Orpheus's journey, the author delves into the transformative nature of grief and the enduring strength of human emotion. This insightful and beautifully crafted work offers a timeless meditation on the complexities of love and the resilience of the human spirit in the face of adversity. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. …

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand pp. 32.

Condición: New. Print on Demand pp. 32.

Condición: New. PRINT ON DEMAND pp. 32.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

hardcover. Condición: Acceptable. Binding tight, pages unmarked except for name on title page. Pages lightly age-toned with rough-cut edges. Covers have edge and corner wear. As pictured. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Hardcover. Condición: Very Good. 1st Edition. Livorno: Stamperia dell' Enciclopedia, 1774. 8vo, double frontispiece, 254, 281 p., bound in publisher's original drab boards with paper spine label. First edition of this collection of poetry and drama by the noted poet, librettist, and friend of Giacomo Casanova. Calsabigi frequently collaborated with Christoph Gluck on his 'reform' operas; together they penned numerous works, including Orfeo ed Eurydice (present here). Included in this edition is a partial translation of Milton's Paradise Lost with text in English and Italian, and The Anthem by Thomson. Chip to front spine joint; boards lightly soiled, else a clean copy overall with light foxing internally, but about VG overall. OCLC locates just seven titles by Casalbigi, all of which are 19th century editions or later, and no copies of this title.…

S. l., s. n., [1784] s. d., Edizione originale. Ottimo esemplare, molto fresco (solo un lievissimo alone marginale al frontespizio). Provenienza di gran pregio: tra la prima e la seconda sguardia è legato un foglio con una lunga dedica autografa di Calzabigi a De Breme: «Je suplie S. E. Monsieur le Marquis de Breme d'agreer mon petit ouvrage comme un tribut du respect [.]. À Naples le 14 (?) Xbre 1783 De Calsabigi». Al frontespizio timbretto «De Breme»: Ludovico Giuseppe Arborio Gattinara conte di Sartirana marchese di Breme (Parigi 1754 - Milano 1828) svolse importantissimi incarichi diplomatici a Napoli, dove dal 1782 fu rappresentante del re di Sardegna, a Vienna e infine a Milano: qui, per volontà dello stesso Napoleone, divenne ministro degli Interni del Regno Italico tra il 1806 e il 1809. Fu padre del celebre letterato Ludovico di Breme. Lo scambio tra Calzabigi e Alfieri, pubblicato per la prima volta nella presente edizione e considerato uno dei più importanti documenti sul teatro italiano di fine Settecento, per la sua rilevanza venne più volte ristampato come prefazione alle Tragedie dell'astigiano. «Dopo aver sottolineato le cause della mancanza di lavori teatrali di genere tragico in Italia, [Calzabigi] fece una precisa analisi critica dei personaggi creati dall' Alfieri, dei quali sottolineava l'originalità pur facendo qualche riserva circa lo stile delle tragedie. L'Alfieri accettò serenamente le critiche, definendo l'analisi del C. "giudiziosa, ragionata e cortese" (C. Gabanizza, Dizionario Biografico degli Italiani, vol. 17, 1974). Raro, se ne contano una decina di esemplari nel catalogo Sbn. in 8°, mezza pelle, al dorso tassello rosso, fregi oro, piatti in cartonato spazzolato color sabbia, pp. [2] 71 [1] 31 [1]. Edizione originale. Ottimo esemplare, molto fresco (solo un lievissimo alone marginale al frontespizio). Provenienza di gran pregio: tra la prima e la seconda sguardia è legato un foglio con una lunga dedica autografa di Calzabigi a De Breme: «Je suplie S. E. Monsieur le Marquis de Breme d'agreer mon petit ouvrage comme un tribut du respect [.]. À Naples le 14 (?) Xbre 1783 De Calsabigi». Al frontespizio timbretto «De Breme»: Ludovico Giuseppe Arborio Gattinara conte di Sartirana marchese di Breme (Parigi 1754 - Milano 1828) svolse importantissimi incarichi diplomatici a Napoli, dove dal 1782 fu rappresentante del re di Sardegna, a Vienna e infine a Milano: qui, per volontà dello stesso Napoleone, divenne ministro degli Interni del Regno Italico tra il 1806 e il 1809. Fu padre del celebre letterato Ludovico di Breme. mezza pelle, al dorso tassello rosso, fregi oro, piatti in cartonato spazzolato color sabbia.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1776 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 43 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 43.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1768 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 67 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 67.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1770 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 75 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 75.…

