Bob nowlan (31 resultados)

Paperbound. Condición: Good. Description: Stan Lee presents Second Wind. ''It was a dance of vengeance, of love, of cold hatred -- a dance of merciless destruction. And yet, in it is fury, a man might be made whole again.'' Special double sized issue. Featuring the X-Men and the Fantastic Four. Rosen and Higgins, Letterers; Christie Scheele, Colorist; Linda Grant, Editor, with Jim Shooter as Editor in Chief. The cover price is one dollar. BINDING/CONDITION: paperbound; standard comic book binding; Good condition. about 10.25 inches tall by 6.75 inches wide. …

Paperback. Condición: Very Good. Clean, no writing. Quick shipment.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: Very Good. No Jacket. Not ex-library. Boards are ombre from green to blue with black lettering. The spine is white with black lettering. The binding is firm but there is a small tear on the lower inside of the front cover. The pages are clean. The book is unread and it still has a few uncut pages. Bob Nowlan is a Professor Emeritus at UW-Eau Claire. He uses the music of Ian Curtis and Ian s band, Joy Division, to explore the meaning, value and purpose of existence. 1194 pp. Shelf: C-6.…

Paperback. 324p., slightly shelf worn wraps, else very good condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Scotland, its people, and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars, and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial, and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films, and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance, and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shelland Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinemas most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotlands cinematic traditions and contributions. Chapters discuss filmmakers, production, finance, documentary and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: new. Paperback. Scotland, its people, and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars, and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial, and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films, and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance, and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shelland Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinemas most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotlands cinematic traditions and contributions. Chapters discuss filmmakers, production, finance, documentary and more. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New. Print on Demand.

Paperback. Condición: New. Scotland, its people and its history have long been a source of considerable fascination and inspiration for filmmakers, film scholars and film audiences worldwide. A significant number of critically acclaimed films made in the last twenty-five years have ignited passionate conversations and debates about Scottish national cinema. Its historical, industrial and cultural complexities and contradictions have made it all the more a focus of attention and interest for both popular audiences and scholarly critics. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films and filmmakers, while adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters on filmmakers range from Murray Grigor to Ken Loach, and Gaelic filmmaking, radical and engaged cinema, production, finance and documentary are just a few of the topics explored. Film reviews range from popular box office hits such as Braveheart, and Trainspotting to lesser known but equally engaging independent and lower budget productions, such as Shell and Orphans. This book is both a stimulating and accessible resource for a wide range of readers interested in Scottish film.…

PF. Condición: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -In Excessive Flashpoints, Solitary Demands, Darkest Corners: Ian Curtis, Joy Division, Critical Theory, and Me I inquire into issues of fundamental and ultimate concern: the meaning, value, and purpose of existence; our responsibility to and for others; human beings as complex, multiple, contradictory, and dynamic; the challenge of intimacy and the power of love; the quest for authenticity and the struggle for integrity; what it means to be included and excluded along with how as well as why this occurs; how social change happens along with what can be the contribution of artistic and cultural work toward this transformation; and the ethical responsibility to confront myriad metaphorical 'darknesses' in our individual and social lives, despite how challenging, difficult, and painful such confrontation can so often be. I pursue this inquiry by staging a dialogue between critical theory and popular music. I explore how intelligent, sensitive popular music engages the same issues as does critical theory and can help us to better understand and especially better feel how vital, urgent, concrete, and relevant critical theory can be. I use the music as art of pioneering post-punk musician Ian Curtis and his band Joy Division as my vehicle in so doing, drawing upon my experience teaching five upper level undergraduate university classes focused on Ian Curtis, Joy Division, and Critical Theory, at the University of Wisconsin-Eau Claire: English 484, Seminar in Theory and Criticism: Ian Curtis and Joy Division in (Historical and Cultural) Context, Fall 2011; English 484, Seminar in Theory and Criticism: Ian Curtis, The Myth and The Music, Fall 2014; Honors 304, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2016; Honors 337, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2017; and English 484, Seminar in Theory and Criticism: 'Let's Take a Ride Out, See What We Can Find': Popular Music, Issues of Fundamental and Ultimate Concern, Empathy and Solidarity-Ian Curtis, Joy Division, and Critical Theory, Spring 2019. The work my students have done in these classes, and their enthusiasm for what we have explored together, inspires me to write this book-as does my now 45+ years' immense passion for Ian Curtis and Joy Division, life and work, and, especially, music as art. Joy Division has been my persistently all-time favorite musical group and Ian Curtis my persistently all-time favorite individual musician, and the work I have done in teaching the aforementioned classes, and on this book, represents my attempt to account for how and why that might be. Accordingly, and following advice of colleagues who attended two public presentations concerned with my work teaching and writing about Ian Curtis, Joy Division, and critical theory, this book is a part personal memoir. As a part personal memoir, I make reference to diverse areas and periods of my life-experience but I concentrate on my 38 years as a university teacher, and in particular as a teacher of critical theory and of critical studies in literature, film, television, popular music, and popular culture. This is a book, in sum, for anyone who loves popular music, who cares to think and talk about 'big issues', who believes in the importance of empathy, and who would like to help contribute toward forging a substantive culture of solidarity-especially by engaging with what popular culture, and in particular popular music, has to offer in that quest. I hope this book will show readers that critical theory can be concrete, relevant, and urgent-especially in sustained dialogue with popular culture and in particular popular music-and that popular culture, notably popular music, can, in turn, contribute meaningful and impactful ways of helping make sense of, along with meaningful and impactful modes of helping engage with, issues of ultimate and fundamental importance. 1196 pp. Englisch.…

