Byron julie (16 resultados)

Magazine. The premiere issue of Shattered Magazine, June 2006 (Vol. 1, No. 1), a business magazine for upper-income professional women worldwide, with: a profile of Nicola Horlick, fund manager behind the Bramdean Asset Management; curator Iwona Blazwick, the MaxMara Prize, and winner Margaret Salmon; intellectual property in China; a look at how microfinance loans are revolutionizing the fight against global poverty; credit derivatives; Lyne and Byron Pitts; our addiction to oil; and much more. Edited by Julie Ros; guest-edited by Kathleen Kennedy Townsend. Perfect-bound; 128 pages; color and b&w illustrations throughout; 9 x 10.75 inches. Laid-in is the publisher's launch press release. Condition: Near Fine with a hint of handling/shelf wear including a light crease to the corner of the back cover. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Hard Cover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. 1st ed. fine in dust jacket. Celebrates the centenary of Raymond Chandler's birth with a collection of Philip Marlowe stories by many of the world's leading writers. Twenty-three stories including the final Philip Marlowe story, The Pencil. Includes two AWARD Nominated stories-- "The Man Who Knew Dick Bong" by Robert Crais was Nominated for a SHAMUS AWARD and "In the Line of Duty" by Jeremiah Healy also nominated for a SHAMUS AWARD. Each story is illustrated. Book.…

soft cover. No Jacket. 1st edition. Illustrated with black and white photographs. 20 cm. 234 pages FR. Ex-library, reading copy, fair condition.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1972 Edition. Schumaker, Byron (ilustrador).

57 pp.; 20.2 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, June 2 - July 15, 1984. The "Outside New York" portion of the exhibition held at The Bellevue Art Museum, Bellevue, Washington, January 12 - February 24, 1985. Curated by Lynn Gumpert and Ned Rifkin. Preface by Marcia Tucker. Artists included Michael Byron, Myrel Chernick, Moira Dryer, Paulus Musters, Laura Newman, Jan Staller, Stephen Whisler, Yee Jan Bao, Roger Boyce, Julie Bozzi, Michael Kessler, Kay Miller, Susan Whyne, and Robert Yarber. Includes checklist of the exhibitions. Very Good. Light rubbing of cover edges and along spine with a 2 mm. stain to recto and 1.5 cm. stain to verso. Contents otherwise clean and unmarked.…

Condición: New. Print on Demand. Oaks, Sammantha (ilustrador).

Condición: New. Oaks, Sammantha (ilustrador).

Taschenbuch. Condición: Neu. Neuware - Please note: This is the 'Jamiekan Spellings' version of the Jamaicasaurus. The Common Spellings version has a green cover.The Jamaicasaurus features 4,200 English entries and over 15,000 Jamaican results, functions as both a translation dictionary and a thesaurus. It's the only translation dictionary to go from English to Jamaican Creole (Patois) and also the only book that can function as a thesaurus for the dialect. The Jamaicasaurus thus serves not only foreigners but also native speakers searching for alternate words and expressions, recent slang, and old terms from the past. To use this book as a thesaurus, simply look up the English equivalent of the Jamaican word or phrase you have in mind to see the various Jamaican synonyms listed. The appendix at the back of the book additionally features lists of Jamaican expletives and exclamations from mild to vulgar, odd curiosities, and the local Jamaican names for 278 important species of plants and trees used in Jamaica for food, medicine, and cultural purposes (listed by scientific name first). Furthermore, and quite importantly, the Jamaicasaurus bridges the gap between the common English-based way of writing Jamaican Patois words and the Cassidy-JLU (or 'Jamiekan') system developed by Jamaican linguists to more consistently and accurately represent how those words really sound. This version of the book uses that format. It's easy to learn and worth trying. The other version of the Jamaicasaurus, featuring common English-based spellings, is also available on Amazon and features a green cover.…

