Beate gütschow (39 resultados)

First Edition. First edition. Hardcover. 47 pages. Published in conjunction with an exhibition that ran December 5, 2005 through March 29, 2006. Text by curators Karen Henry and Karen Love. Includes color images by Chiho Aoshima, Sandow Birk, Blast Theory, Russell Crotty, Alan Dunning, Beate Gutschow, Holly King, Mark Lewis, Scott McFarland Helen Mirra, Dave Muller, Jorma Puranen, Gerhard Richter, Jeff Wall, and Lawrence Paul Yuxweluptun. A very near fine copy in illustrated boards. No dust jacket as issued.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. 1st edition. Hardbound, no dust jacket.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. In addition to the series LS and S the book also presents two new series: In the series I, she draws on the aesthetics and techniques of advertising and product photography, demonstrating how unspectacular und used objects can be transformed into covetable objects with the help of precise staging. In her most recent series Z, she interlinks photography and drawing, taking a documentary approach for the first time. With this work book, Beate Gu tschow brings four series together for the first time Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. Num Pages: 116 pages, 80. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 240 x 200. Weight in Grams: 737. . 2017. Bilingual. Hardcover. . . . .

Hardcover. Condición: Brand New. bilingual edition. 110 pages. 9.75x7.75x0.50 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. Num Pages: 116 pages, 80. BIC Classification: AJB. Category: (G) General (US: Trade). Dimension: 240 x 200. Weight in Grams: 737. . 2017. Bilingual. Hardcover. . . . . Books ship from the US and Ireland.

Paperback. Condición: New.

No Binding. Condición: As New. This b&w exhibition announcement is by Beate Gutschow (German, 1970-); selling 2 at a time; titled "S #33"; oblong size: 22 x 9in; printed by offset on thin white paper; exact edition size is unknown, it is not signed; wonderful image for framing; review by Robert Shuster: "When you consider all the sculptural excesses and mirrored glass towers that today's master builders keep foisting on us, the Brutalist architecture of the 1960s and '70s begins to seem rustically appealing which partly explains why Beate Gütschow's large black-and-white photographs of concrete monoliths are so eerily beautiful. But Gütschow hasn't simply portrayed individual sites; instead, she's digitally assembled images of different buildings and plazas, many reminiscent of designs by Le Corbusier, into elaborate dystopian panoramas fictional but nearly believable scenes of desolation suggestive of abandoned Soviet bloc wastelands. A decaying white tower with a glass cupola stands in a vast field of cracked pavement like a wayward lighthouse. Elsewhere, in peculiar juxtaposition, two stark apartment towers rise from a gritty industrial area of stunted grass, rubble, and two objects that might be corpses."; short BIO: "studied at the School of Fine Arts, Oslo, as well as the School of Fine Arts, Hamburg, Germany, with Bernhard Johannes Blume and Wolfgang Tillmans. She has appeared in one-person and group shows throughout Europe and recently had her first solo shows in the United States at the Museum of Contemporary Photography, Columbia College Chicago, and at Danziger Projects. Gütschow has received numerous awards, including the 2006 Ars Viva Prize, an Otto-Dix-Prize of New Media, and a Villa Aurora fellowship. She lives and works in Berlin and is represented by Danziger Projects in New York, Sonnabend Gallery in New York, Barbara Gross Galerie in Munich, and Produzentengalerie in Hamburg."; Her work is in the Permanent COLLECTIONS of: Huis Marseille, Foundation for Photography, Amsterdam; Kunsthalle Hamburg; Los Angeles County Museum of Art, Los Angeles; MoMA, San Francisco; Museum for Contemporary Photography, Chicago; Pinakothek der Moderne, Munich; Staatliche Kunstsammlungen Dresden; The Nelson Atkins Museum of Art, Kansas City, USA.; in EXCELLENT COND.…

Paperback. Condición: Brand New. 264 pages. German language. 11.81x0.98x10.24 inches. In Stock.

