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Añadir al carritoSoft cover. Condición: New. ISBN:9788194126041,127pp.
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Añadir al carritoHardcover. Condición: new. Hardcover. The journey of Ritwik Ghatak's Nagarik from the shooting of the film to its release was an extremely chequered one. While it was shot in 1952, three years before Satyajit Ray's Pather Panchali, it was released only twenty-five years later, in 1977, after Ghatak's death in 1976. Set in Calcutta in the immediate aftermath of the Partition, the film chronicles the struggles of a family from North Bengal as they desperately strive to survive in a metropolis that is unable to address the necessities of thousands of people pouring in from across the border. The protagonist Ramu, like hundreds of other young men, struggles to find that elusive job which will enable him to stabilize his disintegrating family. Unemployment, starvation, incessant dislocation, and the yearning for stability and a home mark the lives of the families in this film. While there is no explicit mention of the Partition, the circumstances, poverty, survival struggles, desperation, and the intense and desirous memory of a different past all indicate that it is Partition that is the structuring absence of this film. Ghatak was to return to the theme in three other films that have been known as the Partition Trilogy: Meghe Dhaka Tara, Komal Gandhar and Subarnarekha. With this recreation of the screenplay of Nagarik, it will be clear that Ghatak's Partition films, those that deal with the lives of refugees in Calcutta directly, or as in this one analogically, form a quartet and not a trilogy. Nagarik also represents an enticing historiographical idea, the 'what if' of Indian film history: perhaps if it had been released in 1952 when it was made, and before Pather Panchali, the accounts of Indian art cinema that have privileged the Ray film would have been different, and Ghatak may have been accepted as an important Indian auteur in his lifetime.The screenplay of Nagarik in this volume has been recreated from the released version of the film on DVD and the published text of Nagarik by Ira Bhaskar and Rani Ray. Set in Calcutta in the aftermath of Partition, Ritwik Ghataks Nagarik (released in 1977 after Ghataks death in 1976) chronicles the struggles of a refugee family from East Bengal as they desperately strive to survive in a metropolis that is unable to address the necessities of thousands of people pouring in from across the border. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoHardcover. Condición: Brand New. 88 pages. 8.50x5.50x0.39 inches. In Stock.
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Añadir al carritoCondición: New. 2020. Paperback. . . . . .
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Añadir al carritoCondición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por New Delhi : Tulika Books, 2009
ISBN 10: 8189487531 ISBN 13: 9788189487539
Librería: Klondyke, Almere, Holanda
EUR 16,50
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Añadir al carritoCondición: Good. Paperback, illustrated with numerous photographs in colour and b/w, 8vo.
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Añadir al carritoHardcover. Condición: Brand New. 88 pages. 8.50x5.50x0.39 inches. In Stock.
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Añadir al carritoCondición: New. pp. 440.
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Añadir al carritoCondición: New. pp. 440.
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
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Añadir al carritoPaperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Idioma: Inglés
Publicado por Tulika Books 2020-12-31, 2020
ISBN 10: 8194126045 ISBN 13: 9788194126041
Librería: Chiron Media, Wallingford, Reino Unido
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Añadir al carritoCondición: New. pp. 440.
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Añadir al carritoPaperback. Condición: new. Paperback. An engaging account of the history and influence of Muslim cultures on Bombay cinema. Following Marshal Hodgson, the term Islamicate is used to distinguish the cultural forms associated with Islam from the religion itself. The term is especially useful in South Asia where Muslim cultures have commingled with other local cultures over a millennium to form a rich vein of syncretic aesthetic expression. Comprised of fourteen essays written by major scholars, this collection presents an engaging account of the history and influence of cultural Islam on Bombay cinema. The book charts the roots of South Asian Muslim cultures and the precursors of Bombay cinemas Islamicate idioms in the Urdu Parsi Theatre; the courtesan cultures of Lucknow; the literary, musical, and performance traditions of north India; the traditions of miniature painting; and various modes of Perso-Arabic story-telling. Published at a time of acute crisis in the perception and understanding of Islam, this book demonstrates how Muslim and Hindu cultures in India are inextricably entwined. Popularly known as Bollywood, Bombay cinema conjures up song, dance and starry-eyed romance. Where do those conventions come from? Many derive from the historical influence of Muslim cultures interacting with other traditions in the Indian subcontinent. Contributions by major scholars of South Asian cultural history and Indian Cinema 105 b&w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.