abbott eric a (17 resultados)

hardcover. Profusely illustrated. 264pp. Folio, leather-backed cloth, chipped d.w. PA: The Annenberg School Press, 1972. Very good.

Hardcover. Condición: As New.

Hardcover. Condición: Very Good +. Estado de la sobrecubierta: Near Fine. Very good + red leatherette spine, blue cloth backed boards, with gilt pictorial frontispiece of Westminster Abbey. Near fine pictorial dust jacket, which has been placed in a glossy Mylar sleeve. Profusely illustrated. Moderate foxing on top edge. This book would make a great gift. Full refund if not satisfied. (Due, to the large size and/or weight of this book, additional shipping funds may be required.).

hardcover. Condición: Very Good. Orders shipped daily from the UK. Professional seller.

Hardback. Dean Eric Abbott, John Betjeman, Kenneth Clark, John Pope Hennessy, A.L. Rowse, George Zarnecki, The Annenberg School Press with the co-operation of Weidenfeld and Nicolson. Author: Dean Eric Abbott, John Betjeman, Kenneth Clark, John Pope Hennessy, A.L. Rowse, George ZarneckiBinding: HardbackPublished: The Annenberg School Press with the co-operation of Weidenfeld and Nicolson, 1972Condition:Book: GoodJacket: Worn/faded, no tearsPages: GoodMarkings: No markingsThis authoritative volume, Westminster Abbey, presents a comprehensive historical and architectural survey of one of England's most iconic structures. Distinguished scholars collectively chronicle centuries of royal history, religious significance, and artistic achievement encapsulated within its hallowed walls. The text illustrates the Abbey's evolution, detailing its construction, the lives of those interred there, and its enduring role in British national identity. It uncovers intricate architectural details and the rich tapestry of art and artifacts housed within, offering readers a profound appreciation for this monumental landmark. Hardback.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. In.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Very Good. 1st Edition. Annenberg School Press / Weidenfeld & Nicholson, 1972. Hardcover, 264 pp. 1st edition. Large format. Illustrated in color and black & white. The history, architecture and decoration of Westminster Abbey. Very good condition. Dust jacket has a short closed tear on front panel and an underside tape repair on rear panel near head of spine. Signed and inscribed by publisher Walter Annenberg. See photos. **Heavy or oversize Item. An extra shipping charge may apply.**. Signed by Author(s).

Condición: Good. Estado de la sobrecubierta: No DJ. Colour Plates & b/w Drawings Ilustrador. No ffep. Yellowing to pages. Colour frontis plate. 125 pages. THE RED JUNKby G. E. Hoperoft; THAT'S YOUNG TOMLINSON by Wallace E. Arter; SKY QUEEN'S FINEST FLIGHT by B. C. Lawley; THE PERIL OF SIR AUSTIN byMartin Bishop; CONWAY CLEARS HIMSELF by S. Beresford Lucas; AN AID TO THE DEAF by Lt.-Col. A. Lloyd Owen; BRANDO OF THE FOURTH by John Denham Strange; HOLIDAYS START WITH A THRILL byK. Nelson Abbott; THE SPEED KINGSby G. Gibbard Jackson; THE SCARLET TRAIL by Eric Wood; LONE ASH MIRESby Martin Bishop; WICKS OF 'ARRY'S 'OUSE byR. A. Moss; A JOB FOR THE HOLIDAYS by William Carver Haynes; NOT CRICKETby A. E. Seymour; THE UNKNOWN CHALLENGERS by Martin Bishop. COLVILLE CAVES by M. M. Stevenson; TRUANTS IN LUCK by M. R. Sherlock; QUEER CARGO by W. H. Morris; ONE GOOD TURN by F. S. Blomfield; THE ART OF ARTHUR AMES by M. M. Stevenson; BY RIGHT OF CONQUEST by A. W. Seymour; THE CLASSROOM FEAST by P. Martin.; Binding a bit loose in places but generally sound. Size: Illustrated Boards.

Hardcover. Condición: Brand New. 368 pages. 9.25x6.00x1.00 inches. In Stock.

