althoff kai (36 resultados)

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: Very Good.

Hardcover. Condición: Used - Very Good. No Jacket. Spine wrinkled. Interior pages lightly toned along edges; otherwise, very nice, clean, tight copy free of any marks. No dust jacket, as issued.

Paperback. Size: 8.5"x9.5", 128 pp., illustrated. As new, clean, tight & bright condition.

Paperback. Condición: New. Kai Althoff ,Ellen Gallagher, Thomas Hirschhorn, Edgar Cleijne, Ilustrador. A clean crisp well preserved 2006 Walker Art Museum Catalogue softcover in a fine tight sewn binding. Little to no shelf wear. Text is bright and free of marks or underlining. Fast shipping in a secure book box mailer with tracking. Heart of Darkness centers on three large-scale installations by artists Kai Althoff, Ellen Gallagher and Thomas Hirschhorn. Working with fairy tales, science fiction and sensational imagery, these artists invite us to enter an uncanny world of their own creation, where darkness is not just a representation of chaos, madness and dystopia, but an artistic strategy in the search for clarity and empathy within the insurmountable nihilism of the twenty-first century. With an introduction by curator Philippe Vergne and individual interviews with the artists.

Paperback. Condición: Very Good. Paperback, Exhibition Catalogue, Fine.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

14 pp.; 21.6 x 14 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition brochure published in conjunction with Kai Althoff's first museum survey, held May 26 - September 6, 2004. Includes exhibition checklist, a brief biography of the artist's relationship to Cologne and a timeline of art in Cologne to contextualize this relationship further. Very Good. Light rubbing of spine and cover edges and light handling wear with some light dinging. Contents clean and unmarked.

Softcover with dustjacket, 120 pages, very good condition; dj lightly ruffled at top edge with some scattered scuffs; no internal marks. Foreign shipping may be extra.

Taschenbuch. Condición: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -Das Buch, das zugleich als Dokumentation der gleichnamigen Ausstellungspräsentation im Haus Mödrath dient, präsentiert frühe Arbeiten aus der Privatsammlung Wilhelm Otto Nachf. Gezeigt werden vor allem Werke solcher Künstlerinnen und Künstler, die in den späten 1980er- und frühen 1990er-Jahren im Rheinland arbeiteten, als Köln neben New York das weltweite Zentrum der zeitgenössischen Kunst war.Über die Jahre formte sich bis heute eine Sammlung, die einen subjektiven Einblick in die damalige Kölner Kunstlandschaft liefert und erstmalig in dieser Form in Haus Mödrath zu sehen ist.Ergänzt werden Ausstellung und Katalog um Künstler und Kunstwerke, die sich diesem Kölner Zeitabschnitt unmittelbar anschlossen und einen wichtigen Schwerpunkt der heutigen Sammlung bilden.Mit Arbeiten von: Albert Oehlen, Andreas Schulze, Anna und Bernhard Blume, Antony Gormley, Blalla W. Hallmann, Christopher Wool, Fischli/Weiss, Georg Herold, Gregor Schneider, Günther Förg, Hiroshi Sugimoto, Isa Genzken, Jochen Lempert, John Bock, Joseph Beuys, Jürgen Klauke, Kai Althoff, Katharina Sieverding, Marcel Odenbach, Peter Duka, Rob Scholte, Roman Signer, Rosemarie Trockel, Siegfried Anzinger, Sigmar Polke, Thomas Zipp, Walter Dahn 160 pp. Englisch, Deutsch.

Taschenbuch. Condición: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -Das Buch, das zugleich als Dokumentation der gleichnamigen Ausstellungspräsentation im Haus Mödrath dient, präsentiert frühe Arbeiten aus der Privatsammlung Wilhelm Otto Nachf. Gezeigt werden vor allem Werke solcher Künstlerinnen und Künstler, die in den späten 1980er- und frühen 1990er-Jahren im Rheinland arbeiteten, als Köln neben New York das weltweite Zentrum der zeitgenössischen Kunst war.Über die Jahre formte sich bis heute eine Sammlung, die einen subjektiven Einblick in die damalige Kölner Kunstlandschaft liefert und erstmalig in dieser Form in Haus Mödrath zu sehen ist.Ergänzt werden Ausstellung und Katalog um Künstler und Kunstwerke, die sich diesem Kölner Zeitabschnitt unmittelbar anschlossen und einen wichtigen Schwerpunkt der heutigen Sammlung bilden.Mit Arbeiten von: Albert Oehlen, Andreas Schulze, Anna und Bernhard Blume, Antony Gormley, Blalla W. Hallmann, Christopher Wool, Fischli/Weiss, Georg Herold, Gregor Schneider, Günther Förg, Hiroshi Sugimoto, Isa Genzken, Jochen Lempert, John Bock, Joseph Beuys, Jürgen Klauke, Kai Althoff, Katharina Sieverding, Marcel Odenbach, Peter Duka, Rob Scholte, Roman Signer, Rosemarie Trockel, Siegfried Anzinger, Sigmar Polke, Thomas Zipp, Walter Dahn 160 pp. Englisch, Deutsch.

