Reproduction volume part (21 resultados)

Condición: New.

Condición: New.

Condición: Fair. Volume 1, This book has hardback covers. Ex-library, With usual stamps and markings, In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2000grams, ISBN.

Condición: Good. Fourth impression. Light wear to boards. Content is clean and bright. Good DJ with some edge wear and little tears.

Hardcover. Condición: Very Good-. No Dust Jacket. Third Edition. Exlibrary with usual library markings. Some cover wear and fading; 688 pages.

Condición: Gut. Second Impression. 877 S.* mit Abb., Text engl. Gr.8° Leinen mit Goldprägeschrift, ausgeschiedenes Bibliothekenexemplar aus einer Universität, gestempelt und mit Aufkleber auf Buchrücken, in Vor- und Nachsatz kl. bräunliche Abdrücke, wohl vom ehemaligen Umschlag, kleinere Gebrauchsspuren, Rücken und Deckblatt etwas lichtgeblichen, gutes Exemplar V40 Sprache: Englisch Gewicht in Gramm: 2002.…

Condición: Gut. New Impressions. 688 S.* mit Abb., Text engl. Gr.8° Leinen mit Goldprägeschrift, ausgeschiedenes Bibliothekenexemplar aus einer Universität, gestempelt und mit Aufkleber auf Buchrücken, in Vor- und Nachsatz kl. bräunliche Abdrücke, wohl vom ehemaligen Umschlag, kleinere Gebrauchsspuren, gutes sauberes Exemplar V40 Sprache: Englisch Gewicht in Gramm: 1600.…

Taschenbuch. Condición: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Condición: New.

Paperback. Condición: Brand New. 366 pages. 9.25x6.00x0.83 inches. In Stock.

Paperback. Condición: Brand New. 412 pages. 9.30x6.15x0.93 inches. In Stock.

Couverture souple. Condición: bon. RO20216203: 1998. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 7 pages. Texte en français sur deux colonnes et résumé en anglais. Tenu par une agraffe. . . . Classification Dewey : 598-Ornithologie.

Hardcover. Condición: Very Good. Hardcover in excellent condition: slight exterior wear of the green cloth, owner's name and phone neatly inked in small letters and numerals on the back of the front cover, small abraded area on the front endpaper (apparently from removed sticker), otherwise unmarked. 483 pages. Bright exterior gilt lettering, without DJ. [2.1 lbs]. Book.…

Orig.-Leinenbände. XII, 216; VII, 151; XII, 342 Seiten mit zahlreichen s/w Abbildungen und Tafeln. Es handelt sich um die Metrika des Hero/Heron von Alexandria in drei Teilbänden: Reproduktion des Manuskripts (Teil 1, Faksimile), den griechischen Texts (Teil 2) und einen Teilband mit Übersetzung und Kommentar (Teil 3). / Einbände sind sehr leicht berieben, sonst handelt es sich um ein gutes Exemplar mit nur leichten Gebrauchsspuren. Teilband 1 mit sehr wenigen farbigen Anstreichungen, Band 2 mit vielen, Band 3 mit wenigen sauberen farbigen Anmerkungen. Bücher aus einem Nichtraucherhaushalt. // Comprises the Metrics of Hero/Heron of Alexandria in three volumes: reproduction of the manuscript (part 1, facsimile), the Greek text (part 2) and a volume with translation and commentary (part 3). / Original hardcovers (cloth). Covers are very slightly rubbed, otherwise these books are in good condition. Volume 1 with very few colored markings, volume 2 with many, volume 3 with a few neat colored notes. Books from a non smoking environment. Sprache: Englisch.…

paperback. Condición: Good. The ancient mirror Qi Tan of two fire first volume the fire king reproduction Part.

Hardcover. Condición: Very Good+. No Dust Jacket. Light Foxing/dustsoiling to top of textblock. Scholar's bookplate to inner covers (G. P. Goold).; Contains Metrica of Hero / Heron of Alexandria with text, reproduction of the manuscript, scholia and commentaries.; Janus Supplements; Contains a facsimile of the manuscript and Greek text + translation and commentary of this text on Geometry.…

Hardcover. Condición: Very Good+. No Dust Jacket. Minor shelfwear.; Contains Metrica of Hero / Heron of Alexandria with text, reproduction of the manuscript, scholia and commentaries.; Janus Supplements; Contains a facsimile of the manuscript and Greek text + translation and commentary of this text on Geometry.…

