Bonin vincent (33 resultados)

Spiral Bound. Condición: New.

hardcover. Condición: Very Good. A very good hardcover. No dust jacket, as issued. No markings. Some very light edgewear to boards. Previous seller's sticker to back board.

Spiral-bound. Condición: Brand New. 80 pages. 11.40x8.50x0.20 inches. In Stock.

Hardcover. Condición: New. First Edition. New pictorial hardcover first edition. 160 pages, unmarked ; DD1019 OVR62; 160 pages.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Hardcover. Condición: new. Hardcover. Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'"-Lucy R. Lippard, Six YearsIn 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book.The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices.With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle. Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Soft cover. Condición: Good. 1st Edition. Soft cover book in good condition. Wear to wraps, small stains to back. Light bending of some page edges. Interior pages bright and clean, an excellent resource copy. Questions welcome. We ship internationally from the United States and Canada every week. If buying internationally, please be aware that additional charges may apply for heavier books. We guarantee a safe, quick, and secure transaction. 10+ years in online bookselling experience.…

Condición: New. pp. 304 First Edition.

Hardcover. Condición: New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover. Condición: New. Special order item direct from the distributor.

Condición: New. Published on the occasion of the exhibition The Six Years' Project: Lucy R. Lippard and the Emergence of Conceptual Art, September 14, 2012-February 3, 2013, organized by Catherine Morris, Curator of the Elizabeth A. Sackler Center at the Brooklyn Museum, and the independent scholar Vincent Bonin. Editor(s): Morris, Catherine J.; Bonin, Vincent. Num Pages: 304 pages, 184 color illus., 33 b&w illus. BIC Classification: ACXJ5. Category: (P) Professional & Vocational. Dimension: 261 x 224 x 30. Weight in Grams: 1522. . 2012. First edition. Hardcover. . . . .…

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New. Published on the occasion of the exhibition The Six Years' Project: Lucy R. Lippard and the Emergence of Conceptual Art, September 14, 2012-February 3, 2013, organized by Catherine Morris, Curator of the Elizabeth A. Sackler Center at the Brooklyn Museum, and the independent scholar Vincent Bonin. Editor(s): Morris, Catherine J.; Bonin, Vincent. Num Pages: 304 pages, 184 color illus., 33 b&w illus. BIC Classification: ACXJ5. Category: (P) Professional & Vocational. Dimension: 261 x 224 x 30. Weight in Grams: 1522. . 2012. First edition. Hardcover. . . . . Books ship from the US and Ireland.…

Hardcover with dustjacket, 276 pages; very good condition, light rubbing to dj; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Near Fine. 1st Edition. French Style Cover. Illustrated In B/W. This Historical Publication Reproduces Over 250 Documents From The 60S And 70S Drawn From 10 Archival Fonds And Includes 6 Case Studies. Text In English And French. Slight Signs Of Shelf Wear To Book Covers And Tiny Bump To Head Of Spine, Otherwise In Excellent Condition. Small 4to.…

Condición: New. pp. 304.

Soft cover. Condición: Very Good. Estado de la sobrecubierta: Good. includes both dvds.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition. 4to. Charcoal cloth with silver lettering to the spine, fine in a near fine dust jacket. First printing.

Hardcover. Condición: Brand New. 304 pages. 10.20x8.80x1.20 inches. In Stock.

Softcover, 416 pages; in English and French; very good condition; except small crease to lower right corner of last half of pages; no internal marks. Foreign shipping may be extra.

Hardback. Condición: New.

Spiral Bound. Condición: New.

Hardcover. Condición: new. Hardcover. Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. "Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'"-Lucy R. Lippard, Six YearsIn 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book.The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices.With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle. Lucy R. Lippard's famous book, itself resembling an exhibition, is now brought full circle in an exhibition (and catalog) resembling her book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Condición: New.

Condición: fine. vendeur professionnel. envoi soigne en 24/48h. le livre peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques.