binh danh (31 resultados)

Trade Paperback. Condición: Used Very Good. Front and back covers have very slight edge and corner wear. Spine intact with no creasing or warping. Binding is tight and intact, pages clean and unmarked. In very nice, but previously owned condition. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Near Fine. First Edition. 48pp. No wear. R9.

Soft cover. Condición: As New. Book is in like new condition with no damage to the cover and no marks inside the text. Photos available on request.

First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran August 14 through October 23, 2007. Essay by Laura A. Guth. Illustrated throughout with color photographs. A very good plus copy in wrappers with some slight bumping to the top right corner.

First Edition. First edition. Softcover. Text by Jeffrey Hoone and numerous others. Includes color and black and white images by Blake Fitch, Barry Anderson, KayLynn Deveney, Lisa M. Robinson, Philip Zimmermann, Kerry Skarbakka, Binh Danh, Beatrix Reinhardt, Don Gregorio Anton, Yee Ling Tang, Abigail Hadeed, Laura Heyman, Thilde Jensen, and Rishi Singhal. A fine copy in wrappers.

Soft cover. Condición: Very Good. Binh Danh Ilustrador. Here is an unusual remembrance of the Viet Nam War: "Contact Sheet No.14" : "One Week's Dead." by Binh Danh. Published by Robert S. Menschel, Light Days Media Center as a Gallery Exhibition Catalog (from August 14 to October 23, 2007). It's Modern Photography --- but more : Binh Danh creates Dream Photo Constructs of American Dead Victims of the Viet Nam War in a Semi-Mystical Remembrance. From the Introduction by Laura A. Guth : |>Regardless of generation, cultural background, or level of direct involvement with war, we cannot escape being touched by the faces in Binh Danh's series, tilted "One Week's Dead". Danh collects photographs and other remnants of the Viet Nam War and reprocesses them in a way that brings new light to a history marked by painful memories. A main sources of the images is the 1969 "Life magazine" article, 'Faces of the American Dead : "One Week's Dead". Portraits of young American men, casualties in one week of the war, were presented in a yearbook-style layout, triggering a powerful public response : the entire nation mourned those soldiers ? you saw those faces, that's what brought it home to everyone. Danh returns these faces to the public's attention nearly four decades later. Using photosynthesis, he incorporates the portraits into the cells of leaves and grasses, symbolic of the jungle itself bearing witness to scars of war that remain in the landscape."<| SERIES : Contact Sheet ( No. 143) TITLE : Binh Danh : One Week's Dead AUTHOR / PHOTOGRAPHS / TEXT EXCERPT : Binh Danh GALLERY EXHIBITION DATE : August 14 - October 23, 2007 INTRODUCTION : Laura A. Guth ( Assistant Director, Light Work) IMPRINT : Light Work, Robert B. Menschel Media Center (Gallery) PLACE : 316 Waverly Avenue, Syracuse NY DATE : [2007] DETAILS : Oversize paperback book in square configuration; 38 color images (all printed on calendered paper); 50 pages (pagination count includes the two insides of the cover; 9" x 10", photo- pictorial stiff, glossy wraps, glued. CONDITION -- VERY GOOD -- This is a previously owned book that remains clean, solid and attractive, with the following particulars noted :: EXTERIOR : Mild nicking about the edges, Minute scratches and general mild surface rub, else near-negligible signs of handling. BINDING : Solid. INTERIOR : Clean and presentable, with no signatures or markings.

Softcover, 48 pages; as new condition; clean and crisp, no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. 1st Edition. First Edition (2022). Two fine flexi-board volumes in slipcase. For almost a decade, From publisher: "Binh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants' chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective&#8213;namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh's daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work." [This is an oversized heavy item that will require additional postage on international orders. We will contact you with actual shipping costs and ask for authorization before shipping]. Ships fast with tracking.

Hardcover. Condición: As New. SIGNED by author Robert Schultz. Original blue cloth, 8 ¾ x 9 1/8 inches, 173 pp illustrated with reproductions of photographs on leaves showing portraits of Civil War soldiers, accompanied by essays and excerpts from Whitman. Hardcover fine, no dustjacket, as issued. Previous owner's inscription on title page, original price label on rear board, otherwise as new, tight, clean, paper crisp, unmarked and never read. Photography; Civil War; art; autograph.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: NEW.

Hardcover. Condición: New.

Hardcover. Condición: new. Hardcover. A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them. Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers.For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspectivenamely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danhs daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 276 pages. 11.75x9.75x1.22 inches. In Stock.

Condición: New. 2023. Hardcover. . . . . .

Condición: Good. 8vo. 48 pp. Stiff, printed wraps. As new. Color plates. Published on occasion of the exhibit "Binh Dahn: Ancestral Altars" from September 7 through October 14, 2006 at Haines Gallery in San Francisco, CA.

Condición: Good. 8vo. 48 pp. Stiff, printed wraps. Very good. Color plates. Published on occasion of the exhibit "Binh Dahn: Ancestral Altars" from September 7 through October 14, 2006 at Haines Gallery in San Francisco, CA.

Condición: New. 2023. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: NEW.

Condición: As New. Unread book in perfect condition.

Condición: Good. 8mo. Exhibition Catalogue. 48 pp. Soft Cover. Very Good. Black and White Plates.

Softcover, 32 pages; as new condition; clean and crisp, no internal marks. Photos concerning Khmer Rouge in Cambodia. Foreign shipping may be extra.

Buch. Condición: Neu. Neuware - A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plantsâ¿ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, âThis process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.â Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers. For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspectiveâ¿namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danhâ¿s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.

Hardcover. Condición: new. Hardcover. A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them. Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers.For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspectivenamely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danhs daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: Good. 8vo. 48 pp. Soft Cover. Color plates. Published on occasion of the exhibit 'Binh Danh: Ancestral Altars', from 7 September - 14 October 2006. Very Good.Provenance: From the collection of the Art Historian Peter Selz.

Hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp, no internal marks. Contemporary daguerreotypes of Yosemite. (Blank bluish spine) Foreign shipping may be extra.