andreoli ilaria (20 resultados)

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Brand New. multilingual edition. 475 pages. French language. 11.00x8.75x1.25 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. This volume presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose pioneering art historical approach to the study of early printed books focused upon the unique nature of each copy of an edition to reveal a vast, previously unstudied corpus of beautiful and important paintings within them. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2023. Multilingual. hardcover. . . . . .

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. The Art of the Renaissance Book Tributes to Lilian Armstrong Edited by Ilaria Andreoli, Helena Szepe Pages: 480 p. Size:220 x 280 mm Illustrations:15 b/w, 142 col. Language(s):English, Italian, French Publication Year:2023 Buy print version ? 255,00 EXCL. VAT RETAIL PRICE ISBN: 978-2-503-58463-8 Hardback Available This volume presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose pioneering art historical approach to the study of early printed books focused upon the unique nature of each copy of an edition to reveal a vast, previously unstudied corpus of beautiful and important paintings within them. SUBJECT(S) Illumination & illustration of books Italian Peninsula (c. 1501-1800) BIO Helena Szépe and Ilaria Andreoli have published extensively on manuscript illumination and early printed book illustration. SUMMARY This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Szépe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and Günther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une énigmatique illustration dans un incunable vénitien François Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attività di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virtù Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Musée Jacquemart-André - Language : Italian,English and French texts.

Condición: New. 2023. Multilingual. hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. This volume presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose pioneering art historical approach to the study of early printed books focused upon the unique nature of each copy of an edition to reveal a vast, previously unstudied corpus of beautiful and important paintings within them. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: gut. Art of the Renaissance Book. Tributes in Honor of Lilian Armstrong In deutscher Sprache. pages.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Les éditions illustrées du Roland furieux ont contribué de façon décisive à faire du poème de l'Arioste un des « grands codes » de l'imaginaire européen du XVIe au XIXe siècle. Parmi elles, celle qu'imprima en 1584 à Venise Francesco De Franceschi marque un tournant dans l'iconographie de l'Orlando furioso parce qu'il s'agit de la première édition ornée de planches gravées sur cuivre, et non plus sur bois, et parce que son influence se fit sentir bien au-delà du VIXe siècle, et bien au-delà de l'Italie, sur toute l'illustration de la poésie épique. Les meilleurs spécialistes internationaux de l'Arioste illustré se sont rassemblés en 2011 à l'université de Caen-Basse Normandie pour mettre pour la première fois en pleine lumière l'édition De Franceschi et mieux en comprendre l'importance dans la longue histoire des éditions illustrées du Roland furieux, des premiers graveurs vénitiens jusqu'à Gustave Doré. Le volume issu de leurs travaux constitue une véritable somme, organiquement conçue, qui passionnera tous ceux qui s'intéressent à l'espace visuel du livre illustré.; Les éditions illustrées du Roland furieux ont contribué de façon décisive à faire du poème de l'Arioste un des ' grands codes ' de l'imaginaire européen du XVI e au XIX e siècle. Parmi elles, celle qu'imprima en 1584 à Venise Francesco De Franceschi marque un tournant dans l'iconographie de l' Orlando furioso parce qu'il s'agit de la première édition ornée de planches gravées sur cuivre, et non plus sur bois, et parce que son influence se fit sentir bien au-delà du VIX e siècle, et bien au-delà de l'Italie, sur toute l'illustration de la poésie épique.Les meilleurs spécialistes internationaux de l'Arioste illustré se sont rassemblés en 2011 à l'université de Caen-Basse Normandie pour mettre pour la première fois en pleine lumière l'édition De Franceschi et mieux en comprendre l'importance dans la longue histoire des éditions illustrées du Roland furieux , des premiers graveurs vénitiens jusqu'à Gustave Doré. Le volume issu de leurs travaux constitue une véritable somme, organiquement conçue, qui passionnera tous ceux qui s'intéressent à l'espace visuel du livre illustré.

