Barbaro daniele (42 resultados)

Condición: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.19,con alcuni disegni bn.nt. fascicolo. Il libro é un manualetto improntato a domande e risposte su tutto quello che il paziente affetto da malattia tiroidea dovrebbe sapere. Il malato che non conosce la propria malattia verrà curato con maggiore difficoltà. Avrà talora ansie inutili o altre volte sottovaluterà l'importanza di un controllo. Ogni problema della malattia tiroidea, dai disturbi di funzione, al gozzo e al calcinoma, è trattata con competenza, rigore e grande semplicità. Un vero e completo aiuto per i malati che non vogliono essere passivi nei confronti del proprio problema.…

Condición: NUOVO. Pisa, Ediz.ETS cm.16x24, pp.68, brossura con cop.fig.a col. Il libro é un manualetto improntato a domande e risposte su tutto quello che il paziente affetto da malattia tiroidea dovrebbe sapere. Il malato che non conosce la propria malattia verrà curato con maggiore difficoltà. Avrà talora ansie inutili o altre volte sottovaluterà l'importanza di un controllo. Ogni problema della malattia tiroidea, dai disturbi di funzione, al gozzo e al calcinoma, è trattata con competenza, rigore e grande semplicità. Un vero e completo aiuto per i malati che non vogliono essere passivi nei confronti del proprio problema. Terza edizione. Prsentazione di Aldo Pinchera. …

Condición: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.36, fascicolo in brossura.

Condición: New. pp. 212.

Condición: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.22, fascicolo in brossura . Prefaz.di E.Ferrannini.

Condición: New. pp. 212.

Condición: New. pp. 212.

Condición: NUOVO. Pisa, Ediz.ETS cm.17x24, pp.212, brossura con cop.fig.a col. Nuova edizione. Presentaz.di Aldo Pinchera.

Hardback. Condición: New.

Paperback. Condición: Brand New. 108 pages. 6.10x0.25x9.25 inches. In Stock.

195 S., [6] Bl., Abb. u. Taf ; Gr.4°, OLn. Ristampa dell ed. di Venezia, Borgominieri 1569. (= Biblioteca di architettura urbanistica ; 8). - Guter Zustand. 1250 gr.

Hardback. Condición: New.

Couverture rigide. Condición: Très bon. Normal 0 21 false false false FR X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tableau Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin-top:0cm; mso-para-margin-right:0cm; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0cm; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi; mso-fareast-language:EN-US;} Precious 1568 first edition, with relay title, of this rare treatise. adams, b-171; berlin kat., 4694; brunet, i, 644; cicognara, 809; fowler, 36; gamba, 1233; mortimer italian, 39; censimento, 16 cnce, 4133; riccardi, i, pp. 76-77. It is illustrated with a very fine engraved title and 200 engraved figures in the text representing optical illusions, geometrical shapes, perspectives, architectural sections, Franceschi's theatre, initials, measurements of the human body. Several states of the original edition are described without priority: the first in which the date of the title and colophon is 1568, an intermediate state with the title alone dated 1569, another in which both dates are changed. This is the first work of practical perspective published in Italy. « Opera dottissima e diligentissima" (Cicognara). The three full-page woodcuts of theatre scenes come from the Serlio of 1566; others are copies of Dürer's Underweysung der messung. The last plate gives a beautiful representation of a newly invented measuring instrument by Giacomo Fusto Castriotto. "Barbaro mentions a camera obscura equipped with a ci-convex lens. He introduces a novelty: the use of a diaphragm to sharpen the image. This is the first mention of an essential device in photography [.]" (Gernsheim, Hist. of Photogr., p. 22) In his work Barbaro takes up the ideas of Pelerin, Durero, Serlio and Cataneo, simplifying them and making perspective more accessible to artists, architects, painters and sculptors. He gave the first description of the "camera oscura". "Daniele Barbaro (1514-1570) took an enthusiastic interest in perspective. This scholar from the Venetian nobility had a brilliant diplomatic career, first in the political administration - he was ambassador to England for part of this period - and then in ecclesiastical circles. Among his many activities, he commented on and supervised the publication of an edition of Vitruvius' work on architecture. In 1568, Barbaro published "La pratica della pespettiva". On the title page of the book, he states that it is beneficial reading for painters, sculptors and architects. Barbaro was well versed in the literature of perspective and covered almost every aspect of the discipline known at the time and in a way that makes his book almost encyclopaedic." (K. Andersen). Attractive copy preserved in its contemporary soft vellum. Provenance: manuscript bookplate of the painter Antoine Rivalz dated 1701, corresponding to the year of his return from Rome to Toulouse, after more than ten years in Italy. Rich in the education he had received in Toulouse, Paris and Rome, Antoine Rivalz created an original and varied style, influenced by baroque and classical art, the pictorial traditions of the 17th century and the heritage of the Italian schools. …

