Musical identities (291 resultados)

Paperback. Condición: Good. Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, whether from rock music, classical music, or jazz. Different research studies in social and developmental psychology are beginning to chart the various ways in which these processes occur, and this is the first book to examine the relationship between music and identity. The first section focuses on Developing Musical Identities, and deals with the ways in which individuals involved in musical participation develop personal identities that are intrinsically musical. Chapters include: 'The self identity of young musicians', 'Musical identities and the school environment' and 'Personal identity and music: a family perspective'. The second section deals with Developing Identities Through Music and contains chapters on 'Gender identity and music', 'National identity and music' and 'Music as a catalyst for changing personal identity'. This is the first book to deal with musical identity from a psychological perspective, and will be fascinating and important reading for postgraduate and research psychologists in social, developmental, and music psychology. The book will also appeal to those within the applied fields of health and educational psychology, music education, and music therapy.…

Paperback. Condición: Good. Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, whether from rock music, classical music, or jazz. Different research studies in social and developmental psychology are beginning to chart the various ways in which these processes occur, and this is the first book to examine the relationship between music and identity. The first section focuses on Developing Musical Identities, and deals with the ways in which individuals involved in musical participation develop personal identities that are intrinsically musical. Chapters include: 'The self identity of young musicians', 'Musical identities and the school environment' and 'Personal identity and music: a family perspective'. The second section deals with Developing Identities Through Music and contains chapters on 'Gender identity and music', 'National identity and music' and 'Music as a catalyst for changing personal identity'. This is the first book to deal with musical identity from a psychological perspective, and will be fascinating and important reading for postgraduate and research psychologists in social, developmental, and music psychology. The book will also appeal to those within the applied fields of health and educational psychology, music education, and music therapy.…

Condición: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Condición: New. Brand New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: very_good. The book is clean and shows minor shelf ware.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Condición: Good. Paperback, 8vo.

Condición: New.

Paperback. Condición: new. Paperback. Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs. Identies and Audiences in the Musical analyzes the ways that musicals have addressed identity in American culture and considers what it means to create a promote a receptive environment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Issues of identity have always been central to the American musical in all its guises. Who appears in musicals, who or what they are meant to represent, and how, over time, those representations have been understood and interpreted, provide the very basis for our engagement with the genre. In this third volume of the reissued Oxford Handbook of the American Musical, chapters focus on race, ethnicity, gender, and sexuality, regional vs. national identity, and the cultural and class significance of the musical itself. As important as the question of who appears in musicals are the questions of who watches and listens to them, and of how specific cultures of reception attend differently to the musical. Chapters thus address cultural codes inherent to the genre, in particular those found in traditional school theater programs.…

Condición: As New. Unread book in perfect condition.

Condición: New.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: New.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 246 pages. 8.00x5.50x0.50 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Originalhardcover. Condición: Gut. 296 S. Ein gutes und sauberes Exemplar. - Ritta Staneviciùtè, The Velvet Curtain. European Identities and Lithuanian Musical Imagination in the Post-Communist Era -- Malgorzata Janicka-Stysz, Karol Szymanowski and His Concept of Modern Music Culture -- Paulo F. de Castro. From 'Good Other' to 'Ideal Self': Images of Russian Otherness in France and the Iberian Peninsula at the Turn of the 20th Century -- Ivana Perkovic, Ambiguity, Mimicry and War: Alla Turca in Contredanse K 535 by Wolfgang Amadeus Mozart -- Lina Navickaitè-Martinelli, Defining Identity: In Quest of 'Lithuanianness' in Piano Performance Art -- Franco Fabbri, Influence, imitation, and the reshaping of identities in European popular music -- Vesna Mikié, Rock me Lane moje. European Identifications of Transitory Yugoslav/West Balkans' Identities at the Eurovision Song Contest -- Saskia Jaszoltowski, Memory, Spectacle, and the Image of Songs -- Kaire Maimets, The Estonian Singing Revolution: Musematic Insights -- Dragana Stojanovic-Novicic, Short Correspondence between Edgard Varèse and John Cage: Around, about and above 'organized sound' -- Mirjana Veselinovic-Hofman, The Facets of the Decline of Avant-Garde Exclusivity as the Cause of Specific Stylistic Connotations of the Musical Avant-Garde Today -- Marija Masnikosa, Types of Transtextuality in Selected Works of Serbian Musical Postmodernism -- Tijana Popovic Mladjenovié, The Musical Text and the Ontology of the Musical Work. ISBN 9783631672310 Sprache: Englisch Gewicht in Gramm: 536.…