arfara katia (75 resultados)

paperback. Condición: Fine.

Condición: New.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: New. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre's theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Condición: New. 2025. paperback. . . . . .

Condición: New.

Paperback. Condición: new. Paperback. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvres theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events. In-depth explorations of socially engaged public artworks from the perspective of a curator and scholar Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre's theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Paperback. Condición: Brand New. 384 pages. 9.00x6.00x9.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condición: Very Good. 4to. Limited edition of 1500. Curated by Nicholas Bourriaud, Jerome Sana, & Marc Sanchez. A collection of 22 artists including Jeff Koons, Yinka Shonibare, Vanessa Beecroft, kari Ward.Decorative colorful cover. VG+ Very good indeed. First Edition. Hardback. No Dustjacket.

Condición: NEW.

Paperback. Condición: new. Paperback. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvres theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events. In-depth explorations of socially engaged public artworks from the perspective of a curator and scholar Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New.

Paperback. Condición: New. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre's theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Taschenbuch. Condición: Neu. Neuware - Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre's theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Paperback. Condición: new. Paperback. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvres theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events. In-depth explorations of socially engaged public artworks from the perspective of a curator and scholar Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Since the 2008 financial crisis and Occupy movements around the globe, artists have increasingly turned to socially engaged public art to create new models of artistic production and community engagement. Curating the Commons examines this turn through an in-depth study of performance-centered public art presented in Athens and Piraeus, Greece, during the austerity years. Extending from Henri Lefebvre's theory of social space, Arfara examines art and social engagement in relation to the commons and self-organized solidarity initiatives, including performance, photography, film, and sculptures that appeared in unexpected urban spaces to complicate notions of memory, mobility, and belonging. These works all ask the question: Who has the right to the city? Combining her scholarly and curatorial work, Arfara advocates for performance-centered public art that resists processes of exclusion and segregation, reclaiming public space as a commons. By sharing critical insights, Arfara immerses the reader in the working processes of artists and collectives, showing how public art can address ecosocial concerns in aesthetic forms. Curating the Commons offers a grounded perspective on the making of cutting-edge, socially engaged public artworks and contributes to the larger effort to craft more-than-human narratives in response to global events.

Taschenbuch. Condición: Neu. Curating the Commons | Socially Engaged Public Art | Katia Arfara | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2025 | The University of Michigan Press | EAN 9780472057795 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In.

Condición: New. In.

Condición: New.