basu anustup (98 resultados)

Paperback. Condición: Good. Mild to moderate shelf/reading wear. Binding good. Orphans Treasure Box sells books to raise money for orphans and vulnerable kids.

Hardcover. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 272 Figure.

Condición: New. pp. 272 Index.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: New. pp. 272 Acknowledgements Epilogue.

Paperback. Condición: New. In Hindutva as Political Monotheism, Anustup Basu offers a genealogical study of Hindutva-Hindu right-wing nationalism-to illustrate the significance of Western anthropology and political theory to the idea of India as a Hindu nation. Connecting Nazi jurist Carl Schmitt's notion of political theology to traditional theorems of Hindu sovereignty and nationhood, Basu demonstrates how Western and Indian theorists subsumed a vast array of polytheistic, pantheistic, and henotheistic cults featuring millions of gods into a singular edifice of faith. Basu exposes the purported "Hindu Nation" as itself an orientalist vision by analyzing three crucial moments: European anthropologists' and Indian intellectuals' invention of a unified Hinduism during the long nineteenth century; Indian ideologues' adoption of ethnoreligious nationalism in pursuit of a single Hindu way of life in the twentieth century; and the transformations of this project in the era of finance capital, Bollywood, and new media. Arguing that Hindutva aligns with Enlightenment notions of nationalism, Basu foregrounds its significance not just to Narendra Modi's right-wing, anti-Muslim government but also to mainstream Indian nationalism and its credo of secularism and tolerance.

Paperback. Condición: new. Paperback. In Hindutva as Political Monotheism, Anustup Basu offers a genealogical study of Hindutva-Hindu right-wing nationalism-to illustrate the significance of Western anthropology and political theory to the idea of India as a Hindu nation. Connecting Nazi jurist Carl Schmitt's notion of political theology to traditional theorems of Hindu sovereignty and nationhood, Basu demonstrates how Western and Indian theorists subsumed a vast array of polytheistic, pantheistic, and henotheistic cults featuring millions of gods into a singular edifice of faith. Basu exposes the purported "Hindu Nation" as itself an orientalist vision by analyzing three crucial moments: European anthropologists' and Indian intellectuals' invention of a unified Hinduism during the long nineteenth century; Indian ideologues' adoption of ethnoreligious nationalism in pursuit of a single Hindu way of life in the twentieth century; and the transformations of this project in the era of finance capital, Bollywood, and new media. Arguing that Hindutva aligns with Enlightenment notions of nationalism, Basu foregrounds its significance not just to Narendra Modi's right-wing, anti-Muslim government but also to mainstream Indian nationalism and its credo of secularism and tolerance. In this genealogy of Hindu right-wing nationalism, Anustup Basu connects Carl Schmitt's notion of political theology to traditional theorems of Hindu sovereignty and nationhood, illustrating how Western and Indian theorists imagined a single Hindu political and religious people. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. This study of popular Indian cinema in an age of globalisation, new media, and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain spectacular turn from the early nineties as a signature 'Bollywood style' evolved in the wake of liberalization and the inauguration of a global media ecology in India. Films increasingly featured transformed bodies, fashions, life-styles, commodities, gadgets, and spaces, often in non-linear, 'window-shopping' ways, without any primary obligation to the narrative. Flows of desires, affects, and aspirations frequently crossed the bounds of stories and determined milieus. One example is the film Haqeeqat that featured poor working class protagonists, but romantic musical sequences transported them abruptly to Switzerland, with the actors now dressed in designer suits. Basu theorises this overall cinematic-cultural ecology here as an informational geo-televisual aesthetic.This book connects this filmic geo-televisual style to an ongoing story of the uneven globalizing process in India. Basu argues that 'Bollywood' is not so much indicative of a uniquely Indian modernity coming into its own; rather it is symptomatic of a pure techno-financial modernization that comes without a political modernity. Bollywood in the Age of New Media therefore explains how the irreverent energies of the new can actually be tied to conservative Brahminical imaginations of class, caste, or gender hierarchies. Using a wide-ranging methodological approach that converses with theoretical domains of post-structuralism, post-colonialism, and film and media studies, this book presents a complex account of an India of the present caught between brave new silicon valleys and farmer suicides.

