arnau horta (10 resultados)

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Paperback. Condición: new. Paperback. `Sound Art` is the catalogue that accompanies a new exhibition at the Fundacio Juan Miro Gallery in Barcelona. It offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the later C19 to today.The exhibition examines how, in the late C19 and early C20 many visual artists worked references to sound and music into their pieces using a variety of strategies. In turn, it also addresses the influence of visual arts on contemporary musical practices. It considers how several composers and visual artists turned the music score into a space for experimentation and performativity, and explains how the introduction of sound enables art objects to state their presence in a radically different, augmented way.In the text of this book, the experimental musician and artist Max Neuhaus questions the validity of the term `Sound Art` and so creates the starting point for the various artists and critics who also contribute to the discussion, including Suzanne Delehanty, Jean-Yves Bosseur, Maija Julius and Miki Yui, David Toop, Fiona McGovern, Ursula and Rene Block and Arnau Horta, who is the curator the exhibition and editor of this book. `Sound Art` is the catalogue that accompanies a new exhibition at the Fundacio Juan Miro Gallery in Barcelona. It offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the later C19 to today. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 176 pages. Spanish language. 7.09x4.33x0.91 inches. In Stock.

Condición: New.

Condición: New. Klappentextrnrn`Sound Art` is the catalogue that accompanies a new exhibition at the Fundacio Juan Miro Gallery in Barcelona. It offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art obje.

Paperback. Condición: new. Paperback. `Sound Art` is the catalogue that accompanies a new exhibition at the Fundacio Juan Miro Gallery in Barcelona. It offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the later C19 to today.The exhibition examines how, in the late C19 and early C20 many visual artists worked references to sound and music into their pieces using a variety of strategies. In turn, it also addresses the influence of visual arts on contemporary musical practices. It considers how several composers and visual artists turned the music score into a space for experimentation and performativity, and explains how the introduction of sound enables art objects to state their presence in a radically different, augmented way.In the text of this book, the experimental musician and artist Max Neuhaus questions the validity of the term `Sound Art` and so creates the starting point for the various artists and critics who also contribute to the discussion, including Suzanne Delehanty, Jean-Yves Bosseur, Maija Julius and Miki Yui, David Toop, Fiona McGovern, Ursula and Rene Block and Arnau Horta, who is the curator the exhibition and editor of this book. `Sound Art` is the catalogue that accompanies a new exhibition at the Fundacio Juan Miro Gallery in Barcelona. It offers a critical interrogation of this category in art and presents an overview of the sonorisation of the art object from the later C19 to today. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Encuadernación de tapa blanda. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. The work of art can sound, resonate and be heard. It can also be heard from silence, through our eyes or our skin. From the end of the 19th century to the present day, there has been a progressive "soundization of the artistic object", and does it make sense to talk about sound art anyway? This question, posed by the musician and experimental artist Max Neuhaus in 2000, is the starting point for the artists, composers and critics who have written for this catalogue, an essential collection of the voices that have best reflected on the notion of sound art Sound art? includes foundational texts of this debate, translated for the first time into Catalan, interviews and historical analyzes of the crossover between visual arts and sound creation.