Rilegato. Condición: molto buono. In Venetia, Appresso Alessandro de' Vecchi, 1629. In-4° (24,2 cm x 16 cm). Pp. (8), 506. Segnatura: a4, A-2H4, 2I1, 2K4, 2L1, 2M-3T4. Alla c. a4(v) una bella incisione xilografica a piena pag. del frontespizio dell' ed. del 1584 con il titolo "Il perfetto Vitruvio" con i commenti del Barbaro e la sottoscrizione: Si vende in Venetia, alla libraria della gatta; riprende, in controparte e con modifiche, quello vasariano usato da Cosimo Bartoli per l' edizione torrentiniana de "L' Architettura" dell' Alberti. Le cc. segnate 2I e 2L sono cc. di tav. a doppia p. ripieg. che recano sul recto la numerazione 249 e 258. Il testo e le tavole, corrette ed ampliate, sono dell' ediz. curata da Francesco de Franceschi e Johann Chrieger nel 1567. Solida legatura del tempo in piena pergamena rigida, autore e titolo manoscritti sul dorso. Tagli spruzzati rossi. Sotto l' elenco dei libri e l' indicazione del dedicatario, la famosa marca tipografica con la gatta che addenta il topo circondata dal motto "Dissimilium infida societas": la lega fra diseguali è insidiosa. Dedicatoria a Monsignor Sforza Ponzone arcivescovo di Spalato. La dedica di de' Vecchi è datata 1629 e la prefazione che compare sotto il suo nome è la stessa firmata da Francesco de' Franceschi in entrambe le edizioni del 1567 e del 1584. Con numerose tavole xilografiche nel testo di ottima dimensione, anche a doppia pagine e ripiegate. Esemplare genuino, leggermente corto in testa su poche pagine, peraltro in stato di conservazione molto buono con alcune pp. ancora in barbe. Rara ed apprezzata edizione tradotta da Daniele Barbaro dell' unica opera di architettura romana a noi pervenuta integralmente che divenne il fondamento teorico dell' architettura occidentale, dal Rinascimento fino alla fine del XIX secolo. L' opera costituisce inoltre una delle fonti principali della moderna conoscenza sui metodi costruttivi degli antichi romani, come pure della progettazione di strutture, sia grandi (acquedotti, edifici, bagni, porti) che piccole. Il patriarca e umanista veneziano Daniele Barbaro, secondo l' interesse già dimostrato da alcuni suoi illustri predecessori come Filandro e Alberto Durero, si dilunga assai sulle proporzioni, perché "ciò che ci diletta e piace, non per altro ci diletta e piace, se non perché in sé tiene proportionata misura e moderato temperamento". Nel "Sesto Libro" il commento di Barbaro si concentra tra l' altro sui palazzi e sulle connesse proposte di nuove e più moderne tipologie edilizie anche a Venezia, mentre il "Settimo" ha per tema le finiture. L' attitudine scientifica, frutto delle esperienze maturate nel periodo giovanile in cui frequentò lo Studio di Padova, trova compiuta espressione nell Ottavo e nel Nono Libro , dove Barbaro ha modo di affrontare con straordinaria ampiezza i temi prediletti dell idraulica, della geometria e dell' astronomia, dilungandosi anche sulla costruzione degli orologi solari e ad acqua. Mentre nel "Decimo Libro" ha modo di ragionare sulle macchine, belliche e no, affiancando anche in questo caso a problematiche di natura tecnica, come la progettazione di pompe idrauliche, interessi più squisitamente teorici legati agli studi di fisica. Bibliografia: Argelati, p. 191; Brunet, V, 1330; Cicognara 725; Fowler, 416; Graesse, V, 379; Haym, p. 274; Millard, 501; Paitoni, p. 233; Riccardi, I, 626. Cfr. Del Pesco, "L' architettura del Seicento", p. XIII; Faine Saunders, "Pliny the Elder and the Emergence of Renaissance Architecture", p. 420; Vagnetti, "2000 anni di Vitruvio", p. 103. (For more pictures please visit our website: www.dentisrarebooks.it). …