Taschenbuch. Condición: Neu. Exercices furieux | A partir de l'édition de l'"Orlando furioso" De Franceschi (Venise, 1584) | Ilaria Andreoli | Taschenbuch | 366 S. | Französisch | 2013 | Peter Lang | EAN 9783034312851 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Hardback, 480 pages, Size:220 x 280 mm, Illustrations:15 b/w, 142 col., Language(s):English, Italian, French. ISBN 9782503584638. Summary This book presents new research by eminent and emerging scholars in honor of Lilian Armstrong, whose extraordinary research has elucidated a vast corpus of imagery previously hidden inside manuscripts and books produced in late medieval and Renaissance Venice and the Veneto. Armstrong was one of the pioneers focusing upon the unique nature of each copy of early printed editions, an approach which has transformed the field of book history. Her studies of antiquarian imagery in books and manuscripts revealed the inventiveness and originality of these works, and that many important classical motifs initially emerged in such marginal spaces before they were canonized in sculpture and oil painting. The contributions by art historians, manuscript scholars, and book historians collected here on the book arts across Europe are testimonies to the fact that Lilian Armstrong's research has been highly influential across disciplines and geographical areas of study. TABLE OF CONTENTS INTRODUCTION The Art of the Renaissance Book: Honoring Lilian Armstrong Helena Katalin Sz pe and Ilaria Andreoli PART I: EARLY PRINTED BOOKS AND THEIR DECORATION I, libelle: Rodericus Zamorensis Launches his Book Martin Davies The Graphic Style of the First Books Printed in Venice Renzo Baldasso Italian Book Design as Paradigm and Challenge for German Artists, Intellectuals, and Printers (among others Ulrich Schreier, Hartmann Schedel, and G nther Zainer) Christine Beier Nicolas Jenson and Jacobus Rubeus in Cologne and Zutphen Lotte Hellinga Une nigmatique illustration dans un incunable v nitien Fran ois Avril Il Calepino 1533: una doppia emissione, un frontespizio "metalibrario," e una nuova edizione delle Tre Parche Edoardo Barbieri PART II: MANUSCRIPT PAINTING IN ITALY An Illustrated "Esopo" of the Veneto in the British Library Matilde Malaspina Una nuova tessera per l'attivit di Cristoforo Majorana e la biblioteca di Andrea Matteo III Acquaviva Teresa d'Urso Per Alessandro Leoni, Antonio Maria da Villafora, e il Maestro delle Sette Virt Giordana Mariani Canova Due codici miniati da Antonio Maria da Villafora: un commentario al primo libro delle Sentenze di Egidio Romano della Biblioteca Angelica e un messale del Mus e Jacquemart-Andr Federica Toniolo and Gennaro Toscano Benedetto Bordon, the Barozzi Breviary Master, and the Venetian Procurators of Saint Mark Helena Katalin Sz pe Il miniatore Giorgio Colonna e la raffigurazione dell'Arsenale veneziano Susy Marcon PART III: COLLECTING AND THE HISTORY OF SCHOLARSHIP ON EARLY BOOKS Venetian Miniatures in Munich Incunabula: New Additions Ulrike Bauer-Eberhardt An Ex-Celotti Antiphonal Cutting Inscribed "BF" in the North Carolina Museum of Art Lyle Humphrey Re-uniting Cuttings by Antonio Maria da Villafora Collected by James Dennistoun in Padua in 1839 with their Parent Manuscript Jonathan J.G. Alexander Les Missels imprim s Venise (1896): storia di un incunabolo moderno Ilaria Andreoli 0 g.

hardcover. Condición: New.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Les éditions illustrées du Roland furieux ont contribué de façon décisive à faire du poème de l'Arioste un des ' grands codes ' de l'imaginaire européen du XVI e au XIX e siècle. Parmi elles, celle qu'imprima en 1584 à Venise Francesco De Franceschi marque un tournant dans l'iconographie de l' Orlando furioso parce qu'il s'agit de la première édition ornée de planches gravées sur cuivre, et non plus sur bois, et parce que son influence se fit sentir bien au-delà du VIX e siècle, et bien au-delà de l'Italie, sur toute l'illustration de la poésie épique.Les meilleurs spécialistes internationaux de l'Arioste illustré se sont rassemblés en 2011 à l'université de Caen-Basse Normandie pour mettre pour la première fois en pleine lumière l'édition De Franceschi et mieux en comprendre l'importance dans la longue histoire des éditions illustrées du Roland furieux , des premiers graveurs vénitiens jusqu'à Gustave Doré. Le volume issu de leurs travaux constitue une véritable somme, organiquement conçue, qui passionnera tous ceux qui s'intéressent à l'espace visuel du livre illustré. 366 pp. Französisch.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. En six chapitres dus a des specialistes de l histoire de l art comme de l histoire du livre est etudiee l edition du Roland Furieux de Francesco de Franceschi (Venise, 1584), la premiere a avoir ete illustree de gravures sur cuivre, et son influence sur l i.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Les éditions illustrées du Roland furieux ont contribué de façon décisive à faire du poème de l¿Arioste un des « grands codes » de l¿imaginaire européen du XVI au XIX siècle. Parmi elles, celle qüimprima en 1584 à Venise Francesco De Franceschi marque un tournant dans l¿iconographie de l¿Orlando furioso parce qüil s¿agit de la première édition ornée de planches gravées sur cuivre, et non plus sur bois, et parce que son influence se fit sentir bien au-delà du VIX siècle, et bien au-delà de l¿Italie, sur toute l¿illustration de la poésie épique.Les meilleurs spécialistes internationaux de l¿Arioste illustré se sont rassemblés en 2011 à l¿université de Caen-Basse Normandie pour mettre pour la première fois en pleine lumière l¿édition De Franceschi et mieux en comprendre l¿importance dans la longue histoire des éditions illustrées du Roland furieux, des premiers graveurs vénitiens jusqüà Gustave Doré. Le volume issu de leurs travaux constitue une véritable somme, organiquement conçue, qui passionnera tous ceux qui s¿intéressent à l¿espace visuel du livre illustré.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin Französisch.