Condición: New. Print on Demand pp. 300.

Condición: New. Print on Demand pp. 300.

Condición: New. PRINT ON DEMAND pp. 300.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema's most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotland's cinematic traditions and contributions. Chapters discuss filmmakers, production, finance, documentary and more.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Directory of World Cinema: Scotland provides an introduction to many of Scottish cinema s most important and influential themes and issues, films and filmmakers, adding to the ongoing discussion concerning how to make sense of Scotland s cinematic tradition.…

Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -In Excessive Flashpoints, Solitary Demands, Darkest Corners: Ian Curtis, Joy Division, Critical Theory, and Me I inquire into issues of fundamental and ultimate concern: the meaning, value, and purpose of existence; our responsibility to and for others; human beings as complex, multiple, contradictory, and dynamic; the challenge of intimacy and the power of love; the quest for authenticity and the struggle for integrity; what it means to be included and excluded along with how as well as why this occurs; how social change happens along with what can be the contribution of artistic and cultural work toward this transformation; and the ethical responsibility to confront myriad metaphorical 'darknesses' in our individual and social lives, despite how challenging, difficult, and painful such confrontation can so often be. I pursue this inquiry by staging a dialogue between critical theory and popular music. I explore how intelligent, sensitive popular music engages the same issues as does critical theory and can help us to better understand and especially better feel how vital, urgent, concrete, and relevant critical theory can be. I use the music as art of pioneering post-punk musician Ian Curtis and his band Joy Division as my vehicle in so doing, drawing upon my experience teaching five upper level undergraduate university classes focused on Ian Curtis, Joy Division, and Critical Theory, at the University of Wisconsin-Eau Claire: English 484, Seminar in Theory and Criticism: Ian Curtis and Joy Division in (Historical and Cultural) Context, Fall 2011; English 484, Seminar in Theory and Criticism: Ian Curtis, The Myth and The Music, Fall 2014; Honors 304, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2016; Honors 337, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2017; and English 484, Seminar in Theory and Criticism: 'Let's Take a Ride Out, See What We Can Find': Popular Music, Issues of Fundamental and Ultimate Concern, Empathy and Solidarity-Ian Curtis, Joy Division, and Critical Theory, Spring 2019. The work my students have done in these classes, and their enthusiasm for what we have explored together, inspires me to write this book-as does my now 45+ years' immense passion for Ian Curtis and Joy Division, life and work, and, especially, music as art. Joy Division has been my persistently all-time favorite musical group and Ian Curtis my persistently all-time favorite individual musician, and the work I have done in teaching the aforementioned classes, and on this book, represents my attempt to account for how and why that might be. Accordingly, and following advice of colleagues who attended two public presentations concerned with my work teaching and writing about Ian Curtis, Joy Division, and critical theory, this book is a part personal memoir. As a part personal memoir, I make reference to diverse areas and periods of my life-experience but I concentrate on my 38 years as a university teacher, and in particular as a teacher of critical theory and of critical studies in literature, film, television, popular music, and popular culture. This is a book, in sum, for anyone who loves popular music, who cares to think and talk about 'big issues', who believes in the importance of empathy, and who would like to help contribute toward forging a substantive culture of solidarity-especially by engaging with what popular culture, and in particular popular music, has to offer in that quest. I hope this book will show readers that critical theory can be concrete, relevant, and urgent-especially in sustained dialogue with popular culture and in particular popular music-and that popular culture, notably popular music, can, in turn, contribute meaningful and impactful ways of helping make sense of, along with meaningful and impactful modes of helping engage with, issues of ultimate and fundamental importance.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 1196 pp. Englisch.…

