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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Añadir al carritoPaperback. Condición: New. Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are 'written landscapes' in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man. Text in English and Italian.
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Añadir al carritoHardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
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Añadir al carritoPaperback. Condición: New. What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian.
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Añadir al carritoPaperback. Condición: new. Paperback. What do we see when we observe? What do we see when we observe a photograph? Ghirri's work is distinguished by the tension between the object and its representation, and there is nothing that he loves more than those situations in which boundaries become permeable; his work has taught us a new way of seeing, giving meaning to what is seemingly obvious. This is not the landscape that is normally perceived, but the one that is supposed to be latent, inscribed on the reverse: landscape of memory and fairytale, the landscape of hidden figures and wonders. In this direction, Ghirri has always preferred common and familiar places, already seen, but for the first time 'observed' with different eyes, where everything is suspended between past and future and where, like in the countryside, the world can be imagined as a vision which still arouses wonder. A thought-landscape. Text in English and Italian. Ghirri's work is distinguished by the tension between the object and its representation and there is nothing that he loves more than those situations in which boundaries become permeable. His work has taught us a new way of seeing, giving meaning to what is seemingly obvious. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are 'written landscapes' in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man. Text in English and Italian. Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoPaperback. Condición: New. Giacomelli's landscape is both real and invented, just as his eye is both visionary and visual. It is a pretext to represent another situation. His landscapes are 'written landscapes' in which the horizon is almost completely eliminated: a fusion of time and non-time. In his landscapes, the relationship between countryside and memory, between Giacomelli and a denied and accepted mother earth, is more dramatic, resulting in a dry and great representation. He captured the marks, material and furrows of the earth and in them he found parallels with human bodies, since the earth, in his poetics, is the flesh of man. Text in English and Italian.
Idioma: Italiano
Publicado por Valigie Rosse (19 gennaio 2021), 2021
ISBN 10: 8898518617 ISBN 13: 9788898518616
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Añadir al carritoHardback. Condición: New. The volume brings together for the first time the photographs taken by Olivo Barbieri (Carpi, Modena, 1954) in the early eighties. In these shots, full of mystery and everyday life, can be found all the elements that in the following decades the Emilian master would have developed: the artificial lighting in contemporary cities, views from above, home interiors and bars, the signs left by man in the landscape.In consonance with the spirit of research that characterised the season of Italian photography between the late seventies and the early eighties, Barbieri scoured with a sharp and meticulous gaze the hidden corners of the province - authentic places of the indefinite - with the intent to investigate the theme of visual perception and its representation. His images scratch the surface of a banal only apparently so and, in a state of expectation and disorientation, open up a new way of looking at space, instilling a doubt in the observer: do we actually see reality?The volume includes a critical text by Corrado Benigni and a conversation with the artist.Text in English and Italian.
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Añadir al carritoPaperback. Condición: Brand New. 01 edition. 96 pages. Italian language. 11.02x9.06x0.39 inches. In Stock.
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Añadir al carritoCondición: New. 2017. Hardcover. . . . . .
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Añadir al carritoPaperback. Condición: Brand New. 01 edition. 96 pages. French language. 10.94x8.98x0.39 inches. In Stock.
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Añadir al carritoHardcover. Condición: new. Hardcover. The volume brings together for the first time the photographs taken by Olivo Barbieri (Carpi, Modena, 1954) in the early eighties. In these shots, full of mystery and everyday life, can be found all the elements that in the following decades the Emilian master would have developed: the artificial lighting in contemporary cities, views from above, home interiors and bars, the signs left by man in the landscape.In consonance with the spirit of research that characterised the season of Italian photography between the late seventies and the early eighties, Barbieri scoured with a sharp and meticulous gaze the hidden corners of the province authentic places of the indefinite with the intent to investigate the theme of visual perception and its representation. His images scratch the surface of a banal only apparently so and, in a state of expectation and disorientation, open up a new way of looking at space, instilling a doubt in the observer: do we actually see reality?The volume includes a critical text by Corrado Benigni and a conversation with the artist.Text in English and Italian. This publications brings together the photographs of Olivo Babieri from the early 1980s. Text in English and Italian. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Añadir al carritoHardback. Condición: New. The volume brings together for the first time the photographs taken by Olivo Barbieri (Carpi, Modena, 1954) in the early eighties. In these shots, full of mystery and everyday life, can be found all the elements that in the following decades the Emilian master would have developed: the artificial lighting in contemporary cities, views from above, home interiors and bars, the signs left by man in the landscape.In consonance with the spirit of research that characterised the season of Italian photography between the late seventies and the early eighties, Barbieri scoured with a sharp and meticulous gaze the hidden corners of the province - authentic places of the indefinite - with the intent to investigate the theme of visual perception and its representation. His images scratch the surface of a banal only apparently so and, in a state of expectation and disorientation, open up a new way of looking at space, instilling a doubt in the observer: do we actually see reality?The volume includes a critical text by Corrado Benigni and a conversation with the artist.Text in English and Italian.
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Añadir al carritoCondición: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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