Hardcover. Condición: Very Good. [De architectura] Vellum over boards. Hardcover. Ribbed Spine. Binding slightly rubbed, some minor stains. Title page soiled. Light foxing throughout. Ownership inscription from 1667 on the final text leaf 3Q4. Collation: 4o: a4 Aâ"2H4 2I1 2K4 2L1 2Mâ"3T4 (lacking the final index leaf 3T4). Woodcut illustrations throughout. 9 1/2 x 7 inches (24 x 18 cm). Italian translation and commentary by Daniele Barbaro. A treatise on Architecture written by the eminent Roman architect and military engineer, Vitruvius. The work discusses the design of Greek and Roman buildings, military camps, cities, public works and machines.…

circa 35,5 x 25 cm. 1 Blatt verso weiss Porträt des Humanisten und Politikers Daniele Barbaro (1513-1570) nach dem Gemälde des Paolo Veronese in der Dresdner Galerie. - Wenig angestaubt, verso kleine Montagespuren, sonst gut, sauber.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1559 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 115 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 115.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1557 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 113 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 113.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1557 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 109 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 109 Language: Italian.…

Vellum. Condición: Nearly Fine. First Latin edition. Folio (29.8 by 20 cm.). Signatures: a6 b4 A-2G6 2H8 (= 198 leaves); [20], 375, [1, printer's device] pp. More than 120 woodcut illustrations, plans, and diagrams throughout; initials. Contemporary vellum (lightly soiled), yapp edges. A few light stains or smudges (mostly marginal), including traces of inserted maple leaves at p. 395 else a fine copy. First Latin edition of the editor's commentary on Vitruvius, originally published in Italian at Venice in 1556. The editor here follows closely the 1552 Philander edition of Vitruvius, though occasionally preferring some variants in Fra Giocondo's edition. The illustrations are reduced copies of those found in the Marcolini edition (Venice, 1556), and are attributed by Poleni and Cicognara to Johann Criegher. The large woodcut initials at the beginning of each book are from a mythological alphabet of Giolito (Fowler). The historian and scientist Daniele Barbaro (1513-1570) studied philosophy, mathematics, and astronomy at Padua. He actively served as coadjutor to Giovanni Grimani, the Patriarch of Aquileia and participated in the final sessions of the Council of Trent (1562-1563). Apart from the present work, he published commentaries on Porphyry and the Rhetoric of Aristotle. His 1569 work on perspective is regarded by many as his most original work. The second edition of Barbaro's Italian version of Vitruvius was also published by Franceschi and Criegher in 1567; some of the woodcuts in the present edition appeared in Barbaro's La pratica della perspettiva, published at Venice by the brothers Borgominieri in 1569. The military and civil engineer Marcus Vitruvius Pollio (ca. 70-80 BCE - ca. 15 CE) is the author of the only surviving ancient treatise on architecture, arranged in ten books. By his own account, Vitruvius served in the Roman army under the command of Julius Caesar. Rediscovered by the Florentine humanist Poggio Bracciolini (1380-1459) in the library of Saint Gall Abbey, and publicized by Leon Battista Alberti (1404-1472), Vitruvius' De Architectura would later define the canon of classical architecture. His assertion that structures should exhibit the three qualities of stability (firmitatis), utility (utilitiatis), and beauty (venustatis) became a commonplace in architectural theory. The wide-ranging program of De Architectura deals with "principles of buildings in general, building materials, designs of theatres, temples and other public buildings, town and country houses, baths, interior decoration and wall paintings, clocks and dials, astronomy, mechanical and military engineering." (PMM). Throughout the Renaissance, Vitruvius' work provided inspiration for such important artists and architects as Michelangelo, Leon Battista Alberti, Donato Bramante, Lorenzo Ghiberti, Giacomo Vignola, Andrea Palladio and many others. The first printed edition of De Architectura appeared at Rome (ca. 1483-90); the first illustrated edition, at Venice (1511). Provenance and annotations: bookplate of the Metropolitan Musuem of Art, Department of Prints, noting bequest of W. Gedney Beatty, 1941 (de-accessioned 2007); bookseller's ticket (John Tiranti & Co., London) at front pastedown; dated entry of Paul de Toullion (1684) at rear endleaf, along with a more recent entry. Adams V-909; Digital Cicognara Library 716, cf. 713 (Italian ed. 1556); Edit16 CNCE 48319; Fowler 409; Millard (Italian & Spanish), 161; Mortimer (Harvard Italian), 550; USTC 863690. Cf. PMM 26 (Vitruvius ed. 1483-90). Full title and imprint: M. Vitruvii Pollionis de Architectura Libri Decem, cum Commentariis Danielis Barbari, Electi Patriarchae Aquileiensis; Multis Aedificiorum, Horologiorum, et Machinarum Descriptionibus, & figuris, unà cum indicibus copiosis, auctis & illustratis. Venetiis, apud Franciscus Franciscium Senensem, & Ioan. Cruher Germanum. M. D. LXVII.…