31.5 x 31.4 cm.; edition size unknown; unsigned and unnumbered Vinyl record complication of audio by musicians and visual artists. Edited by Barbara Ess and Glenn Branca. Produced with the assistance of White Columns. Contributions by Larry Simon, Dara Birnbaum, Carla Liss, Bobby G, Wharton Tiers, Carol Parkinson, Nina Canal, Lee Ranaldo, Jenny Holzer, Annea Lockwood, Michael Smith, A. LeRoy, Chris Nelson, Willie Klein, Mitch Corber, Mark Abbott, Dan Graham, Michael Shamberg, Anne Demarinis, Thurston Moore, Andy Blinx, Don Hunerberg, Vikky Alexander, John Howell, Salvatore Principato, Nigel Rollings, Peggy Katz, Eric Bogosian, Herr Lugus, Amy Taubin, Remko Scha, Susan Russell, Bill Buchen, Verge Piersol, David Hofstra, Lynne Tillman, D. Brown, Sandra Seymour, Phill Niblock, Barbara Kruger, John Rehberger, Paul McMahon, Nancy Radloff, Bruce Tovsky, Martha Wilson, Ned Sublette, Glenn Branca, Gail Vachon, B. Conan Piersol, Gregory Sandow, Stephan Wischerth, Bob George, Judy Rifka, David Garland, Mark Bingham, Michael Byron, Glenda Hydler, Susan Fisher, Laurie Spiegel, Barbara Ess, Kiki Smith, Shelley Hirsch, Peter Gordon, Arleen Schloss, Tod Jorgensen, David Rosenbloom, Doug Snyder, Jon Rubin, Steve Stain, Thomas Lawson, Harry Spitz, Rhys Chatham, David Linton, Isa Genzken, Daile Kaplan, Kim Gordon, Miranda, Sally A. White, Joseph Nechvatal, Steven Harvey, Sammy Marshall Harvey, Brian Doherty, Rudolph Grey, Richard Morrison, and Zev. References : "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 218. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 269. Very Good. Light yellowing of verso from adhesives. Still in factory shrink-wrap, opened to sleeve cut. Dusting to plastic wrapping. Light scuff on side 1. Otherwise Fine. Due to the fragility of this item additional shipping charges will be required for international orders.