Taschenbuch. Condición: Neu. Neuware - This book functions as both a translation dictionary and a thesaurus. With some 4,200 English entries and over 15,000 Jamaican results, it is the only translation dictionary to go from English to Jamaican Creole (Patois) and also the only book to function as a thesaurus for the dialect. The Jamaicasaurus thus serves not only foreigners but also native speakers searching for alternate words and expressions, recent slang, and old terms from the past. If you're a speaker of Jamaican Patois/Patwa/Creole and want to use this book as a thesaurus, simply look up the English equivalent of the Jamaican word or phrase you have in mind to see the various Jamaican synonyms listed. The appendix at the back of the book additionally features lists of Jamaican expletives and exclamations from mild to vulgar, odd curiosities, and the local Jamaican names for 278 important species of plants and trees used in Jamaica for food, medicine, and cultural purposes (listed by scientific name first). Furthermore, and quite importantly, Jamaicasaurus bridges the gap between the common English-based way of spelling Jamaican words and the Cassidy-JLU (or 'Jamiekan') system developed by Jamaican linguists. This version of the book displays words in the English-based spelling format, but it also uses the Jamiekan format for sample sentences where they occur. A 'Jamiekan Spellings Version', featuring exclusively the Cassidy-JLU (Jamiekan) format, is also available. It has a light blue cover.…

Hardcover. Condición: Very good. Estado de la sobrecubierta: Fair. First Printing [Stated]. 29 cm, 128 pages. Profusely illustrated (many in color). Picture Index. Text by William Safire and art direction by Byron Schumaker. Eye On Nixon is not meant to be a photographic history of the Nixon Administration; nor is it an effort to show everything President Richard Nixon has done or everywhere he has been. Julie Nixon Eisenhower presents a vivid picture of her father as a man-doing his job as President, but more than that, being the kind of man she knew him to be-kind, thoughtful, shy, direct, humorous. There definitely is a sense of buoyancy, a feeling of hope, an assurance that "tomorrow will be better" that runs deep in my father's personality. It is this sense of joy of living and confidence that I have tried to capture through photographs. What my father calls "the life of a driving dream" is good for a person, it is good for a family, and I like to think it is good for a country. William Lewis Safir (December 17, 1929 - September 27, 2009), better known as William Safire, was an American author, columnist, journalist, and presidential speechwriter. He was a public relations executive from 1955 to 1960. Previously, he had been a radio and television producer and an Army correspondent. He worked as a publicist for a homebuilder who exhibited a model home at an American trade fair at Sokolniki Park in Moscow in 1959-the one in which Richard Nixon and Nikita Khrushchev had their famous Kitchen Debate. A widely circulated black-and-white photograph of the event was taken by Safire.[6] Safire joined Nixon's campaign for the 1960 Presidential race, and again in 1968. After Nixon's 1968 victory, Safire served as a speechwriter for him and for Spiro Agnew; he is well known for having created Agnew's famous term, "nattering nabobs of negativism." Julie Nixon Eisenhower (born July 5, 1948) is an American author who is the younger daughter of Richard Nixon, 37th President of the United States, and Pat Nixon, First Lady of the United States, and is the wife of David Eisenhower, grandson of President Eisenhower. Julie and David settled in Berwyn, Pennsylvania, where she completed several books, including Pat Nixon: The Untold Story and Going Home to Glory; A Memoir of Life with Dwight D. Eisenhower, written with her husband David Eisenhower. Byron Schumaker (Art Director) (ilustrador).…

Condición: New. Print on Demand.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