Soft Cover. Condición: Good. Do Abbade Pedro Metastasio Traduzidas no idioma Portuguez, e offerecidas à Serenissima Senhora D. MARIA ANNA, Infanta de Portugal. Por João Carneiro da Silva. Tomo Primeiro. LISBOA. Na Offic. de SIMÃO THADDEO FERREIRA. Anno M. DCC. LXXXIII. Com licença da Real Meza Censoria. De 15x10,5 cm. Com [xvi], cli, [i br.], 221, [iii] págs. Encadernação da época inteira de pele. Ilustrado com folha de rosto gravada, com gravura alegórica do Teatro, com duas gravuras desenhadas por Lucius, em extratexto, de página inteira, sobre papel mais incorpado, com o retrato de Metastásio, com a data de 1783 e da Infanta D. Mariana, com a data de 1784. Único volume publicado. Muito raro. Inocêncio não refere a obra e o nome do tradutor. Só existem dois exemplares catalogados em Portugal, na BNP e na Academia das Ciências. Muito importante para o estudo da divulgação e influência da obra de Mestastasio em Portugal. As páginas preliminares sem numeração apresentam a dedicatória à Infanta D. Mariana e a prefação do autor, as páginas preliminares com numeração romana, contêm uma extensa dissertação de Rainieri de? Calsabigi, com extensas citações de poesias de Metastasio no original italiano. Este volume contém os três dramas: Artaxerxes, Adriano na Síria e Demétrio. As três páginas finais sem numeração incluem o índice, um aviso declarando que as versões traduzidas, são as últimas revistas pelo autor, e as erratas. Infanta D. Mariana Vitória de Bragança (Palácio de Queluz, 1768 - Madrid, 1788) Filha da Rainha D.Maria I e do Rei D, Pedro III, casou com o Infante Gabriel, de Espanha, filho do rei Carlos III de Espanha, em 23 de Maio de 1785. Morreu de varíola quase ao mesmo tempo que o seu marido, tendo sobrevivido um filho dos três que o casal teve e que é o antepassado dos actuais Duques de Marchena, Durcal, Hernani e Ansola. José Lúcio da Costa (Lisboa, 1763 - 1820?) entrou para a Academia de S. Lucas, em 4 de Junho de 1781. Foi um importante gravador de Buril, autor de uma extensa obra. A data de falecimento é incerta e pode ser que só tenha falecido em 1820. Pietro Mestastasio (Roma, 1698 - Viena, 1782) Poeta italiano e escritor, que se destinguiu especialmente como libretista, tendo os seus libretos de ópera sido postos em música numerosas vezes pelos maiores compositores do seu tempo. Foi poeta da Corte Imperial de Viena, desde 1729. De seu nome completo Antonio Domenico Bonaventura Trapassi. Publicou as suas primeiras poesias em 1717 e o seu primeiro libreto, Didone Abbandonata, foi posto em música, em 1724, pelo compositor Domenico Sarro. Os seus libretos foram postos em música mais de oitocentas vezes durante o século XVIII. É autor de cerca de 61 libretos para óperas, 8 para oratórias e várias dezenas para cantatas, além de numerosas poesias líricas. Ranieri de" Calzabigi (Livorno, 1714 - Nápoles, 1795) Poeta e libretista, que fez uma das mais completas edições dos libretos de Mestatasio. Ele próprio ficou famoso pelos seus libretos para as óperas do compositor Christoph Willibald Gluck, entre elas Orfeo ed Euridice, 1762, Alceste, 1767 e Paride ed Elena, 1770. [EN] 15x10.5 cm. [xvi], cli, [i bl.], 221, [iii] pp. Contemporary full leather binding. Illustrated with engraved title page, with allegorical engraving of the Theatre, with two engravings designed by Lucius, Full hors-texte page, on thicker paper, with the portrait of Metastasio, dated 1783, and of the princess Mariana, dated 1784. Single published volume. Very rare. Inocêncio does not mention the work or the name of the translator. There are only two copies catalogued in Portugal, at the BNP and the Academy of Sciences. Very important for the study of the dissemination and influence of Mestastasio"s work in Portugal. The unnumbered preliminary pages contain the dedication to princess Mariana and the author"s preface, while the preliminary pages with Roman numerals contain an extensive dissertation by Rainieri de" Calsabigi, with extensive quotations from Metastasio"s poems in the original Italian. This volume contains the three dramas: Artaxerxes, Adrian in Syria and Demetrius. The three final unnumbered pages include the index, a notice stating that the translated versions are the latest revised by the author, and the errata. Princess Mariana Vitória de Bragança (Queluz Palace, 1768 - Madrid, 1788). Daughter of Queen Maria I and King Pedro III, she married Prince Gabriel of Spain, son of King Carlos III of Spain, on 23 May 1785. She died of smallpox at almost the same time as her husband, leaving behind one of the couple"s three children, who is the ancestor of the current Dukes of Marchena, Durcal, Hernani and Ansola. José Lúcio da Costa (Lisbon, 1763 - 1820?) joined the Academy of St. Luke on 4 June 1781. He was an important engraver, author of an extensive body of work. The date of his death is uncertain and it may be that he only died in 1820. Pietro Mestastasio (Rome, 1698 ? Vienna, 1782). Italian poet and writer, who distinguished himself especially as a librettist, his opera librettos having been set to music numerous times by the greatest composers of his time. He was poet to the Imperial Court of Vienna from 1729. His full name was Antonio Domenico Bonaventura Trapassi. He published his first poems in 1717 and his first libretto, Didone Abbandonata, was set to music in 1724 by composer Domenico Sarro. His librettos were set to music more than eight hundred times during the 18th century. He wrote around 61 librettos for operas, 8 for oratorios and several dozen for cantatas, as well as numerous lyrical poems. Ranieri de" Calzabigi (Livorno, 1714 - Naples, 1795) Poet and librettist, who produced one of the most complete editions of Metastasio"s libretti. He himself became famous for his librettos for the operas of composer Christoph Willibald Gluck, including Orfeo ed Euridice, 1762, Alceste, 1767, and Paride ed Elena, 1770. Language: Português / Portuguese Location/localizacao: M-5-E-48.…