cahn miriam (62 resultados)

Condición: New.

Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: As New. Unread book in perfect condition.

Condición: Good. Bilingual. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: new. Paperback. Miriam Cahn was born in Basel in 1949. As a student at the Gewerbeschule in Basel from 1968 to 1973, she became involved in the feminist and anti-nuclear movements. This period laid the foundations for her work, which she envisages as a site of individual resistance and dissent and a means of denouncing forms of humiliation and violence. Over the course of three decades, her work has become an echo chamber for contemporary conflicts and their media coverage, from the Gulf War to the Balkan War in the 1990s to the geopolitical shifts that followed the Arab Spring and to the ongoing crises that have forced hundreds of thousands of people from the Middle East and Africa to migrate since the beginning of the 2000s. Today, her work offers a response full of rage to the war in Ukraine and the selective treatment of refugees at Europes borders.Significant solo exhibitions include Ma pensee serielle, Cahns first major retrospective in a French institution at Palais de Tokyo (Paris, 2023); GEZEICHNET at ICA Milan (2022); ME AS HAPPENING shown at the Kunsthal Charlottenborg first (2020) and in a new iteration at The Power Plant, Toronto (2021); Fremd das fremde at Palazzo Castelmur (Stampa, 2021); Sifang Art Museum, Nanjing (2020); the exhibition I AS HUMAN at Kunstmuseum Bern (2019) which travelled to Haus der Kunst, Munich (2019) and Museum of Modern Art, Warsaw (2019); Museo Nacional Centro de Arte Reina Sofia, Madrid (2019); Kunsthaus Bregenz (2019), among others. In 2022 the Museum fuer Gegenwartskunst Siegen awarded her the Rubenspreis of the city of Siegen which was accompanied by her solo exhibition MEINEJUDEN. In October 2024 her solo exhibition READING DUST opens at Stedelijk, Amsterdam.She has been the recipient of notable awards including the 14th Rubens Prize from the city of Siegen (2022), Oberrheinischer Kunstpreis Offenburg, Basler Kunstpreis, Kaethe-Kollwitz-Preis Berlin, Stroeher Preis Frankfurt/Main and the DAAD grant in 1985.Her works are included in renowned collections such as Pinault Collection (Paris), Kunstmuseum Basel, Tate Modern (London), Museo Reina Sofia (Madrid), Museum for Modern Art (Warsaw), the Museum of Modern Art (New York), Rubell Collection (Miami), Long Museum (Shanghai) and Osaka Museum. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Soft cover. Condición: Very Good. London? Milan: Drawing Room Confessions ?Mousse Magazine. Small softcover arts periodical: 58 [6] pages. In this, the third issue, Rene' Pulfer, Griselda Pollock, and Andreas Osterwalder interview artist Miriam Cahn. Condition: Very Good. Covers have some shelf-wear; no marks or writing to the publication.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

80pp. Prof. illus. (numerous color). Wraps. Second edition of the work originally published in conjunction with the exhibition "Unbenennbar (was mich anschaut)" at the Kunsthaus Zürich, Sept.-Nov. 1993, here reissued for the circulating exhibition "Umgeburg (was mich anschaut)" at the Bonner Kunstverein, the Stadtgalerie Saarbrücken, and the Heidelberger Kunstverein, 1996-1997.

Trade Paperback. Condición: Used - Good. Swiss Made is devoted to the work of fifteen Swiss artists, each of whom has made a permanent impression in the field of contemporary art. Their work is included in one of the world's most important Swiss collections of contemporary art: Hauser &Wirth. The featured artists make use of found objects and refuse, everyday things which they recycle in their art. This often results in large installations, including for example whole sections of wall and all sorts of spaces. There are often humorous and ironic allusions to other examples of art. The use of multimedia is another important feature that binds this generation. Swiss Made covers topics such as the history of Swiss art over the past twenty years, placing the Swiss art scene in an international context. Text in Dutch &English Book has minor shelf wear.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: New. 2025. paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Condición: Neuf.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 19 x 27 cm, 256 Seiten, 240 farbige Abbildungen - Ein Rückblick auf 30 Jahre Buchgestaltung und Reflexionen zum Thema Buch.

Keine An-und Unterstreichungen. Entwidmetes Bibliotheksexemplar, sonst guter Zustand. Softcover. Original geheftet. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Paperback. Condición: Brand New. German language. 9.45x6.77x0.67 inches. In Stock.