3 vol. : vol. 1: 144 pp. ; vol. 2: 163 pp. ; vol. 3: 186+ pp.; 3 vol. : vol. 1: 27 x 20 cm. ; vol. 2: 26.5 x 21 cm. ; vol. 3: 27.5 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. Those who are interested, curious, or have something to add (be it pro or con) to the editorial thrust . the revaluation of ideology . of the first issue are encouraged, even urged, to contribute to following issues. All other correspondences are welcome." -- preface to Volume One. Issue 1, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, and Preston Heller. Contents include: "A Declaration of Dependence," by Sarah Charlesworth; "For Thomas Hobbes," by Michael Baldwin and Philip Pilkington; " The Artist as Anthropologist," by Joseph Kosuth; " Are You Not Doing What You're Doing While You're Doing What You Are," by Andrew Menard; "A Note on Art in Yugoslavia," by Zoran Popovic and Jasna Tijardovic; "Pricing Works of Art," by Ian Burn; "To Art (Reg. Intrans. V.)," by Adrian Piper; "On Practice," by Mel Ramsden; "Historical Discourse," by Michael Corris; "Education Bankrupts," by David Rushton and Paul Wood; "Counterfeit Interview," by Preston Heller; "Optimistic Handbook," by Lynn Lemaster; "Looking Back, Going On," by Terry Atkinson; "Perimeters of Protest," by Mel Ramsden; "Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections," by Ian Burn; "A Forum on Artforum," by Karl Beveridge; and "Thinking About Tim Clark and Linda Nochlin," by Ian Burn. Issue 2, published in 1975, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "Book Review: John Berger's 'Ways of Seeing,'" by Eunice Lipton; "Review: Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get"; "Brice Marden's Painting,'" by Mel Ramsden; "Review: Fighting Modern Masters," by Terry Smith; "Dear Fox." by Lizzie Borden; "Memo For the Fox," by Sarah Charlesworth; "Review: 'Cityarts Workshop: People's Art in New York City,'" by Mel Ramsden; "Conversation Pieces," by Mark Klienberg; "A Proposal For Pricing Works of Art," by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Adrian Piper; "Book Review: 'On Understanding Art Museums,'" by Andrew Menard; "Review: Ian Wilson's Discussion at the John Weber Gallery," by Michael Corris; "Review: 'Art-Language' Volume 3 Number 2," by Ian Burn; "Bruce Kurtz: A Conversation with Robert Smithson"; "Stefan Morawski: Concerning an Attack by Sandra Harrison"; "Letters from Jean Toche, Robert Horvitz, Paul Kagawa, Annson Kenney, and others"; "Direct Speech," by David Rushton and Paul Wood; "1975," by Joseph Kosuth; "Doing Art History," by Terry Smith; "Media Madness," by Andrew Menard and Ron White; "Looking Back, Going On - Part 2," by Terry Atkinson; "Don Judd," by Karl Beveridge and Ian Burn; "Yet Another Palace Revolt in the Banana Republic?" by Michael Corris; "On Samuel Beckett's 'Waiting for Godot,'" by Trevor Pateman. Issue 3, published in 1976, edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Contents include: "The Lumpen-Headache," by Peter Benchley; "Review: Not on the Development of Contradiction," by Kathryn Bigelow; "For Artists Meeting," by Sarah Charlesworth; "Review: Under the Rug," by Martha Rosler; "Review: Framing & Being Framed - Or, Are We Going to Let Barbara Rose Get Away with 'Dialectics' this Year?" by Mel Ramsden; "Having-Your-Heart-In-The-Right-Place is Not Making History," by Art & Language UK; "Worst of All Allies," by Art & Language UK; " The Edge of the Edge," Carole Condé and Karl Beveridge; " Autopatripassionata," by Christine Kozlov and Mayo Thompson; "Review: Chic Kicking Muse," by Sharlene Spingler; "Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of their colleagues, Furry and Feathered Friends," by Art & Language UK; " For Your Reference," Ian Wilson; "Review: Convoy," by Mayo Thompson; "The 'Liquidation' of Art: Self-Management or Self-Protection," by Jasna Tijardovic; "Bathysiderodromophobia," Ross Neher; "Has Your License Expired," by Nigel Lendon; "Work," by Joseph Kosuth; "Method or Mouthtalk," by Fern Tiger and Edward Robbins; "The Organization of Culture under Monopoly Capitalism, Part I: 'How Do You Feel About the Arts and Artifacts Indemnity Act?' The Organization of Culture under Monopoly Capitalism, Part II: Culture Ain't No Headless Horseman," by Michael Corris, Preston Heller, Andrew Menard; "History," by David Rushton and Paul Wood; "On the Class of Character in Art," by Goram Djordjevic; "Sociological Art as Utopian Strategy," by Hervé Fischer; "Art-Learning," by David Rushton and Paul Wood; correspondence by Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others; and notes: "May Stevens: Art & Class"; Jane Klion & Julie Wolf: Students Fighting Faculty at WU; Mayo Thompson: Natural Alliances; For the Sensitive Stefan Morawski: Theses on Aesthetics. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 72 - 73 and 77. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 261. Fair / Good. Volume One: light creasing of recto and verso; 10 cm. moisture soiling to bottom edge of recto carrying through to all pages; rubbing of cover edges with rounding of corners; previou.…

Soft Cover. Condición: Good. Tradução de Marly Berg. Record: Nova Era. Rio de Janeiro. 1998. De 21,5x14 cm. Com 238, [ii] págs. Brochado. Ilustrado no texto com fotografias a preto e branco. Exemplar com leve sinais de manuseamento, leve dano á cabeça da charneira da capa anterior, indício de oxidação na primeira e última folha e etiqueta da Dinalivros na folha de anterrosto. Language: Português / Portuguese Location/localizacao: I-197-H-16.…

Condición: Good. Mexican movie poster. 94 cm. x 69 cm. Folded with signs of use, mainly on the edges. Se trata de un cartel de mostrar real de la película. Se doble con signos de uso, principalmente en los bordes.