Condición: Sehr gut. First Edition. Octavo. Softcover / Original Publisher's wrappers. The Volume which includes the First Edition of "The Work of Art in the Age of Mechanical Reproduction" in stunning condition. Three Volumes with stronger signs of wear and all other Volumes in good, very good+ or even better condition. Fantastic provenance also of the Issue 3 of Jahrgang V in 1936 which bears Alfred Sohn-Rethel's name. Sohn-Rethel's possession of this issue is not only plausible but reflects all the developments known in critical writings of the Frankfurt School and is the exact time in which he tried, through his friendship with Adorno, to find a philosophical home within the Institute for Social Research. An endeavour which eventually failed through the intervention of Horkheimer but this would not have stopped him to follow the path of the Institute in Exile and its seminal Periodical. We can NOT determine if the other issues belonged to Sohn-Rethel as well. [More images on request]. Including all Volumes with Essays by Walter Benjamin which were published within the Zeitschrift fuer Sozialforschung [ZfS], including all Exile-Publications printed at Librairie Félix Alcan in Paris: I. Walter Benjamin - "Zum gegenwärtigen gesellschaftlichen Standort des französischen Schriftstellers" [Zeitschrift für Sozialforschung, Jahrgang III [1934], Seiten 5478] II. Walter Benjamin - "Probleme der Sprachsoziologie" [Zeitschrift für Sozialforschung, Jahrgang IV [1935], Seiten 248-] III. Walter Benjamin - "L'oeuvre d'art à l'époque de sa reproduction mécanisée" [Zeitschrift für Sozialforschung, Jahrgang V [1936], Seiten 40 -] IV. Walter Benjamin - "Eduard Fuchs, der Sammler und der Historiker" [Zeitschrift für Sozialforschung, Jahrgang VI [1937], Seiten 346 -] V. Walter Benjamin - "Über einige Motive bei Baudelaire" [Zeitschrift für Sozialforschung, Jahrgang VIII [1939], Seiten 50 -] "The Work of Art in the Age of its Technological Reproducibility" was conceived by Benjamin as a contemporary complement to his much larger Arcades Project. He began writing the essay in 1935, from his home in exile in Paris. In October he mentioned the essay in letters to Gretel Karplus and Max Horkheimer, telling the latter that the essay was the beginning of "a materialist theory of art". The title in German is 'Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit'. Between December 1935 and February 1936 Benjamin largely rewrote the essay, and added footnotes it is this 'second version' that is considered to be the 'urtext', notably by the film historian Miriam Hansen. In his letter of October 1935 Benjamin had suggested to Horkheimer that the essay might be published in the Frankfurt School journal Zeitschrift für Sozialforschung. Horkheimer agreed to this, on condition that the essay should appear in French translation. Benjamin then residing in France and deeply concerned with French politics readily agreed, and collaborated with the philosopher-translator Pierre Klossowski, finishing the translation work in parallel with his completion of the revised essay itself. In spite of what Howard Eiland calls Benjamin's "meticulous collaboration" with Klossowski, publication in the Zeitschrift was far from straightforward, with editorial intervention leading to what Benjamin regarded as a toning down of the political intensity of the piece. In spite of these problems, the essay was published in 1936 in Volume 5, Issue 1 of the Zeitschrift für Sozialforschung, in Klossowski's French translation, with the title: "L'uvre d'art à l'époque de sa reproduction mécanisée", followed by abstracts in German and English. Horkheimer's decision to publish in French was immediately vindicated, as the essay was widely discussed in French intellectual circles. Benjamin continued to revise the essay down to 1939, and it is this third version that was the first to appear in German, in 1955, in the Gesammelte Schriften, and in English as 'The Work of Art in the Age of Mechanical Reproduction' in the 1969 volume Illuminations, translated by Harry Zohn. The second (1935/36) version is now often preferred as the 'Ur-text', and is the text translated in the 2008 Harvard University Press edition titled The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media. "The Work of Art in the Age of Mechanical Reproduction" (German: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit; 1935), by Walter Benjamin, is an essay of cultural criticism which proposes and explains that mechanical reproduction devalues the aura (uniqueness) of a work of art, and that in the age of mechanical reproduction and the absence of traditional and ritualistic values, the production of art would be inherently based upon the praxis of politics. The essay was written during the Nazi régime (19331945) in Germany. Its first draft was composed in 1935 during the year that the Nuremberg Race Laws were passed in the Third Reich and Leni Riefenstahl's film documentary of the Nuremberg Rally (Triumph of the Will) debuted to critical praise, sweeping the film awards across Europe. The essay presents a theory of art that is "useful for the formulation of revolutionary demands in the politics of art" in a mass culture. It remains a prophetic and trenchantly anti-fascist manifesto, instructing readers in the interpretation of mass cultural forms inclined towards the fertilization and acceleration of totalitarianism. Themes and motifs of Benjamin's essay include: the aura of a work of art; the artistic authenticity of the artefact; the cultural authority of the work of art; and the aestheticization of politics for the production of art, became resources for research in the fields of art history and architectural theory, cultural studies, and media theory. (Wikipedia) Sprache: English / French / German.…

Condición: New. Print on Demand pp. 512.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. Print on Demand pp. 534.