Ada smailbegovic (34 resultados)

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Librería: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, Estados Unidos de AmericaMichener & Rutledge Booksellers, Inc.
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Paperback. Condición: As New. Text clean and tight; 8vo 8" - 9" tall; 352 pages.

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Librería: Book House in Dinkytown, IOBA, Minneapolis, MN, Estados Unidos de AmericaBook House in Dinkytown, IOBA
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paperback. Condición: Very Good. Very good paperback, from a personal collection (NOT ex-library). Spine is uncreased, binding tight and sturdy. Light shelfwear to wraps. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous…movements that constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegović argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Boek's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegović contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry. Ada Smailbegovic shows how twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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EUR 41,79
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Paperback. Condición: New. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements t…hat constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegovic argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegovic contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 41,99
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Paperback or Softback. Condición: New. Poetics of Liveliness: Molecules, Fibers, Tissues, Clouds. Book.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 43,76
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Condición: As New. Unread book in perfect condition.

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- Primera edición
Librería: Moraine Books, Ruovesi, FinlandiaMoraine Books
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EUR 22,10
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Softcover. Condición: Near Fine. 1st Edition. Grey Cobalt by Felicia Honkasalo bases itself around a collection of artefacts steeped in the landscape and history of her native Finland. In a sequence of delicately arranged images, Grey Cobalt contains both a meditation on the legacy left by her metallurgist grandfather and a larg…er, sweeping narrative of how different orders of time and memory impress themselves upon the land, like a palimpsest. Honkasalo creates multiple narratives from seemingly disparate objects, forming alternative cosmologies from her own observations and sense of the distant past. A selection of notes written by Felicia's grandfather, and expanded upon by herself, are included as epilogue and reflection upon the book and the objects exhibited; a musing on the historical moment in which they were created and the present they in turn disrupt. Text in English. 144 pp. With a 48-page text by Ada Smailbegovic. Richly illustrated.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Paperback. Condición: new. Paperback. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous…movements that constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegović argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Boek's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegović contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry. Ada Smailbegovic shows how twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 256 pages. 9.00x6.00x0.80 inches. In Stock.

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Librería: Rarewaves USA United, HEBRON, KY, Estados Unidos de AmericaRarewaves USA United
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Paperback. Condición: New. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements t…hat constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegovic argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegovic contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2021. Hardback. . . . . .

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Condición: New. Ada Smailbegovic shows how twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers..

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Taschenbuch. Condición: Neu. Neuware - Ada Smailbegovi¿ shows how twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds.

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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements th…at constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegovic argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegovic contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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Hardback. Condición: New. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements th…at constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegovic argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegovic contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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EUR 152,58
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Hardback. Condición: New. Can poetry act as an aesthetic amplification device, akin to a microscope, through which we can sense minute or nearly imperceptible phenomena such as the folding of molecules into their three-dimensional shapes, the transformations that make up the life cycle of a silkworm, or the vaporous movements th…at constitute the ever-shifting edges of clouds? We tend to think of these subjects as reserved for science, but, as Ada Smailbegovic argues, twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Their works can be envisioned as laboratories within which the methodologies of experimentation, natural historical description, and taxonomic classification allow poetic language to register the rhythms and durations of material transformation.Poetics of Liveliness moves across scales to explore the realms of molecules, fibers, tissues, and clouds. It investigates works such as Christian Bök's insertion of a poetic text into the DNA code of living bacteria in order to generate a new poem in the shape of a protein molecule, Jen Bervin's considerations of silk fibers and their use in biomedicine, Gertrude Stein's examination of brain tissues in medical school and its subsequent influence on her literary taxonomies of character, and Lisa Robertson's studies of nineteenth-century meteorology and the soft architecture of clouds. In their attempt to understand physical processes unfolding within lively material worlds, Smailbegovic contends, these poets have developed a distinctive materialist poetics. Structured as a poetic cosmology akin to Lucretius's "On the Nature of Things," which begins at the atomic level and expands out to the vastness of the universe, Poetics of Liveliness provides an innovative and surprising vision of the relationship between science and poetry.

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EUR 160,43
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Condición: New. Ada Smailbegovic shows how twentieth- and twenty-first-century writers have intermingled scientific methodologies with poetic form to reveal unfolding processes of change. Poetics of Liveliness moves across scales to explore the realms of molecules, fibers..