Condición: Good. 2 vols. 278, 244pp with hors texte plates. Complete with 8 issues. Original symbolist paper covered boards with later half goatskin spine and corners. 20 x 26cm. With 11 handcolored folding plates printed by Pellerin à Epinal (several with repaired tears); original lithographs and woodcuts by Whistler, Jarry, Bernard et al. Lacking the print by Rousseau. See complete list below.________________________Vol 1: 1894. 278 pp?.N°1 : comprising a leaf bearing a title and a miniature by Filiger printed in mauve, a Head of a Martyr by R.G. (Rémy de Gourmont), a drawing by Émile Bernard printed in blue, forty old images and vignettes; on large folio Épinal folding images printed in colors (620 x 380 mm and 615 x 395 mm): Jesus sur la Croix? - - N°2 : with a woodcut in red by Armand Séguin (1869 - 1903) Les Bretonnes [ Breton women] , an original print by E. Forbes-Robertson (Adam and Eve), numerous woodcuts, of which two from Indochina printed on 2 ll. of folded China paper, lithograph "L'Annonciation" signed R.G. (Rémy de Gourmont) printed in black, an original lithograph by Alfred Jarry (Caesar-Antichrist), "Bedouin", an unpublished drawing by Emile Bernard and two folding Épinal images: Le miroir du P"echeur des Pyramides (400 x 580 mm) and Bonne Bière de Mars (420 x 509 mm. Lacking: an original lithograph by Douanier Rousseau (War) ?.-- - N° 3 :. Numerous illustrations in text and hors texte, among them:, La Madeleine, after a woodcut printed in dark orange by Paul Gauguin, "The Bishop", an original woodcut in dark green by Georges d'Espagnat, an original woodcut in black by Alice Feurgard, an original drawing printed in blue by Emile Bernard, an original drawing printed in dark green by Jossot, an original woodcut in bistre by M. Delcourt,; an Épinal folding image printed in colors , Saint Claude? - - - N° 4 :. Numerous illustrations to text and hors texte, including: an original sketch cut onto mahogany wood. "Sainte Gertrude" by Alain Jans (Alfred Jarry),;a woodcut "La Peur" in black by Georges d'Espagnat, an original drawing printed in black by Roderie O'Conor,; an original drawing printed in blue by Émile Bernard, a folded woodcut (very pale, 455 x 198 mm), two folding Épinal images printed in colors : Saint Nicolas and Notre-Dame des Sept Douleurs?.Volume II. Issues 5-8. 224 pages?.- N°5 : . Numerous illustrations to text and hors texte, including: an unpublished original print and folding plate by Jean-Baptiste Auguste Clésinger of Two Bulls printed in black (281 x 430 mm), an original unpublished lithograph by James Abbott McNeill Whistler on China paper between silk paper guards: "Girl With Bowl," Stratis & Tedeschi, 118; Way, 82; Levy 121; first bearing a title, folding facsimile of a vernacular colored image entitled Le vrai portrait du Juif-Errant?[A true portrait of the Wandering Jew?] (485 x 304 mm), folded fragment of an enormous former engraving (368 x 305 mm). Printed by Lefevre-Corbinière?.- - N° 6 :. Numerous illustrations to text and hors texte, including a folding Épinal image in colors (Les 3 Chemins de l'Etnernité). ?.- - - N° 7 : . Numerous illustrations to text and hors texte, including an original woodcut of Jesus on the cross with Crying Woman, by Émile Bernard printed in red on strong grey tinted paper; (previous page with clean tear) a folding Épinal image in colors showing St. Blaise et St. Guerinand and a color lithograph: L'Arche de Noé. (Noah's Ark from the 12cth Century? - - - N° 8 : . Numerous illustrations to text and hors texte, including: L'Annonciaiton by Emile Bernard; a color Epinal folding plate of Napoleon 1er; a vernacular image of a procession in colors in the form of a folding banner (280 x 475 mm; triangle),; an original woodcut"Les Pendus" by Georges D'Espagnat and a red woodcut: Santo Cristo , with Christ wearing a skirt?.From the Van Gogh Museum:At the fin de siècle, printmakers often turned to primitive art forms and popular visual culture for sources of inspiration.In this vein, the French Symbolist writers Alfred Jarry and Remy de Gourmont founded L'Ymagier, an ambitious art review. Here, they presented the works of contemporary printmakers next to examples of medieval woodcuts and popular prints known as Épinal.L'Ymagier's interest in religious Épinal and medieval woodcuts was rooted in a fervent desire to achieve a more authentic form of modern art. For Jarry, archetypal Christian symbols, such as the Passion and the Virgin Mary, possessed universal meaning of continued importance to contemporary artists.This interest in the past was shared by the artists of the School of Pont-Aven, who looked to the traditions and rituals of the Breton peasants for creative inspiration.L'Ymagier helped to revive contemporary interest in the woodcut technique for artists like Edvard Munch and Emil Nolde.Juliet Simpson:Remy de Gourmont's and Alfred Jarry's journal, L'Ymagier, published in eight issues between October 1894 and January 1896. In attempting to create a 'book of symbols' structured explicitly around the image, notably the popular image, the L'Ymagier project develops the verbal-visual problematic exemplified by the Symbolist 'illustration'. It also raises some very fundamental questions about artistic homologies in general, which test Symbolist theories of synthesis to their limits. As I hope to show, Gourmont's and Jarry's appropriation of the popular image as the inspiration ror L'Ymagier becomes a strategy for destabilizing hierarchies or images and texts (including Symbolist ones), which has both radical aesthetic and political implications.Bolliger, Dokumentations-Bibliothek Zur Kunst Des 20. Jahrhunderts, II, 243; VI, 829;Library of Congress Control Number41040620.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Essays, based on five years of survey research in Iowa and case study examples from across the United States, examine the implications of telecommunications technologies for rural community development.&Uumlber den AutorPeter Korsch.