c¿lin dan (92 resultados)

Soft cover. Condición: Very Good. Stephen E. Fabian; Michael Kaluta; Richard Olsen; Dan Steffan; Tony Gleeson; Michael Nally; Joe Staton; Ilustrador. First Edition. 132 pp. Digest format. Volume 6, number 4. Light edge and corner wear with a flat uncreased spine and a small dent in the front cover. Cover art by Steve Fabian; interiors by: Michael Kaluta; Richard Olsen; Dan Steffan; Tony Gleeson; Michael Nally; and Joe Staton. This issue contains: Short Stories: Priapus by L. Sprague De Camp; Knock and See What Enters by Charles L. Grant; Top Hat by David Bischoff; The Pillars of Hell by Lin Carter; Jackson by James Sallis; Visitors by Jack Dann; Hark Was That the Squeal of an Angry Throat by Avram Davidson; and The End-of-the-World Rag by Jack C. Haldemen ll; and Novelettes: We Hold These Truths to be Self-Evident by Charles Sheffield; and A Trick of the Tail by F. X. Milhaus; along with the usual features, including a letter from L. Sprague de Camp in According to You. Size: 12mo. Book.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft. 232 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.; PULS, eine Initiative des Bukarester Nationalmuseums für Zeitgenössische Kunst (MNAC), begann in der COVID-Krise. Seitdem unterstützt das Museum rumänische Künstler:innen durch den Ankauf von über 100 relevanten Positionen, die aus einem großen Bewerbungspool von einer demokratischen Jury aus Künstler:innen und Kunstexpert:innen bedacht ausgewählt werden. PULS22 präsentiert nun in Buchform die jüngsten Ankäufe und deren Ausstellung. Der Band, wie der vorherige PULS20, ist eine spannende panoramische Momentaufnahme der dynamischen Kunstszene des Landes und stellt jede Position mit Reproduktionen, einem informativen Essay und Lebenslauf vor. Die Installationsaufnahmen im Buch zeugen von einer hervorragenden Ausstellung und dem Potenzial für zukünftige Leihgaben an kuratierte Ausstellungen andernorts. 232 pp. Englisch, Rumänisch.

Taschenbuch. Condición: Neu. Neuware -PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.; PULS, eine Initiative des Bukarester Nationalmuseums für Zeitgenössische Kunst (MNAC), begann in der COVID-Krise. Seitdem unterstützt das Museum rumänische Künstler:innen durch den Ankauf von über 100 relevanten Positionen, die aus einem großen Bewerbungspool von einer demokratischen Jury aus Künstler:innen und Kunstexpert:innen bedacht ausgewählt werden. PULS22 präsentiert nun in Buchform die jüngsten Ankäufe und deren Ausstellung. Der Band, wie der vorherige PULS20, ist eine spannende panoramische Momentaufnahme der dynamischen Kunstszene des Landes und stellt jede Position mit Reproduktionen, einem informativen Essay und Lebenslauf vor. Die Installationsaufnahmen im Buch zeugen von einer hervorragenden Ausstellung und dem Potenzial für zukünftige Leihgaben an kuratierte Ausstellungen andernorts. 232 pp. Englisch, Rumänisch.

Taschenbuch. Condición: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.

Taschenbuch. Condición: Neu. Neuware -PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.

Soft cover. Condición: New. Language:Chinese.Author:ZHOU XIANG LIN ZHU BIAN CAO DAN ZHU.Binding:.Publisher:Hubei Fine Arts Publishing House.

Soft cover. Condición: New. Language:Chinese.Author:LIN ZHI HAO JIN YI CI SHU XIAN GEI LU XUN XIAN SHENG DAN CHEN YI BAI ZHOU NIAN .Binding:.Publisher:Beijing Publishing House.

Soft cover. Condición: New. Language:Chinese.Author: MEI DU ZHE WEN ZHAI SHE BIAN FENG ZHI DAN XI LIN SHENG YI CAO DUN XIAO.Binding:.Publisher:Commercial Press.

Soft cover. Condición: New. Language:Chinese.Author:DI 11 QI FENG MIAN SHI LIN BIAO TI CI LIN BIAO LIANG ZI BEI SHUA DAN MO.Binding:.Publisher:Radio.

