C john tolch (11 resultados)

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condición: Very Good. Fast Shipping - Safe and Secure 7 days a week.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Condición: New. In English.

Condición: New. Series: Contributions in Drama & Theatre Studies. Num Pages: 207 pages, illustrations. BIC Classification: AN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 159 x 19. Weight in Grams: 440. . 1989. Hardback. . . . .

Condición: New. Series: Contributions in Drama & Theatre Studies. Num Pages: 207 pages, illustrations. BIC Classification: AN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 240 x 159 x 19. Weight in Grams: 440. . 1989. Hardback. . . . . Books ship from the US and Ireland.…

Condición: New. Although children s theatre has been a part of American culture from early times, historians have not always included it in the documentation of our theatrical heritage.KlappentextrnrnAlthough children s theatre has been a part of American c.

Hardcover. Condición: Brand New. 207 pages. 9.50x6.50x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - Although children's theatre has been a part of American culture from early times, historians have not always included it in the documentation of our theatrical heritage. Sometimes more the product of the educator and the social worker than the producer or the theatre artist, theatre with and for young people has been neglected in traditional theatre history studies; yet as early as 1792 Charles Stearns began creating his plays and dialogues for school children. The traditions and success of eighteenth-century school drama inspired social workers to explore similar activities in their playground and settlement house work, and at the end of the nineteenth and the beginning of the twentieth century, professional producers began experimenting more vigorously with the commercial possibilities of children as audience. This book is a collection of essays by leading authorities in the field on various aspects of the historical development of children's theatre in the United States. The discussions focus on the marked differences that have occurred from group to group and examine the ways in which children's theatre began to find definition, as theorists and writers such as Winifred Ward and Charlotte Chorpenning strove to articulate the differences between the child as participant in creative drama and the child as audience member. The introduction provides a review of early concepts and the evolution of present-day thought, and the essays illuminate facets of the rich and varied history of American theatre with and for children. This trailblazing study will serve as the beginning of a fuller understanding of the field and a challenge to others to document the missing pieces.…