Alice robbins (34 resultados)

Hardcover. Condición: Collectible- very good. No Jacket. Red cloth cover that is faded as pictured Tight and sound but back spine is loosed from book Clean copy but first few pages have some liquid damage Cover has corner bumps and bumps and fraying to top and bottom of spine No inside markings or underlinings except for previous owners signature Please see our photo as many book sites use stock images.…

Paperback. Condición: Very Good-. First Edition. In stapled wraps, 8vo, 22pp. Illustrated. (upper cover illustration colored with color markers). Size: 8vo - over 7¾" - 9¾". Illustrated by Anna Scott Jennings (ilustrador). Ephemera.

hardcover. Condición: New.

Condición: Good. General wear to boards with light fading and marks. Content mainly clean with even toning. No DJ. Gold gild top edges.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 56 pages. Spanish language. 8.00x5.00x0.13 inches. In Stock.

Condición: New.

Hardcover. Condición: Good. No Jacket. No marks in text. Not a library book. Ships today in a cardboard enclosure.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

8vo, 280pp with several black and white plates. A good hardback copy with flecking on boards and a little foxing throughout. Gift inscription.

hardback, 8vo, xii,339pp, illustrated, pages browning, otherwise clean and sound, no inscriptions, red cloth gilt., spine rubbed and faded, Good condition.

Condición: Used - Good. Good hardback. 1913 1st edition with B&W illustrations; tightly bound in red cloth with gilt lettering to front and spine; spine faded with dulled gilt; edges and corners a little worn; tiny loss to bottom edge of front panel. Top page fore-edge gilded; other fore-edges palely foxed. Internally, endpapers slightly yellowed; half title foxed; a bit of foxing to edges of most pages; otherwise, a good, tidy copy. Used - Good. Good hardback.…

Condición: Very Good. First Edition, hardcover. 339 pages. Very good, foxing (spotting) on and near page edges, in a very good plus dust jacket (in fresh mylar protector), overall a surprisingly tight and clean copy. Please note that standard international mail may run extra on this item.

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

HARD BACK RED. Condición: GOOD. GENERAL WEAR, RUBBED EXTREMITIES, BOOKPLATE FRONT INNER COVER, TANNED, BLACK & WHITE ILLUSTRATIONS, CLEAN, TIGHT BINDING, GOLD GILT LETTERING ON SPINE DATE PUBLISHED: 1872 EDITION: 348.

Hard Cover. Condición: Fair to Good. No Jacket. Circa 1868, Cover worn, Former owner's name on front endpaper, Cracked hinge, 348 pages Size: 16mo - over 5¾" - 6¾" tall.

Hardcover. Condición: Very good. Estado de la sobrecubierta: good. First Edition. 438p octavo,+ foldout map, illustrated A very good copy in chipped and worn dust jacket. Large chip on back panel. Folding map in the rear.

Hardcover. Condición: Good. 1st Edition. Normal wear to extremties with couple of short closed tears to spine tips. Clean boards. Internally complete. Neat old ink name & date - 1931 to front endpaper. NO LOOSE & NO MISSING leaves. Endpapers ORIGINAL & UNSPLIT. Collated with all illustrated plates present.…

Paperback. Condición: New. Print on Demand. This book explores the lives of eight duchesses who played significant roles in British history. From the scandalous mistresses of Charles II to the formidable Sarah Churchill, Duchess of Marlborough, the author delves into their personal lives, relationships, and the impact they had on their society. The book sheds light on the complexities of aristocratic life, the challenges faced by women in positions of power, and the ways in which these women shaped the course of British history. By examining their stories, we gain a deeper understanding of the social, political, and cultural landscape of Britain from the 17th to the 19th centuries. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. …

Gebunden. Condición: New.

Buch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

h/c + d/j, 339pp, 22.5x15, Illustrated, unclipped, original d/j with crown to the centre of the jacket and price on the spine, tiny chips and a couple of closed tears to spine ends, stylish previous owners inscrition to half title page, light wear to board spine ends, a nice copy. Detailed biography of sorts on Duchesses through the ages, scarce in original D/J.…

Paperback. Condición: New. The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.…

Hardcover. Condición: Very Good. No Jacket. 1st Edition. ROBBINS, Alice [339] pp. Andrew Melrose Ltd. 1913 First Printing 8 7/8" x 6 1/4.

LeatherBound. Condición: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 394. A perfect gift for your loved ones. Reprinted from 1913 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 394.…

Condición: New. Print on Demand pp. 390.

[1] pp.; 27.8 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; mimeograph Single sided flyer for a live performance and a film screening of "Sames" by Kenneth Dewey and Terry Riley at the Film-Maker's Cinematheque, New York City, November 20, 1965. Film by Jerry Chalem. Technical assistance by Bob [Robert] De Niro. Live performers included Christine Brown, Elaine Cameron, Lynne Robbins, Yvette Nachmias, and June Segal. Film performers included Carla Maria Blanc, Alice Cannon, Fran Heller, Ann Riley, Lee Worley, and others. Good. Has been folded in half. A pair of holes from staple removed from upper left corner which also has 7.2 cm. gentle bend. Bumping of corners and a 3 mm. stain to middle right hand side of recto. …