Taschenbuch. Condición: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.GPSR Kontakt, Heinrich-Schütz-Allee 35, 34131 Kassel 232 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.Dr. Cantz'sche Verlagsges, Prinz-Eugen-Straße 17A, 13347 Berlin 232 pp. Englisch, Rumänisch.

Taschenbuch. Condición: Neu. Neuware - 'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.; 'Parallel Lines. High Modernism in Croatia 1949-1998' dokumentiert die gleichnamige Ausstellung in Bukarests Nationalmuseum für Zeitgenössische Kunst im Jahr 2025. Gemeinsam mit dem Nationalmuseum für Moderne Kunst in Zagreb organisiert, beleuchtete sie mit 188 Positionen die Kunstszene nach der Kominform-Resolution von 1948, die Jugoslawiens Bruch von sowjetischem Einfluss markierte. Die 60er Jahre sahen Zagreb mit seinen 'Neuen Tendenzen' als Zentrum experimenteller Kunst in Antwort auf die Malerei des sozialistischen Realismus. Parallel Lines verweist auf das Nebeneinander institutionell geförderter und alternativer Kunst im jugoslawischen 'Sozialismus mit menschlichem Antlitz'. Mit öffentlichen Dialogen und Debatten sorgten die parallelen Strömungen für eine dynamische Kulturlandschaft.

Taschenbuch. Condición: Neu. Neuware - PULS, an initiative of Bukarest's National Museum for Contemporary Art (MNAC) began during the COVID-crisis. Since then, the museum supports Romanian artists by biennially purchasing more than 100 relevant creative works, carefully selected from a large pool of submissions by a democratic jury of artists and art professionals. PULS22 showcases in book-form MNAC's most recent acquisitions and their subsequent exhibition. This volume, like the former PULS20, is an exciting panoramic snapshot of the country's dynamic multigenerational art scene. The installation shots speak of an outstanding exhibition and the potential for future loans to curated shows elsewhere.; PULS, eine Initiative des Bukarester Nationalmuseums für Zeitgenössische Kunst (MNAC), begann in der COVID-Krise. Seitdem unterstützt das Museum rumänische Künstler:innen durch den Ankauf von über 100 relevanten Positionen, die aus einem großen Bewerbungspool von einer demokratischen Jury aus Künstler:innen und Kunstexpert:innen bedacht ausgewählt werden. PULS22 präsentiert nun in Buchform die jüngsten Ankäufe und deren Ausstellung. Der Band, wie der vorherige PULS20, ist eine spannende panoramische Momentaufnahme der dynamischen Kunstszene des Landes und stellt jede Position mit Reproduktionen, einem informativen Essay und Lebenslauf vor. Die Installationsaufnahmen im Buch zeugen von einer hervorragenden Ausstellung und dem Potenzial für zukünftige Leihgaben an kuratierte Ausstellungen andernorts.

Taschenbuch. Condición: Neu. PULS 22 - New Entries in the MNAC Collection | C¿lin Dan (u. a.) | Taschenbuch | 232 S. | Englisch | 2026 | Dr. Cantz'sche Verlagsges | EAN 9783969122617 | Verantwortliche Person für die EU: DCV Dr. Cantz'sche Verlagsgesellschaft, Prinz-Eugen-Str. 17a, 13347 Berlin, h[dot]baumgarten[at]dcv-books[dot]com | Anbieter: preigu.

Taschenbuch. Condición: Neu. Parallel Lines: High Modernism in Croatia 1949-1998 | C¿lin Dan (u. a.) | Taschenbuch | 232 S. | Englisch | 2026 | Dr. Cantz'sche Verlagsges | EAN 9783969122624 | Verantwortliche Person für die EU: DCV Dr. Cantz'sche Verlagsgesellschaft, Prinz-Eugen-Str. 17a, 13347 Berlin, h[dot]baumgarten[at]dcv-books[dot]com | Anbieter: preigu.

paperback. Condición: New. Paperback. Pub Date: 2022-12 Pages: 244 Language: Chinese Publisher: Contemporary China Press Interrogation is the core link in the investigation of economic crime cases. the key to closing the chain of evidence. and plays a vital role in solving economic crime cases. This book uses multidisciplinary knowledge such as criminal procedure law. criminal law. investigation. criminal psychology. and sociology. combined with a large amount of practical research by the author in the early stage of w.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -'Parallel Lines. High Modernism in Croatia 1949-1998' documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its 'New Tendencies,' became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav 'socialism with a human face.' Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape. 232 pp. Englisch.