buthpitiya vindhya (50 resultados)

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Paperback. Condición: New. Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.

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Paperback. Condición: new. Paperback. Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condición: new. Paperback. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Vindhya Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agentssimultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Condición: Brand New. 256 pages. 9.00x6.00x9.00 inches. In Stock.

Paperback. Condición: New. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lanka's protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Vindhya Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agents-simultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Vindhya Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agentssimultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condición: NEW.

Paperback. Condición: new. Paperback. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. From state-commissioned images meant to surveil and rebel documentation of armed resistance, to the fragile memorials created from identity photographs of the disappeared, A Volatile Picture traces the making and moving of images across borders, communities, and generations. Studio portraits, passport pictures, family albums, atrocity photography, social media posts, and more act not only as records of loss and horror but also as vital tools for protest, solidarity, and the realization of alternate political futures. Drawing on transnational archival and ethnographic encounters and long-term fieldwork in northern Sri Lanka, Vindhya Buthpitiya situates photography as both a volatile medium and a political practice. Photographs emerge here as incendiary agentssimultaneously evidencing and triggering violence, sustaining memory, and inciting new visions of liberation.This is the first in-depth study of Tamil photographic practices in Sri Lanka, offering a major contribution to the anthropology of war, visual culture, and South Asian studies. Richly researched and deeply humane, A Volatile Picture demonstrates how, amid devastation and displacement, photographs continue to generate truths, solidarities, and hopes that resist erasure. Photography as witness and weapon amid civil warThis groundbreaking ethnography explores how, in the context of Sri Lankas protracted civil war and its turbulent aftermath, photography has become bound to the Tamil political imagination. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: new. Paperback. Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: New. 2026. paperback. . . . . .

Condición: New.

Paperback. Condición: New. Citizens of Photography explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography's performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography's open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.