1. Auflage. 120 Seiten. OBr., Groß-Oktav 24 cm x 17 cm, 120 S.; original eingeschweißtes Exemplar. Softcover.

Meist farbige Abbildungen. Tadelloses Exemplar (Kunst). Original-Kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Buch. Condición: Neu. Neuware - Neben den Serien LS und S, mit denen Beate Gütschow früh bekannt geworden ist, stellt das Buch zwei neue Serien vor: In der I Serie greift Gütschow Ästhetik und Technik der Reklame- und Produktfotografie auf. Sie zeigt, wie unspektakuläre und gebrauchte Gegenstände durch präzise Inszenierung in begehrenswerte Objekte verwandelt werden. Die Manipulation findet durch Lichtsetzung und Bühnenbau und ohne digitale Eingriffe statt. In ihrer neusten Serie Z verknüpft Beate Gütschow Fotografie und Zeichnung, sie verfolgt hier erstmalig einen dokumentarischen Ansatz. Gegenstand der Untersuchungen ist ein Gelände nördlich des Berliner Hauptbahnhofs, hier stand das erste panoptische Gefängnis Deutschlands, ein 1849 erbauter sternförmiger Bau mit zentralem Überwachungsturm, 1941 - 1945 für politische Häftlinge genutzt. Das Buch enthält einen Index über alle bisher veröffentlichten Werke.Beate Gütschows (\* 1970) Werke wurden in bedeutenden Institutionen ausgestellt und sind in wichtigen Sammlungen vertreten, darunter Guggenheim und Metropolitan Museum of Art, New York, Berlinische Galerie, Kunsthalle Hamburg, Städel Museum, Frankfurt, Kunsthaus Zürich, SFMOMA, San Francisco, LACMA, Los Angeles. Die Künstlerin lebt und arbeitet in Berlin und Köln.…

Hardcover. First edition, first printing. Fine/As New hardcover in the publisher's shrink wrap; no dj as issued. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. This volume presents two bodies of work by Beate Gutschow. In the first, drawing on the traditions of Romantic-era painters like Constable and Turner, he has painstakingly constructed seamless collages from his archive of photographic work to convey the "perfect" pastoral landscape. Using the same technique, the second series of photographs feature cityscapes with nonexistent, dystopian forms of architecture. The artist's first monograph. Photographs by Beate Gutschow; interview with the artist conducted by Natasha Egan, Akiko Ono, and Lesley Martin. 80 pages; 32 duo-toned b&w and color plates; 13.5 x 12 inches. Bibliography, exhibition history, biography. Due to size and weight, international and expedited shipping will be more than quoted.…

Taschenbuch. Condición: Neu. Neuware - People on the brink, depopulated areas, desolate villages-it only becomes clear after a second glance that Beate Gütschow's photos show protests, reconstruction work after catastrophic flooding, and the impact of forest fires on villages and landscapes: dystopian events that have happened in the recent past, and in Central Europe at that. It is not until weeks after the events that Gütschow arrives in the places concerned. Her long-term photographic studies give rise to counter-images to set against the usual depictions of disaster. These are more tranquil images that are emotionally accessible and make it possible for events to be analyzed. Gütschow is also part of the climate justice movement. Here, she participates in and records what she finds, documenting actions, occupations, and demonstrations: an interior perspective in which the photographs combine with diaristic notes to create a composition of text and images.Beate Gütschow is a visual artist and professor of artistic photography at the Academy of Media Arts Cologne (KHM). Felix Hoffmann is a scholar of art and cultural studies and artistic director of FOTO ARSENAL WIEN.; Menschen am Abgrund, entvölkerte Gegenden, verwüstete Dörfer - bei Beate Gütschows Fotos wird erst auf den zweiten Blick deutlich, dass sie Protestveranstaltungen, Wiederaufbauarbeiten nach einer Flutkatastrophe oder die Folgen von Waldbränden in Ort- und Landschaften zeigen: dystopische Ereignisse, die in jüngster Zeit stattgefunden haben, und zwar in Mitteleuropa. Erst Wochen nach den Ereignissen kommt Beate Gütschow an die betroffenen Orte. In fotografischen Langzeitstudien entwickelt sie Gegenbilder zu den üblichen Katastrophendarstellungen. Es sind stillere Bilder, die einen emotionalen und analytischen Zugang ermöglichen. Gleichzeitig ist Gütschow Teil der Klimagerechtigkeitsbewegung. Hier dokumentiert sie teilnehmend und auf- zeichnend Aktionen, Besetzungen und Demonstrationen: eine Innenperspektive, bei der die Fotografien mit tagebuchartigen Aufzeichnungen eine Bild-Text-Komposition bilden.Beate Gütschow ist bildende Künstlerin und Professorin für künstlerische Fotografie an der Kunsthochschule für Medien in Köln. Felix Hoffmann ist Kunst- und Kulturwissenschaftler und Artistic Director des FOTO ARSENAL WIEN. …