Buch. Condición: Neu. Excessive Flashpoints, Solitary Demands, Darkest Corners | Ian Curtis, Joy Division, Critical Theory, and Me | Bob Nowlan | Buch | Englisch | 2024 | Left Edge Books | EAN 9798218512378 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …

Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Excessive Flashpoints, Solitary Demands, Darkest Corners: Ian Curtis, Joy Division, Critical Theory, and Me I inquire into issues of fundamental and ultimate concern: the meaning, value, and purpose of existence; our responsibility to and for others; human beings as complex, multiple, contradictory, and dynamic; the challenge of intimacy and the power of love; the quest for authenticity and the struggle for integrity; what it means to be included and excluded along with how as well as why this occurs; how social change happens along with what can be the contribution of artistic and cultural work toward this transformation; and the ethical responsibility to confront myriad metaphorical 'darknesses' in our individual and social lives, despite how challenging, difficult, and painful such confrontation can so often be. I pursue this inquiry by staging a dialogue between critical theory and popular music. I explore how intelligent, sensitive popular music engages the same issues as does critical theory and can help us to better understand and especially better feel how vital, urgent, concrete, and relevant critical theory can be. I use the music as art of pioneering post-punk musician Ian Curtis and his band Joy Division as my vehicle in so doing, drawing upon my experience teaching five upper level undergraduate university classes focused on Ian Curtis, Joy Division, and Critical Theory, at the University of Wisconsin-Eau Claire: English 484, Seminar in Theory and Criticism: Ian Curtis and Joy Division in (Historical and Cultural) Context, Fall 2011; English 484, Seminar in Theory and Criticism: Ian Curtis, The Myth and The Music, Fall 2014; Honors 304, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2016; Honors 337, Ian Curtis and Joy Division: Critical Theoretical Perspectives, Fall 2017; and English 484, Seminar in Theory and Criticism: 'Let's Take a Ride Out, See What We Can Find': Popular Music, Issues of Fundamental and Ultimate Concern, Empathy and Solidarity-Ian Curtis, Joy Division, and Critical Theory, Spring 2019. The work my students have done in these classes, and their enthusiasm for what we have explored together, inspires me to write this book-as does my now 45+ years' immense passion for Ian Curtis and Joy Division, life and work, and, especially, music as art. Joy Division has been my persistently all-time favorite musical group and Ian Curtis my persistently all-time favorite individual musician, and the work I have done in teaching the aforementioned classes, and on this book, represents my attempt to account for how and why that might be. Accordingly, and following advice of colleagues who attended two public presentations concerned with my work teaching and writing about Ian Curtis, Joy Division, and critical theory, this book is a part personal memoir. As a part personal memoir, I make reference to diverse areas and periods of my life-experience but I concentrate on my 38 years as a university teacher, and in particular as a teacher of critical theory and of critical studies in literature, film, television, popular music, and popular culture. This is a book, in sum, for anyone who loves popular music, who cares to think and talk about 'big issues', who believes in the importance of empathy, and who would like to help contribute toward forging a substantive culture of solidarity-especially by engaging with what popular culture, and in particular popular music, has to offer in that quest. I hope this book will show readers that critical theory can be concrete, relevant, and urgent-especially in sustained dialogue with popular culture and in particular popular music-and that popular culture, notably popular music, can, in turn, contribute meaningful and impactful ways of helping make sense of, along with meaningful and impactful modes of helping engage with, issues of ultimate and fundamental importance.…