Taschenbuch. Condición: Sehr gut. Gebraucht - Sehr gut Leichte Lagerspuren -Das Buch, das zugleich als Dokumentation der gleichnamigen Ausstellungspräsentation im Haus Mödrath dient, präsentiert frühe Arbeiten aus der Privatsammlung Wilhelm Otto Nachf. Gezeigt werden vor allem Werke solcher Künstlerinnen und Künstler, die in den späten 1980er- und frühen 1990er-Jahren im Rheinland arbeiteten, als Köln neben New York das weltweite Zentrum der zeitgenössischen Kunst war.Über die Jahre formte sich bis heute eine Sammlung, die einen subjektiven Einblick in die damalige Kölner Kunstlandschaft liefert und erstmalig in dieser Form in Haus Mödrath zu sehen ist.Ergänzt werden Ausstellung und Katalog um Künstler und Kunstwerke, die sich diesem Kölner Zeitabschnitt unmittelbar anschlossen und einen wichtigen Schwerpunkt der heutigen Sammlung bilden.Mit Arbeiten von: Albert Oehlen, Andreas Schulze, Anna und Bernhard Blume, Antony Gormley, Blalla W. Hallmann, Christopher Wool, Fischli/Weiss, Georg Herold, Gregor Schneider, Günther Förg, Hiroshi Sugimoto, Isa Genzken, Jochen Lempert, John Bock, Joseph Beuys, Jürgen Klauke, Kai Althoff, Katharina Sieverding, Marcel Odenbach, Peter Duka, Rob Scholte, Roman Signer, Rosemarie Trockel, Siegfried Anzinger, Sigmar Polke, Thomas Zipp, Walter Dahn 160 pp. Englisch, Deutsch.

112 pp.; 25.3 x 18.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 29 - April 17, 2006. Essays by Michael Darling and Friedrich Wolfram Heubach. Artists include Anselm Reyle, Ivan Morley, Rodney McMillian, Lucy McKenzie, Mark Grotjahn, Gillian Carnegie, and Kai Althoff. New / Fine. In publisher's shrink wrap, clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Softcover art journal with articles on: Kai Althoff, Glenn Brown, Dana Schutz; insert by Balthasar Burkhard; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Encuadernación de tapa blanda. Condición: Muy bien. Text in English and German. Kai Althoff, Dana Schutz, Glenn Brown, insert by Balthasar Burkhard. 207pp + advertisements. Soft cover. 25,5 x 21 cm.

Soft cover. Condición: Very Good.

Hardcover. Condición: Sehr gut. 27 x 24,5 cm 57 S. : zahlr. Ill. ; Hardcover. Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Taschenbuch. Condición: Neu. Neuware - Das Buch, das zugleich als Dokumentation der gleichnamigen Ausstellungspräsentation im Haus Mödrath dient, präsentiert frühe Arbeiten aus der Privatsammlung Wilhelm Otto Nachf. Gezeigt werden vor allem Werke solcher Künstlerinnen und Künstler, die in den späten 1980er- und frühen 1990er-Jahren im Rheinland arbeiteten, als Köln neben New York das weltweite Zentrum der zeitgenössischen Kunst war.Über die Jahre formte sich bis heute eine Sammlung, die einen subjektiven Einblick in die damalige Kölner Kunstlandschaft liefert und erstmalig in dieser Form in Haus Mödrath zu sehen ist.Ergänzt werden Ausstellung und Katalog um Künstler und Kunstwerke, die sich diesem Kölner Zeitabschnitt unmittelbar anschlossen und einen wichtigen Schwerpunkt der heutigen Sammlung bilden.Mit Arbeiten von: Albert Oehlen, Andreas Schulze, Anna und Bernhard Blume, Antony Gormley, Blalla W. Hallmann, Christopher Wool, Fischli/Weiss, Georg Herold, Gregor Schneider, Günther Förg, Hiroshi Sugimoto, Isa Genzken, Jochen Lempert, John Bock, Joseph Beuys, Jürgen Klauke, Kai Althoff, Katharina Sieverding, Marcel Odenbach, Peter Duka, Rob Scholte, Roman Signer, Rosemarie Trockel, Siegfried Anzinger, Sigmar Polke, Thomas Zipp, Walter Dahn.

Taschenbuch. Condición: Neu. Immer feste druff | Werke der 1980er/90er Jahre aus der Slg. Wilhelm Otto Nachf., Dt/engl | Kai/Anzinger, Siegfried/Oehlen, Albert u a Althoff | Taschenbuch | 160 S. | Deutsch | 2024 | Verlag Kettler | EAN 9783987411021 | Verantwortliche Person für die EU: Verlag Kettler, Robert-Bosch-Str. 14, 59199 Bönen, info[at]verlag-kettler[dot]de | Anbieter: preigu.

