Abbas sadia (88 resultados)

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Condición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: good. Signs of wear and consistent use.

Condición: New.

Condición: New.

Trade Paperback. Condición: Used.

Condición: New. Brand New.

Condición: New.

Hardback. Condición: New. In 1960s Karachi, a place of ever increasing violence and political and social uncertainty, a beautiful and talented artist, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a sham, a trap from which there is no escape. In a world of stifling conformity, Tahira must fight for her very identity: as a woman, and as a painter. Tragedy strikes when her family and friends are caught up in the brutally repressive regime. Faced with horror and loss, she embarks upon a series of paintings entitled 'The Empty Room', filling the blank canvases with vivid colour and light. Lyric, poetic, and powerful, The Empty Room is an important addition to contemporary Pakistani literature and is a moving account of the dilemma faced by all women who must find their own creative path against the odds.…

Soft cover. Condición: Very Good.

Hardcover. Condición: New. Condition Notes: New from the publisher.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Condición: new.

Condición: As New. Unread book in perfect condition.

Soft Cover. Condición: Fine. 152 pages, illustrated in color. "PIoneering Pakistani American artist Shahzia Sikander is widely celebrated. This book is a bold new examination of her work from 1987 to 2003." FINE SOFTCOVER Size: 4to - over 9¾" - 12" tall.

Hardcover. Condición: new. Hardcover. In 1970s Karachi, where violence and political and social uncertainty are on the rise, a beautiful and talented painter, Tahira, tries to hold her life together as it Shatters around her. Her marriage is quickly revealed to be a trap from which there appears no escape. Accustomed to the company of her brother Waseem and friends, Andaleep and Safdar, who are activists, writers and thinkers, Tahira struggles to adapt to her new world of stifling conformity and to fight for her identity as a woman and an artist. Tragedy strikes when her brother and friends are caught up in the cynically repressive regime. Faced with loss and injustice, she embarks upon a series of paintings entitled the empty room, filling the blank canvases with vivid colour and light. Elegant, poetic and powerful, The Empty Room is an important addition to contemporary Pakistani literature, a moving portrait of life in Karachi at a pivotal moment in the nations history and a powerful meditation on art and the dilemmas faced by women who must find their own creative path in hostile conditions. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover. Condición: VG. Quarto. Softcover. Illustrated wraps. 152 pages (some folded) : color illustrations ; 28 cm. Pioneering Pakistani American artist Shahzia Sikander is one of the most influential artists working today. Sikander is widely celebrated for expanding and subverting miniature painting to explore gender roles and sexuality, cultural identity, racial narratives, and colonial and postcolonial histories. This lively volume presents her powerful early work, created between 1987 and 2003, from South Asian, West Asian, and Western perspectives, illuminating new understandings for a wide audience. Charting her early development as an artist in Lahore and the United States, the book reclaims her critical role in bringing miniature painting into dialogue with contemporary art, especially in Pakistan, international art discourse of the 1990s, and contemporary global practices and debates--Publisher's description.…

Paperback. Condición: New. The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained-indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial-a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters. This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin.…

Hardcover. Condición: Brand New. 342 pages. 8.00x5.50x1.25 inches. In Stock.

Condición: New. 2018. Hardcover. . . . . .

Condición: New.

Paperback. Condición: New. The subject of this book is a new "Islam." This Islam began to take shape in 1988 around the Rushdie affair, the collapse of the Berlin Wall in 1989, and the first Gulf War of 1991. It was consolidated in the period following September 11, 2001. It is a name, a discursive site, a signifier at once flexible and constrained-indeed, it is a geopolitical agon, in and around which some of the most pressing aporias of modernity, enlightenment, liberalism, and reformation are worked out. At this discursive site are many metonyms for Islam: the veiled or "pious" Muslim woman, the militant, the minority Muslim injured by Western free speech. Each of these figures functions as a cipher enabling repeated encounters with the question "How do we free ourselves from freedom?" Again and again, freedom is imagined as Western, modern, imperial-a dark imposition of Enlightenment. The pious and injured Muslim who desires his or her own enslavement is imagined as freedom's other. At Freedom's Limit is an intervention into current debates regarding religion, secularism, and Islam and provides a deep critique of the anthropology and sociology of Islam that have consolidated this formation. It shows that, even as this Islam gains increasing traction in cultural production from television shows to movies to novels, the most intricate contestations of Islam so construed are to be found in the work of Muslim writers and painters. This book includes extended readings of jihadist proclamations; postcolonial law; responses to law from minorities in Muslim-majority societies; Islamophobic films; the novels of Leila Aboulela, Mohammed Hanif, and Nadeem Aslam; and the paintings of Komail Aijazuddin.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. 1st Edition. In 1970s Karachi, where violence and political and social uncertainty are on the rise, a talented painter, Tahira, tries to hold her life together as it shatters around her. Her marriage is quickly revealed to be a trap from which there appears no escape. Accustomed to the company of her brother Waseem and friends, Andaleep and Safdar, who are activists, writers and thinkers, Tahira struggles to adapt to her new world of stifling conformity and to fight for her identity as a woman and an artist. Tragedy strikes when her brother and friends are caught up in the cynically repressive regime. Faced with loss and injustice, she embarks upon a series of paintings entitled 'The Empty Room', filling the blank canvases with vivid colour and light. Elegant, poetic, and powerful, The Empty Room is an important addition to contemporary Pakistani literature, a moving portrait of life in Karachi at a pivotal moment in the nation's history, and a powerful meditation on art and the dilemmas faced by women who must find their own creative path in hostile conditions. …

Hardcover. Condición: New.

Condición: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.