First edition of Daniele Barbaro's (1514-1570) translation and commentary. This important publication is the fourth translation of Vitruvius into Italian and the sixth into a European vernacular. The original purpose of this edition was to make accessible to architects who did not know Latin a reliable text of a higher lexicographical quality than that of previous Italian translations. Its aim was to combine the strictly philological and archaeological study of the Vitruvian text with the drafting of a commentary which would also have the function of an architectural treatise for contemporary practice. Daniele Barbaro benefited from the close collaboration of the Vicentine architect Andrea Palladio (1508-1580), who not only drew the most important illustrations in books I-VI, but also contributed to the commentaries and the elucidation of certain obscurities of the text of Vitruvius. The abundant woodcut illustrations in the text include a large architectural title (triumphal arch), an elaborate allegorical frontispiece (repeated in fine) showing architects and their instruments, and a further 131 figures including 8 double-page and 15 full-page, engraved by Giuseppe Salviati. Barbaro's edition 'is widely considered to be the most significant Italian edition of the treatise, the illustrations provided by Andrea Palladio, among others, are the most persuasive architecture illustrations associated with the Vitruvian text' (Millard). First edition thus; folio (40.6 x 28.2 cm); roman and italic type, title within woodcut historiated architectural border, 132 woodcut illustrations and diagrams by Salviati after Palladio, including 8 double-page, 15 full-page, 6 illustrations with woodcut overlays or extensions, small volvelle to Q2v, 2 plates on theatres at end with volvelles, pasted cancelled illustrations on E8v and F7r, B3 a cancel, 11-line woodcut initials, numerous 6-line initials, title-page lightly soiled, upper corner of D2 repaired, marginal repairs to V2-V4, occasional browning; later parchment over contemporary vellum, ms. titles to spine, red speckled edges, loss of parchment to spine, light soiling, some rubbing to extremities; overall a lovely copy; collation: A8 B6 C6 Ï1 D-G8 H6 I8 K8 (K3 + 2K3) L8 2Ï1 M-Q8 R6 S-T8 V4. Provenance: Contemporary marginal annotation R2; Peter Delmà Esq. (18th-century bookplate); W. Gedney Beatty, 1869-1941, American architect; [gifted to:] The Metropolitan Museum of Art, New York, Department of Prints (inkstamp). USTC 863689; Berlin Kat. 1814; Brunet V, 1330; Cicognara 713; Fowler 407; Harvard/Mortimer (Italian), 547; Millard (Italian), 160.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1569 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 207 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 207.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1569 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 209 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 209.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1542 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 231 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 231.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1568 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 243 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 243 Language: Italian.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1557. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages: - 107, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 107 107.…

Erste Aldus-Ausgabe.- Der Venezianer Daniele Barbaro (1513-1570) diente der Republik Venedig als Botschafter am Hof Eduards VI. in London und als Repräsentant beim Konzil von Trient. 1550 wurde er zum Patriarchen von Aquileia gewählt. Er war auch Architekt und übersetzte und kommentierte Vitruv. - Einband leicht bestoßen bzw. angestaubt. Vorderdeckel (verblasst) u. Innendeckel m. handschriftl. Vermerk Duplicato. Hinterer Innendeckel m. kl. Kaufvermerk in Kugelschreiber. Titel m. kl. Namenszug u. etw. fleckig, sonst nur vereinzelt schwach gebräunt bzw. fleckig. - Insgesamt schönes, breitrandiges Exemplar. - EDIT 16 CNCE 4129; Adams B 169; BM STC, Italian Books 70; Renouard 124, 2; Fock, Bibliotheca Aldina S. 61; IA 112.845; Brunet I, 644; Hoffmann III, 287 (Sehr selten). la Gewicht in Gramm: 1000 4°. Mit Anker-Druckermarke in Holzschnitt am Titel u. am Ende. Mit einer Anfangsinitiale in Rot u. Blau sowie durchg. regliert u. rubriziert. 110 nn. Bll., Flex. Pgmt. d. Zt. m. durchzogenen Bünden u. verblasstem handschriftl. Rückentitel. …

LeatherBound. Condición: NEW. LeatherBound edition. Condition: New. Reprinted from 1567 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 420.…

Leather Bound. Condición: New. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1554. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Pages: - 120, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 120 120.…

Leather Bound. Condición: New. Language: Italian. Language: Italian. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1569. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - Italian, Pages:- 218, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 218 218.…