Bean david j david j bean (18 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good-. Binding well intact. Spine uncreased. Pages bright and unmarked. Cover bright and clean, with minor wear at edges, light warping. Support an independent used bookstore in Minneapolis. ; 8vo 8" - 9" tall; 64 pages.

Hardcover. Condición: Good. Estado de la sobrecubierta: no jacket present. This hardcover edition of "Caravans" is in good condition. The cover shows light wear, typical for its age, with some minor corner bumping. The spine is intact and the pages are clean, with no inscriptions or library markings. Please note, there is no dust jacket.…

paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Near Fine. SIGNED AND DATED BY AUTHOR, NOTATION ON TOP OF INTRODUCTION PAGE OTHERWISE UNMARKED. Signed by Author(s).

hardcover. Condición: New.

Wraps. Presumed first edition/first printing. [2], 36, [6] p. Includes illustrations. Most illustrations in color. The Novartis Foundation, originally known as the Ciba Foundation, is well known to scientists and clinicians around the world for its symposia. From Wikipedia: "From Wikipedia: "Frank H. Netter (25 April 1906 17 September 1991) was an American surgeon and celebrated medical illustrator. The first edition of his Atlas of Human Anatomy his "personal Sistine Chapel" was published in 1989; he was a Fellow of the New York Academy of Medicine where he was first published in 1957. Frank Henry Netter was born in Manhattan at 53rd Street and Seventh Avenue, and grew up wanting to be an artist. In high school, he obtained a scholarship to study at the National Academy of Design, doing so at night while continuing high school. After further studying at the Art Students League of New York and with private teachers, he began a commercial art career, quickly achieving success and doing work for the Saturday Evening Post and The New York Times. However, his family disapproved of a career as an artist and he agreed to study medicine. After getting a degree at the City College of New York, he completed medical school at New York University and a surgical internship at Bellevue Hospital and attempted to begin practicing medicine. However, as Netter put it: "This was in 1933 the depths of the Depression and there was no such thing as medical practice. If a patient ever wandered into your office by mistake, he didn't pay." Having continued doing freelance art during his medical training, including some work for his professors, he fell back on medical art to supplement his income. In particular, pharmaceutical companies began seeking Netter for illustrations to help sell new products, such as Novocain. Soon after a misunderstanding wherein Netter asked for $1, 500 for a series of 5 pictures and an advertising manager agreed to and paid $1, 500 each-$7, 500 for the series-Netter gave up the practice of medicine. In 1936, the CIBA Pharmaceutical Company commissioned a small work from him, a fold-up illustration of a heart to promote the sale of digitalis. This proved hugely popular with physicians, and a reprint without the advertising copy was even more popular. Quickly following on the success of the fold-up heart, fold-up versions of other organs were produced. Netter then proposed that a series of pathology illustrations be produced. These illustrations were distributed to physicians as cards in a folder, with advertising for CIBA products on the inside of the folder, and were also popular with physicians. CIBA then collected these illustrations in book form, producing the CIBA Collection of Medical Illustrations, which ultimately comprised 8 volumes (13 books). Beginning in 1948, CIBA also re-used illustrations by Netter in another series of materials to be given to physicians, the Clinical Symposia series. These were small magazine-like brochures that typically featured an extensive article on a medical condition, commonly with about a dozen of Netter's illustrations. This series was produced until at least the early 1990s. In 1989, Netter's Atlas of Human Anatomy was published, assembled from his previous paintings and correlated by updated diagrams. CIBA's Medical Education Department (East Orange, NJ) filtered the paintings for printing, in an effort that The Big Green Books "might appear more 'even' over time."[this quote needs a citation] This sometimes resulted in a considerable reduction of color variation from the truly-unique originals. Digital re-scanning of the originals continue to be published by the current copyright owner to the collection, Elsevier Medical Publishing. Selected original paintings have been showcased internationally. Netter's career was presented in a commemorative video by Ciba-Geigy in 1988. In all, Netter produced nearly 4, 000 illustrations, which have been included in countless publications. In perspective, that number represents an image r. Netter, Frank H. (ilustrador).…

paperback. Condición: Fair. Some wear on the corners. Clean pages with no markings. The image in this listing is stock photo for reference. Textbooks may not include supplemental items i.e. CDs, access codes etc.Actual item may differ. Any queries, just ask for photos. Your satisfaction matters.

Soft cover. Condición: Very Good. Large format paperback book. Excellent clean condition with a small amount of damage to the edge of one page which protrudes slightly from the others where is was badly cut in manufacture. A previous owner's 'blind' stamp on the first page but no other annotations.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: Brand New. 268 pages. 9.00x6.00x1.00 inches. In Stock.

Soft cover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. private library liquidation fined SIGNED COPY unread.

Hardcover. Condición: Brand New. 270 pages. 9.25x6.25x1.00 inches. In Stock.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Poor / Good. Significant staining [from spilled red wine] across covers with 12.5 cm. and 1.5 cm. of staining to first page and staining including 10 cm. of staining to spine edge of pages 51 - 61. Rubbing of cover edges and bumping of corners. Contents otherwise clean and unmarked. …

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Very Good. 2 and 2.5 cm. areas of bumping/light creasing to verso carrying through lightly to pages. Light edge wear. Light yellow spotting of covers. Light yellow spotting along top and bottom edge of first page. Contents otherwise clean and unmarked. …