Condición: Nuevo. Todo es igualmente importante editado por Museo r.s.

Paperback. Condición: new. Paperback. Miriam Cahn was born in Basel in 1949. As a student at the Gewerbeschule in Basel from 1968 to 1973, she became involved in the feminist and anti-nuclear movements. This period laid the foundations for her work, which she envisages as a site of individual resistance and dissent and a means of denouncing forms of humiliation and violence. Over the course of three decades, her work has become an echo chamber for contemporary conflicts and their media coverage, from the Gulf War to the Balkan War in the 1990s to the geopolitical shifts that followed the Arab Spring and to the ongoing crises that have forced hundreds of thousands of people from the Middle East and Africa to migrate since the beginning of the 2000s. Today, her work offers a response full of rage to the war in Ukraine and the selective treatment of refugees at Europes borders.Significant solo exhibitions include Ma pensee serielle, Cahns first major retrospective in a French institution at Palais de Tokyo (Paris, 2023); GEZEICHNET at ICA Milan (2022); ME AS HAPPENING shown at the Kunsthal Charlottenborg first (2020) and in a new iteration at The Power Plant, Toronto (2021); Fremd das fremde at Palazzo Castelmur (Stampa, 2021); Sifang Art Museum, Nanjing (2020); the exhibition I AS HUMAN at Kunstmuseum Bern (2019) which travelled to Haus der Kunst, Munich (2019) and Museum of Modern Art, Warsaw (2019); Museo Nacional Centro de Arte Reina Sofia, Madrid (2019); Kunsthaus Bregenz (2019), among others. In 2022 the Museum fuer Gegenwartskunst Siegen awarded her the Rubenspreis of the city of Siegen which was accompanied by her solo exhibition MEINEJUDEN. In October 2024 her solo exhibition READING DUST opens at Stedelijk, Amsterdam.She has been the recipient of notable awards including the 14th Rubens Prize from the city of Siegen (2022), Oberrheinischer Kunstpreis Offenburg, Basler Kunstpreis, Kaethe-Kollwitz-Preis Berlin, Stroeher Preis Frankfurt/Main and the DAAD grant in 1985.Her works are included in renowned collections such as Pinault Collection (Paris), Kunstmuseum Basel, Tate Modern (London), Museo Reina Sofia (Madrid), Museum for Modern Art (Warsaw), the Museum of Modern Art (New York), Rubell Collection (Miami), Long Museum (Shanghai) and Osaka Museum. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. - Fremdsein und die Wahrnehmung des Anderen- Aktueller Beitrag zur Fluechtlingskrise- Geschlechtsidentitaet- Fremdsein und die Wahrnehmung des Anderen- Aktueller Beitrag zur Fluechtlingskrise- GeschlechtsidentitaetMiriam Cahns Projekt FREMD das fre.

Ohne Stempel, keine An-und Unterstreichungen, guter Zustand. Softcover. Original kartoniert oder geheftet.

Hardcover. Condición: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Einband durch Lager- oder Transportschaden -Miriam Cahns Projekt FREMD das fremde im Südtal Bergell löste im Sommer 2021 ein nachhaltiges Echo bei Publikum wie Medien aus. Die renommierte, seit Jahren in Graubünden lebende Künstlerin setzte im historischen Palazzo Castelmur mit ihren aktuellen Bildern neue, unerwartete Akzente. Im Sinn einer mehrschichtigen Performance nimmt die Publikation das Thema des Fremdseins auf und versteht sich als Vertiefung der Auseinandersetzung. Das Buch spiegelt die inhaltliche Offenheit von Miriam Cahns künstlerisch wie gesellschaftlich aufrüttelndem Projekt. Der international bekannte Schweizer Fotograf Lukas Wassmann hat die Werke in einer von Cahn selbst inszenierten, besonderen räumlichen Konstellation aufgenommen, grafisch in Szene gesetzt vom Pariser Gestalter Achim Reichert.Hatje Cantz Verlag GmbH, Mommsenstraße 27, 10629 Berlin 192 pp. Deutsch.

Softcover. Condición: Gut bis sehr gut. OKart., 8°, 100 S., mit zahl. Abb., Einband etwas unfrisch mit leicht bestoßenem Buchrücken, innen sauber. Schönes Exemplar.

