Abigail d newman (25 resultados)

Hardcover. Condición: As New. Excellent condition. Looks new.

Hardcover. Condición: Brand New. 325 pages. 10.25x7.25x1.00 inches. In Stock.

Condición: new.

hardcover. Condición: New. 1st.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2021 Harvey Miller Publishers large format hardcover edition. Unread in very good condition. Contents: Introduction: Collaboration in the Early Modern Low Countries by Abigail D. Newman Part I. Theory, Beginnings, Beyond Antwerp 1. The Appreciation and Reception of Painters' Collaborations in the Low Countries: An Overview, c. 1500-1700 by Dorien Tamis 2. Collaboration, Connoisseurship, and the Artistic Canon by Bernard Aikema 3. Landscapes, Figures, Demons: Collaboration as Canon Formation in Joachim Patinir and Quentin Metsys's Temptation of St. Anthony by Katharine Campbell 4. Collaboration in Exile: Crispijn de Passe I and Matthias Quad in Cologne, 1589-1604 by Julia Lillie 5. Many Hands, Many Lands: Collaborative Copper Painting by Hans Rottenhammer, Paul Bril, and Jan Brueghel I by Sophia Quach McCabe Part II. Collaboration in Seventeenth-Century Antwerp Paintings 6. The Raid by Jan Brueghel I and Sebastiaen Vrancx: Prime Version and Autograph Replica by Angela Jager and Jorgen Wadum, with contributions by Aoife Daly, David Buti, and Gianluca Pasternelli 7. Many Hands in Rubens's Workshop: An Exploration by Arnout Balis 8. Antwerp as a Center of Artistic Collaboration: A Unique Selling Point? by Filip Vermeylen 9. Additive Painting and the Social Self by Elizabeth Alice Honig 10. Considering Collaboration: Then and Now by Anne T. Woollett Bibliography Photo Credits About the Contributors.…

Condición: As New.

Hardcover. Condición: new. Hardcover. Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic - and especially painterly - practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

Hardcover. Condición: Brand New. 238 pages. 11.00x8.75x1.00 inches. In Stock.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. Many Antwerp Hands : Collaborations in Netherlandish Art A. D. Newman, L. Nijkamp (eds.) Editore: Harvey Miller 2021 : Distr. Brepols New -Hardback EUR 130,00 Quantità: 1 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianu.…

Condición: New. 2021. Hardcover. . . . . .

Condición: New.

Buch. Condición: Neu. Neuware - Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic - and especially painterly - practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. …

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New.

Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic - and especially painterly - practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: gut. Many Antwerp Hands : Collaborations in Netherlandish Art In englischer Sprache. pages.

Hardcover. Condición: New.

Condición: Fine. *Price HAS BEEN REDUCED by 10% until Monday, Sept. 28 (weekend SALE item)* 63 pp., Paperback, fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request. …

Hardcover. Condición: New. B000ZC7S44.