Hardcover. Condición: Near Fine Plus. Estado de la sobrecubierta: No Jacket, as Issued. First Edition /First Printing. hardcover, illustrated boards. large format., minute, faint spot to cover of negligible impact. no markings. no bumps. strong binding. a well preserved copy.; signed by the photographer on the half-title page.; 82pp. with several unnumbered sheets. illustrated throughout in color and b/w. interview. work by the contemporary german-born photographer. Size: Oblong Folio. Signed by the Photographer.…

Condición: New.

Condición: New. Neben den Serien LS und S, mit denen Beate Guetschow frueh bekannt geworden ist, stellt das Buch zwei neue Serien vor: In der I Serie greift Guetschow Aesthetik und Technik der Reklame- und Produktfotografie auf. Sie zeigt, wie unspektakulaere und gebrauchte Geg.

Hardcover. Condición: new. Hardcover. In addition to the series LS and S the book also presents two new series: In the series I, she draws on the aesthetics and techniques of advertising and product photography, demonstrating how unspectacular und used objects can be transformed into covetable objects with the help of precise staging. In her most recent series Z, she interlinks photography and drawing, taking a documentary approach for the first time. With this work book, Beate Gu tschow brings four series together for the first time Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Soft cover. Large 8vo. Pp: Unnumbered. First edition. Green paper covers. Illustrated with colour photographs. Very good plus with surface marks to covers.

Buch. Condición: Neu. Beate Gütschow - Z/I/S/LS | Engl/dt | Beate/Gebbers, Anne-Catharina/Lübbke-Tidow, Maren u a Gütschow | Buch | 116 S. | Deutsch | 2016 | Kehrer Verlag /Kehrer Design | EAN 9783868287479 | Verantwortliche Person für die EU: Kehrer Verlag /Kehrer Design Heinsteinwerk, Klaus Kehrer, Mannheimer Str. 175, 69123 Heidelberg, contact[at]kehrerverlag[dot]com | Anbieter: preigu.…

0. 25 cm. 110 Seiten, illustr. OPappband. Insgesamt sehr sauber und ordentlich. Sprache: Deutschutsch 0,800 gr.

Hardcover. Condición: As New. SIGNED by photographer on title p.; large hardback; publ. w/ dec. boards (no jacket); no markings; no bent/torn pp. Signed by Author.

Paperback. Condición: New.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: New. At first glance, the large-scale black-and-white photographs of German photographer Beate Gutschow (born 1970) seem to be straightforward documents of urban scenes. In fact, every pebble and every hubcap is completely orchestrated, for these images are the result of considerable digital manipulation. This monograph surveys her ongoing explorations in this realm.…

Hardcover. Condición: New. Beate Gutschow: LS/S, the first monograph on this exceptional artist, features two bodies of work that compel the viewer to think about humankind's celebration of nature and our ceaseless desire to control it. In these luscious, digitally produced photographs, each detail--down to the most subtle nuance of palette and light--is carefully controlled, culled from an archive of images taken specifically for use in these seamless collages. Every blade of grass, pebble and nonchalant passerby has been painstakingly orchestrated by the artist, who draws on the work and traditions of Romantic-era painters like Constable and Turner, as well as photo legends like Lewis Baltz and Bernd and Hilla Becher. In this volume, the landscape series, LS, are constructed to convey the "perfect" pastoral scene. In stark contrast, the cityscape series, S, present an eerily familiar vision of a nonexistent, but clearly dystopian form of architecture. Although the two series present seemingly tranquil settings that at first appear as binary opposites, in fact, they are equally fraught with issues of control, inauthenticity and the pursuit of perfection.…