15 x 20,5 cm (gefaltet) / 30 x 41 cm (ungefaltet). OKarton-Klappkarte. Sehr gutes Exemplar. Schön gestaltete Einladungskarte zur Ausstellung von Miriam Cahn bei Schmela, 1987. Mit einer großformatigen schwarz-weiß Abbildung einer Kreidezeichnung sowie verso einem Text von Miriam Cahn.

Hardcover. Condición: Sehr gut. 1. Auflage. Z : 136 Seiten/Pages, Leinen mit Schutzumschlag/clothbound - German artist Anna Lea Hucht's (born 1980) drawings and watercolors present a world as bizarre as it is magical; familiar domestic scenes contain phantom like apparitions, while her sculpture resembles mutant versions of vases and heads. This volume surveys her output of the last decade.

Paperback. Condición: new. Paperback. Miriam Cahn was born in Basel in 1949. As a student at the Gewerbeschule in Basel from 1968 to 1973, she became involved in the feminist and anti-nuclear movements. This period laid the foundations for her work, which she envisages as a site of individual resistance and dissent and a means of denouncing forms of humiliation and violence. Over the course of three decades, her work has become an echo chamber for contemporary conflicts and their media coverage, from the Gulf War to the Balkan War in the 1990s to the geopolitical shifts that followed the Arab Spring and to the ongoing crises that have forced hundreds of thousands of people from the Middle East and Africa to migrate since the beginning of the 2000s. Today, her work offers a response full of rage to the war in Ukraine and the selective treatment of refugees at Europes borders.Significant solo exhibitions include Ma pensee serielle, Cahns first major retrospective in a French institution at Palais de Tokyo (Paris, 2023); GEZEICHNET at ICA Milan (2022); ME AS HAPPENING shown at the Kunsthal Charlottenborg first (2020) and in a new iteration at The Power Plant, Toronto (2021); Fremd das fremde at Palazzo Castelmur (Stampa, 2021); Sifang Art Museum, Nanjing (2020); the exhibition I AS HUMAN at Kunstmuseum Bern (2019) which travelled to Haus der Kunst, Munich (2019) and Museum of Modern Art, Warsaw (2019); Museo Nacional Centro de Arte Reina Sofia, Madrid (2019); Kunsthaus Bregenz (2019), among others. In 2022 the Museum fuer Gegenwartskunst Siegen awarded her the Rubenspreis of the city of Siegen which was accompanied by her solo exhibition MEINEJUDEN. In October 2024 her solo exhibition READING DUST opens at Stedelijk, Amsterdam.She has been the recipient of notable awards including the 14th Rubens Prize from the city of Siegen (2022), Oberrheinischer Kunstpreis Offenburg, Basler Kunstpreis, Kaethe-Kollwitz-Preis Berlin, Stroeher Preis Frankfurt/Main and the DAAD grant in 1985.Her works are included in renowned collections such as Pinault Collection (Paris), Kunstmuseum Basel, Tate Modern (London), Museo Reina Sofia (Madrid), Museum for Modern Art (Warsaw), the Museum of Modern Art (New York), Rubell Collection (Miami), Long Museum (Shanghai) and Osaka Museum. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Softcover, 198 pages; in Spanish with English at rear; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: Sehr gut. 255 Seiten. 28 cm. Kartoniert. Sehr gut. Sprache: Englisch Gewicht in Gramm: 1243.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 0. Para Miriam Cahn (Basilea, Suiza, 1949), dibujar, pintar, fotografiar, esculpir o escribir adquieren pleno sentido al poner su propio cuerpo en movimiento. Este funciona como una herramienta performativa: no solo es representado, sino que encarna materialmente las coordenadas de edad y condición física, poniéndolas a prueba desde el trabajo artístico, tanto a diario como en el tiempo extendido de la biografía. Esta centralidad del cuerpo se relaciona con la toma de conciencia feminista de Cahn desde los inicios de su trayectoria en los años setenta, cuando desplazó el dominio habitualmente ejercido por la vista y la facultad de la razón. De ahí que explique que sus manos son su ?herramienta para pensar? y aborde medios tradicionales, como la pintura al óleo o el dibujo al carbón, aparentemente anacrónicos, de modo poco convencional, como procedimientos a través de los que establecer una peculiar relación con el tiempo. ?Siempre trabajo desde el presente?, explica Cahn. Para ella, revisitar sus obras anteriores se convierte en la oportunidad de mantenerlas con vida, a la vez que en un modo de dar distintos. LIBRO.