Bino carla (57 resultados)

Condición: New.

Paperback or Softback. Condición: New. Medieval Avatars. Book.

Condición: New.

Paperback. Condición: New. This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx's De Institutione Inclusarum and the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: As New. Unread book in perfect condition.

Condición: New. 2026. paperback. . . . . .

Condición: New.

Paperback. Condición: Brand New. 78 pages. 6.00x0.18x9.00 inches. In Stock.

Condición: New. 2026. paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Condición: New.

hardcover. Condición: Very Good.

Condición: New. L'evocació ritual i escènica de la Passió rememora una injustícia. La més elaborada creació humana sobre la violència es condensa en la tragèdia, gènere clàssic que, a l'Edat Mitjana, es redimensiona en la representació de la Passió i la Mort de Crist. La Passió constitueix, de fet, un dels arguments dramàtics més importants de la cultura de la cultura occidental, des del naixement del teatre medieval a l'aparició del cinema. La primera qualitat de les escenificacions de la Passió ve definida per la seua naturalesa ritual. I és que el teatre cristià, com el grec, s'origina en el ritu, un context que les representacions passionístiques d'ahir i d'avui no abandonen mai del tot, especialment en les seves formes més tradicionals i autèntiques. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. …

Condición: New.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx'sDe Institutione Inclusarumand the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED*few ink marks in margins.

Hardback. Condición: New. This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx's De Institutione Inclusarum and the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9788834316283.

Condición: New.

Paperback. Condición: New. This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx's De Institutione Inclusarum and the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: Buone. italiano Condizioni dell'esterno: Discrete con difetti, dorso allentato Condizioni dell'interno: Buone.

Condición: New.

Condición: New.

Hardcover. Condición: Brand New. 78 pages. 6.00x0.25x9.00 inches. In Stock.

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx'sDe Institutione Inclusarumand the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: NEW.

Hardback. Condición: New. This Element explores how medieval devotional and disciplinary practices acted as 'immersive technologies' for producing presence and configuring emotions. Through the comparative analysis of Aelred of Rievaulx's De Institutione Inclusarum and the Ordo ad Faciendum Disciplinam of the lay confraternity of Santo Stefano in Assisi, it investigates how the devout subject projected themselves into an imaginal, affective space, where memory, posture, and sensory experience converged to enable a participatory encounter with the divine. Drawing on the concept of the 'avatar' as a psychosomatic projection of the self within visionary and ritual practices, the Element traces how the 'theatre of the mind' redefined the relationship between interior vision, exterior action, and affective identity. By examining the dramaturgies of presence articulated within these memorial plays, this Element sheds light on the role of sensory discipline and emotional posture in shaping embodied devotional experience in the Latin Middle Ages.…

Condición: New.

Brossura. Condición: new. A cura di D'Acunto N. e Bino C. M. Roma, 2025; br., pp. 284, cm 15x22. (Studi Storici Carocci). Il giullare è colui che simbolicamente cammina a testa in giù e, così, propone uno sguardo capovolto sul mondo. L'espressione "giullare di Dio" (ioculator Domini) esprime per questo la sintesi della rivoluzione culturale di Francesco d'Assisi. Il suo sguardo rovesciato ha origine in una particolare proposta cristiana, che dalla follia dell'intuizione si incarna sia nella rappresentazione materiale sia nella storia, nella realtà dell'istituzione entro le forme "ordinate" dell'organizzazione politica, civile, religiosa ed economica. La vita fraterna come sudditanza reciproca, la rinuncia radicale al potere e alla ricchezza sotto ogni aspetto, la posizione di sottomissione e minorità, la gratuità del dono, la nudità come inanizione e privazione sono tutte "proposte ribaltate" che invertono - o tengono insieme - dentro e fuori, essere e apparire, visione e azione, parola e gesto, alto e basso, sublime e umile. Tale mutazione delle forme della rappresentazione e della concezione del mondo è tuttora una delle chiavi per comprendere la cultura umanistica e la modernità nel suo complesso. Nel volume studiosi di diverse discipline mostrano come la logica del rovesciamento di Francesco abbia inciso su arti figurative, letteratura, predicazione, devozione e drammaturgia, modificando nel profondo la cultura istituzionale, politica ed economica dell'Occidente medievale. Libro.…

Condición: New.