Condición: Very Good+. Estado de la sobrecubierta: Very Good-. [Zurich: JRP/Ringier, 2013.] First Edition. Square quarto; publisher's cloth, decorative endpapers, in grey photo-illustrated dust jacket; 261pp.; full color illus. throughout. Dust jacket wrinkled and a bit worn at margins, several faint black smudge marks to upper jacket panel; overall a Near Fine copy in About Very Good jacket. Comprehensive catalog of the work of German artist Kai Althoff (b. 1966), including paintings, collages, video art, and installations. Uncommon in commerce.

Condición: New. This comprehensive publication is Kai Althoff s third monograph. It contains never before seen works in addition to images from every stage of the artist s career, concentrating most heavily on work since 2002. The artist considers this to be a more ideally.

Encuadernación de tapa blanda. Condición: Muy bien. Estado de la sobrecubierta: Aceptable. Kai Althoff, Glenn Brown, and Dana Schutz invite us with deliberate guile to enter into highly idiosyncratic personal worlds and wide-ranging universes of their own creation. They put their faith in the power of the imagethough, as Oliver Koerner von Gustorf observes, there is talk at times of a framework that is not interdisciplinary, but rather antidisciplinary. Glenn Brown and Dana Schutz apply themselves to the "master discipline" of oil painting with bravura but only as a platform for corrosive flights of fancy that transport it into another dimension. Glenn Brown burrows into "the genre of painting" in order to embark on what might be called a subcutaneous journey into his Musée Imaginaire. His steady companion is a great delight in deception of all kinds: travesties of eras past and present, trompe l'oeil in the perfectly flat rendition of pastose brushstrokes, or the gradual liquefaction of false trails. The neo-rococo excrescence on the cover is the quintessential embodiment of all heads that have ever taken up residence on a cover or a canvas, and which now dissolves before our very eyes into a froth of saturated colors. The implications of a treatment of time that borrows from the workings of fairy tales and casually unites centuries, decades, and generations is fleshed out in Veit Loers essay on the work of Kai Althoff. All three collaboration artists share an aspect aptly described in Jan Avgikos' analysis of the work of Dana Schutz. Her painting is, as she puts it, an "almost encyclopedic archive of nightmarish and sensational imagery" that nonetheless shows a "life-enhancing optimism" in its "fictional post-apocalyptic setting". While Schutz's images graphically lay bare existential extremes in the life situations of society's castaways, Kai Althoff accosts us with other extremes, backdrops of gloom, such as the diabolical dimensions of German history. As in science fiction, Glenn Brown operates on a more concentrated level of materiality in his deliciously uncanny, liquefied world. The obvious, self-evident presence of the Apocalypse in the work of these three artists is, paradoxically, what makes their projects so exhilaratingly inviting and, indeed, liberating. Also in this volume an Insert by Balthasar Burkhard. Table of Content Tea with Grayson Perry by Duncan Fallowell Between the Book and the Lamp: Four Projects by Rémy Markowitsch by Angelika Affentranger-Kirchrath Dana Schutz Welcome to Neverland by Karin Wittneven Monster Mash by Jan Avgikos Under Close Observation by Brian Sholis Kai Althoff The Ties that Bind by Jordan Kantor With Bellbottoms to the Underworld by Veit Loers Super Creeps: Cruising the Work of Kai Althoff by Oliver Koerner von Gustorf Glenn Brown He Paints Paint by Jennifer Higgie New Worlds for Old by Trevor Smith Master and Minion by Jörg Heiser Balthasar Burkhard, Insert Sturtevant: Inappropriate Appropriation by Michael Lobel Real Cheating: A Conversation with Seth Price, by Daniel Baumann Pun to Paradox, Bas Jan Ader Revisited, Cumulus from Overseas by Rachel Kent Experiencing Duration. The 2005 Lyon Biennial, Cumulus from Europe by Gianfranco Maraniello Goodbye Johnny, Johannes Gachnang, 1939 2005 by Rudolf Schmitz.

paperback. Condición: Fine. Still in original wrap.

Buch. Condición: Neu. Neuware - This comprehensive publication is Kai Althoff's third monograph. It contains never before seen works in addition to images from every stage of the artist's career, concentrating most heavily on work since 2002. The artist considers this to be a more ideally composed retrospective than any exhibition of his work would be capable of achieving. \* \* The selection of images focuses on documenting the work in a way which addresses the character of the works as well as the artist's current and past perspectives on his oeuvre. Possessing the emotional charge of the artist's works, this book presents personal, previously withheld photographs, paintings, and writings of 'failed satire' with a deceptive sentimentality that oscillates between nostalgia and self-deprecation. This stands in contrast with the innate beauty and craftsmanship of the works, which engrossed the artist at the time of their conception. 'Souffleuse der Isolation' is also concerned with the act of re-evaluating past works and the emotional states in which they were spawned, and how this pertains to the act of revisiting past portrayals of oneself. \* \* This volume also features an epic dialectical text by the writer Angus Cook imaginatively inspired by Althoff's work, though twice failing to mention him by name. This text was written specifically for the occasion of this monograph and served as a vital conceptual basis to its composition. Also included is a text by Dr. Patrik Scherrer, lic. theology on the use of textiles in the artist's work. \* \* Published in collaboration with Kunsthalle Zürich.