Barbara gentili (43 resultados)

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Librería: Books From California, Simi Valley, Estados Unidos de AmericaBooks From California
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hardcover. Condición: Very Good.

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Librería: Brook Bookstore On Demand, Napoli, ItaliaBrook Bookstore On Demand
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EUR 91,04
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 116,26
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Condición: New.

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Librería: PBShop.store US, Wood Dale, Estados Unidos de AmericaPBShop.store US
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EUR 120,30
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Rarewaves USA, OSWEGO, Estados Unidos de AmericaRarewaves USA
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EUR 127,19
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Hardback. Condición: New. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted… 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 113,28
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Condición: New.

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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 115,46
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 115,45
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Condición: New.

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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EUR 122,09
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Condición: New. In.

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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 134,31
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Condición: As New. Unread book in perfect condition.

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Librería: Grand Eagle Retail, Bensenville, Estados Unidos de AmericaGrand Eagle Retail
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EUR 142,18
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Hardcover. Condición: new. Hardcover. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this…multifaceted 'modernity', and the broader cultural context in which it emerged. As modern singers progressively eschewed the bel canto ideal of 'pure' vocal quality, their singing acquired an irreversible gendered connotation and an erotically charged expressive force. Central in this shift was the gradual development of a homogeneous vocal colour through the compass. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this development. They came of age when the transformation in vocality was intertwined with the emergence of verismo, a realistic trend that affected literature, theatre, fine art, music and every other aspect of creative and intellectual life in fin-de-siecle Italy.The book explores how and why this selected group of singers consciously pursued a new model of vocal expressivity, thus engaging with several aspects of vocal production and illuminating the ways in which changes in technique yielded novel stylistic gestures. Providing for a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: moluna, Greven, Alemaniamoluna
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EUR 97,96
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Condición: New. Über den AutorBARBARA GENTILI is Surrey Future Senior Fellow at the University of Surrey. She holds a PhD in Musicology from the Royal College of Music. She is also an accomplished soprano and opera singer.Inhaltsverzeic.

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Librería: Rarewaves.com USA, London, Reino UnidoRarewaves.com USA
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EUR 152,05
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Hardback. Condición: New. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted… 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 135,77
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Condición: As New. Unread book in perfect condition.

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Librería: Kennys Bookstore, Olney, Estados Unidos de AmericaKennys Bookstore
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EUR 144,74
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Condición: New.

Opera in Transnational Contexts : Circulating Identities and Cultures
Gentili, Barbara (EDT); Kühl, Paulo M. (EDT); Rowden, Clair (EDT)
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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 157,89
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Condición: New.

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Librería: Rarewaves USA United, OSWEGO, Estados Unidos de AmericaRarewaves USA United
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EUR 130,39
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Hardback. Condición: New. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted… 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.

Opera in Transnational Contexts : Circulating Identities and Cultures
Gentili, Barbara (EDT); Kühl, Paulo M. (EDT); Rowden, Clair (EDT)
- Tapa dura
Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 157,56
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Condición: New.

Opera in Transnational Contexts : Circulating Identities and Cultures
Gentili, Barbara (EDT); Kühl, Paulo M. (EDT); Rowden, Clair (EDT)
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Librería: GreatBookPrices, Columbia, Estados Unidos de AmericaGreatBookPrices
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EUR 188,50
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Condición: As New. Unread book in perfect condition.

Opera in Transnational Contexts : Circulating Identities and Cultures
Gentili, Barbara (EDT); Kühl, Paulo M. (EDT); Rowden, Clair (EDT)
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 188,47
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Condición: As New. Unread book in perfect condition.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 202,20
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Condición: New.

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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 144,02
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Hardback. Condición: New. Connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society.In the decades that span the turn of the twentieth century, the Italian tradition of operatic singing became 'modern'. This book identifies and explores the formative elements of this multifaceted… 'modernity', and its connections with the emergence of verismo, a realistic trend that affected every aspect of creative and intellectual life in fin-de-siècle Italy. Thisnovel approach to artistic representation meant that singers had to redefine the operatic voice, exchanging the bel canto ideal of 'pure' vocal quality with an irreversible gendered connotation and an erotically charged expressive force. Pivotal to this shift was the gradual development of a homogeneous vocal colour through the compass, an aesthetic principle that was alien to the voice culture of the previous centuries. Star singers such as Enrico Caruso, Titta Ruffo, Emma Carelli and Eugenia Burzio were instrumental in this radical transition. The book explores how and why modern singers consciously pursued a new vocal expressivity, illuminating the ways in which the changes they introduced in their vocal techniques yielded novel stylistic gestures, and ultimately shaped operatic culture.Through a comparative analysis of early vocal recordings and late nineteenth- and early twentieth-century vocal methods and drawing on archival research in London, Milan, Rome and Buenos Aires, the book connects discussions of vocality and operatic culture with broader aesthetic and cultural shifts in society. Italian Opera Singing at the Time of Verismo, will be of interest to scholars and students of opera history, performance studies and recording history, as well as voice coaches and professional singers.

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Librería: Books Puddle, New York, Estados Unidos de AmericaBooks Puddle
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Librería: Biblios, frankfurt am main, AlemaniaBiblios
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EUR 227,99
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Librería: moluna, Greven, Alemaniamoluna
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EUR 201,47
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Condición: New. Barbara Gentili is Senior Lecturer and Director of the Theatrical Voice Research Centre, University of Surrey.Paulo M. Kuehl is Professor of Art History and History of Opera at the Arts Institute, Universidade Esta.

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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 244,99
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Condición: New. 2026. 1st Edition. hardcover. . . . . .

Opera in Transnational Contexts: Circulating Identities and Cultures
Gentili, Barbara (Editor)/ Kühl, Paulo M. (Editor)/ Rowden, Clair (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 272,98
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Hardcover. Condición: Brand New. 272 pages. 9.18x6.12x9.21 inches. In Stock.

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EUR 308,56
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Condición: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 281,34
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Buch. Condición: Neu. Neuware - Opera in Transnational Contexts: Circulating Identities and Cultures sheds important light onto the travels of operatic works and the types of cultural exchanges that occurred as a result of the music, composers, singers, impresarios and others moving from one locale to another between the late ei…ghteenth and twentieth centuries.