Amy sillman (74 resultados)

Paperback. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

First Edition. First edition. Hardcover. Published in conjunction an exhibition that ran January 26 through April 15, 2007. Features a foreword by Shem Geldin, an introduction by Jennifer Large essays by Eileen Myles, Helen Molesworth, and Aleksandar Hemon along with the text of a conversation between Amy Sillman and Benning. Includes numerous illustrations, a checklist, and biographical information. A near fine copy in illustrated boards with some slight bumping to the corners. No dust jacket as issued. Internally a clean copy.…

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: 1 ] Publisher: Wexner Center for the Arts Pub Date: 3/1/2007 Binding: Hardcover Pages: 84 1 edition.

Soft cover. Condición: Very Good. No Jacket. Large Format. Art**: Photographs of abstract collages by the American artist in an excellent large format paperback. Photographs (ilustrador).

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. First Edition. First Edition, First Printing. Published by C, 2010. Octavo. Paperback. Book is very good.

hardcover. Condición: As New. Used hardcover like new. No underlining, tears, highlighting, or marginalia. A clean sound and serviceable copy.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Condición: New.

Paperback. Condición: Brand New. expanded edition. 297 pages. 7.25x4.75x0.75 inches. In Stock.

Hardback. Condición: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Hardback. Condición: New. Henry Ward (b.1971) is an artist, educator and writer based in London. This monograph documents a major new body of work created during and following a residency at the Josef and Anni Albers Foundation in Bethany, Connecticut, in 2023, and a subsequent residency in the Morvan, Burgundy, in summer 2024. Ward is interested in line, shape, form and colour relationships. He works primarily as a painter, but also makes drawings and small sculptures. He explores the language of paint by investigating the threshold between abstraction and representation. During the two months he spent at the Albers Foundation, Ward took advantage of the vast studio space and began pinning together cut painted pieces to make assemblages. While there, he produced fifteen paintings on canvas and wood, forty paintings on paper, sixty drawings, twenty 'cut-outs' and a full sketchbook. Exclusively working with acrylic paints, he began experimenting, using masking tape and mixing in different mediums so that he could 'push the paint around'.The publication includes reproductions of many the works Ward made during his stay at the Albers Foundation, organised into 'Paintings', 'Works on Paper' and 'Drawings'. The final section, 'After Bethany', brings together twenty-two acrylic paintings on canvas that the artist created the following year, including during a two-week residency in France. In his foreword, Fritz Horstman, Education Director of the Albers Foundation, sets the scene in Bethany, detailing the studio buildings and the rural winter landscape, as well as Ward's 'exciting path of exploration and growth' during his time there. While in residence, Ward travelled to nearby New York to meet the artist Amy Sillman in her Brooklyn studio. An edited transcript of their conversation is included here, in which they discuss their individual approaches to painting, writing and language. In his essay, the curator and writer Jonathan Watkins charts Ward's thirty-year career as an artist and teacher, drawing out his belief that 'art is, by its very nature, educational'. In her contribution, Jenni Lomax interviewed Ward in his Woolwich studio about the works he created during both residencies, and the lasting impact they have had on his practice.Edited by Matt Price and designed by Joe Gilmore, the book is published by Anomie Publishing, London.Henry Ward (b.1971) is an artist, educator and writer based in London. Ward has exhibited nationally and internationally for over thirty years. He was shortlisted for the Trinity Buoy Wharf Drawing Prize in 2018, 2019 and 2022 and was included in the Wells Art Contemporary in both 2020 and 2024. Ward has shown in numerous group exhibitions including with Flowers Gallery, London, Messums London and Sid Motion Gallery, London. In 2024 his solo exhibition Medusa and Other Stories, with Kittoe Contemporary, won the Artlogic best exhibition award at the London Art Fair.…

Condición: Good. n. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: As New. Unread book in perfect condition.

paperback. Condición: New. Special order direct from the distributor.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. expanded edition. 297 pages. 7.25x4.75x0.75 inches. In Stock.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Condición: New.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condición: New.

Hardcover. Condición: Brand New. 144 pages. 10.25x7.75x10.24 inches. In Stock.

Softcover. Condición: Very good. Very good condition. Binding is tight. Pages are clean and unmarked.

Condición: New.

Soft cover. Condición: Fine. Illustrated Edition. Exhibition Catalogue. Thomas Dane Gallery, 2023, London. Tall red wrappered 12mo with wire binding and french flaps. Fine: A fresh and clean copy. Published on the occasion of the eponymous show, which was displayed in London. Includes numerous pieces of installation documentation. Seemingly hard to find(?). Sillman, Amy (ilustrador).…

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.