Paperback. Condición: new. Paperback. This study of popular Indian cinema in an age of globalisation, new media, and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain spectacular turn from the early nineties as a signature 'Bollywood style' evolved in the wake of liberalization and the inauguration of a global media ecology in India. Films increasingly featured transformed bodies, fashions, life-styles, commodities, gadgets, and spaces, often in non-linear, 'window-shopping' ways, without any primary obligation to the narrative. Flows of desires, affects, and aspirations frequently crossed the bounds of stories and determined milieus. One example is the film Haqeeqat that featured poor working class protagonists, but romantic musical sequences transported them abruptly to Switzerland, with the actors now dressed in designer suits. Basu theorises this overall cinematic-cultural ecology here as an informational geo-televisual aesthetic.This book connects this filmic geo-televisual style to an ongoing story of the uneven globalizing process in India. Basu argues that 'Bollywood' is not so much indicative of a uniquely Indian modernity coming into its own; rather it is symptomatic of a pure techno-financial modernization that comes without a political modernity. Bollywood in the Age of New Media therefore explains how the irreverent energies of the new can actually be tied to conservative Brahminical imaginations of class, caste, or gender hierarchies. Using a wide-ranging methodological approach that converses with theoretical domains of post-structuralism, post-colonialism, and film and media studies, this book presents a complex account of an India of the present caught between brave new silicon valleys and farmer suicides. This is a study of popular Indian cinema in the age of globalisation, new media, and metropolitan Hindu fundamentalism, focusing on the period between 1991 and 2004. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Condición: New.

Condición: New. pp. 128.

Paperback. Condición: Brand New. reprint edition. 262 pages. 9.25x6.00x0.75 inches. In Stock.

Condición: new.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Adrian Martin has called the idea of the figure simultaneously a very simple and a very complex business, natural and easy as well as contrived and theatrical. This formulation is especially true of Indian cinema where the very question of figuration is informed by an array of conflicting energies and ideologies. More than a body, character, or even prototype, the figure is often several of these things at once. The figures that exhibit maximum tenacity in Indian cinema often emerge in the interface of recognizable binaries self/other, Indian/foreign, good/bad, virtue/vice, myth/reality, urban/rural, and so on. Indian cinema s vexed relationship to modernity provides an important point of entry into the question of figuration. Realism s limited traction in much of Indian cinema is critical to understanding its propensity towards the figurative over the strictly representational. The authors in this volume approach Indian cinema from multiple perspectives, ranging from investigations of the political and the generic, to unraveling the figurative resonances of fabrics, stars, and icons, in an era of media convergence. Figurations in Indian Film demonstrates that the conversation about the relationship between bodies, modernity, globalization, aesthetics and politics is far from settled and suggests some exciting new ways of theorizing the same. This book would appeal to any reader interested in Indian cinema, culture and politics.

Condición: New. pp. 272 20 Illus.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Unused copy.

Condición: New. pp. 288.

Soft cover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. This study of popular Indian cinema in an age of globalization, new media, and metropolitan Hindu fundamentalism focuses on the period from 1991 to 2004. Popular Hindi cinema took a certain spectacular turn from the early 1990s as a signature Bollywood style evolved in the wake of liberalization and the inauguration of a global media ecology in India. Films increasingly featured transformed bodies, fashions, life-styles, commodities, gadgets, and spaces, often in non-linear, window-shopping ways, without any primary obligation to the narrative. Flows of desires, affects, and aspirations frequently crossed the bounds of stories and determined milieus. Basu theorizes this overall cinematic-cultural ecology here as an informational geo-televisual aesthetic. Bollywood in the Age of New Media connects this filmic geo-televisual style to an ongoing story of the uneven globalizing process in India. It explains how the irreverent energies of the new can actually be tied to conservative Brahminical imaginations of class, caste, or gender hierarchies. Using a wide-ranging methodological approach that converses with theoretical domains of post-structuralism, post-colonialism, and film and media studies, this book presents a complex account of an India of the present caught between brave new silicon valleys and farmer suicides. The geo-televisual aesthetic will prove useful not just for scholars of Indian cinema and media, but also for those of Indian political and cultural modernity at large, from visual anthropologists to political scientists. The book is as much about the new globalized imaginary of a national elite as it is about film.

Condición: New. pp. 128.

Condición: New. 2020. Paperback. . . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition.

Paperback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 272 1st Edition.