Destroy memory de misrach richard (20 resultados)

Hardcover. Condición: Very Good. Hardcover. Tight binding. Clear text. Ex-library copy. For any additional information or pictures, please inquire.

Oversize hardcover without dustjacket as issued, unpaginated; very good condition; small bump to bottom of spine; no internal marks. Foreign shipping may be extra.

Hardcover. First edition, first printing. AS NEW hardcover in the publisher's shrink wrap; no dj as issued. A collection of documentary images of the graffiti and messages left on homes, cars, and trees in New Orleans by residents and rescue workers in the wake of the destruction left behind by Hurricane Katrina. Appeared on a number of critic's "Best Photography Books of 2010" lists. Photographs by Richard Misrach. Unpaginated [140 pages]; 70 color plates; 11.75 x 15.25 inches. Ships the next business day, wrapped in padding, in a box. Due to size and weight, international and expedited shipping may be more than quoted.…

Hard cover. Condición: Very good. No jacket. Spine is tight. Inside is clean and unmarked.

Hardcover. Condición: New. 1st Edition. New, hardcover,published by Aperture in 2010 Stated 1st edition, 1st printing, no dust jacket as issued. Publisher's Description The photographs in Richard Misrach's Destroy This Memory are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach-who has photographed the region regularly since the 1970s, most notably for his ongoing Cancer Alley project-found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures-the only text that appears in the book-offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. Destroy This Memory presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription.…

Hardcover. Condición: new. Hardcover. The photographs in Richard Misrach's "Destroy This Memory" are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach--who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project--found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures--the only text that appears in the book--offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription.Richard Misrach (born 1949) is credited with helping to pioneer the renaissance of color photography and large-scale presentation in the 1970s. He has exhibited extensively, and his work is held in the permanent collections of prestigious institutions such as The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, in New York; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston; and Art Institute of Chicago. Five years after Hurricane Katrina devastated New Orleans, Misrach presents his previously unpublished photo-portrait of the messages scrawled by the disaster's victims--on cars, walls, streets, and roofs Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: As New. No Jacket. 1st Edition. First printing 10 9 8 7 6 5 4 3 2 1.

Gebundene Ausgabe, 4°. Condición: Gut. Illustrated. 140 S. Das Buch ist in gutem, sauberen Zustand. Einband minimal berieben. Ecken und Kanten leicht bestossen. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9781597111638 Due to new EU packaging regulations, we are currently unable to ship to many EU countries. Shipping to Germany, the Netherlands, Ireland, Finland, and the Baltic states is possible. Deliveries to border-based parcel lockers or cross-border parcel forwarding services remain possible. Shipping to all countries outside the EU also remains possible. Sprache: Englisch Gewicht in Gramm: 2096.…

First Edition. First edition. Large hardcover. A large collection of color photographs by Misrach taken in the aftermath of Hurricane Katrina. A fine copy in photo illustrated boards. No dust jacket as issued. Signed by Misrach on the front free endpaper. Please note that this is a heavy and oversized book and will require extra shipping. Signed.…

Hardcover. Condición: Near Fine. First. Photos of graffiti in the aftermath of Hurricane Katrina. Signed by photographer Misrach on front free-endpaper.; 11.73 X 0.82 X 15.22 inches; Signed by Author.

Oversize hardcover without dustjacket as issued, unpaginated; as new condition; clean and crisp; inscribed and signed by Richard Misrach in silver marker on first blank page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Brand New. 140 pages. 11.69x15.28x0.79 inches. In Stock.

Hardcover. Condición: New. Dust Jacket Included. 1st Edition. A MINT First edition signed by Mr. Misrach in silver marker. Mint Cooy. Signed by Author(s).

Gebunden. Condición: New. KlappentextrnrnFive years after Hurricane Katrina devastated New Orleans, Misrach presents his previously unpublished photo-portrait of the messages scrawled by the disaster s victims--on cars, walls, streets, and roofs.

Hardcover. Condición: As New. No Jacket. 1st Edition. First edition. First printing, with full number line. A pristine unread copy, very fine in all respects. As new copy without a dust jacket (as issued). Shipped in well-padded box. SIGNED by Misrach on front endpaper (as pictured). Destroy This Memory presents previously unpublished and starkly compelling material shot with a 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the aftermath of Hurricane Katrina. With no essay, titles or even page numbers. Ferry-Art. Signed by Author(s).…

Hardcover. Condición: Very good. Presumed First Edition, First printing. Approximately 15 inches by 12 inches. 140 pages. Color illustrations. Richard Misrach (born 1949) is an American photographer. Nancy Princenthal has said that he is "firmly identified with the introduction of color to 'fine' [art] photography in the 1970s, and with the use of large-format traditional cameras". David Littlejohn of The Wall Street Journal calls Misrach "the most interesting and original American photographer of his generation," describing his work as running "parallel to that of Thomas Struth and Andreas Gursky, two German contemporaries." Littlejohn notes that all three used a large scale color format that defied the expectations of fine art photography at the time. Misrach is widely recognized as "one of this century's most internationally acclaimed photographers." He has photographed the deserts of the American West, and made a series documenting the changes brought to bear on the environment by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology." In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic." Describing his philosophy, Tracey Taylor of The New York Times writes that "[His] images are for the historical record, not reportage." His Katrina monograph Destroy This Memory won Best Photobook of the Year 2011 at PhotoEspaña. The photographs in Richard Misrach's "Destroy This Memory" are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach--who has photographed the region regularly since the 1970s, most notably for his ongoing "Cancer Alley" project--found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures--the only text that appears in the book--offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. "Destroy This Memory" presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription. Richard Misrach (born 1949) is credited with helping to pioneer the renaissance of color photography and large-scale presentation in the 1970s. He has exhibited extensively, and his work is held in the permanent collections of prestigious institutions such as The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, in New York; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston; and Art Institute of Chicago. Richard Misrach (photographer) (ilustrador). …

Buch. Condición: Neu. Neuware - The photographs in Richard Misrach's 'Destroy This Memory' are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach--who has photographed the region regularly since the 1970s, most notably for his ongoing 'Cancer Alley' project--found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures--the only text that appears in the book--offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. 'Destroy This Memory' presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription.Richard Misrach (born 1949) is credited with helping to pioneer the renaissance of color photography and large-scale presentation in the 1970s. He has exhibited extensively, and his work is held in the permanent collections of prestigious institutions such as The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, in New York; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston; and Art Institute of Chicago.…

Cloth. Condición: Fine Condition. No Jacket, As Issued. 136 pages. Oversized, horizontal folio hardcover, bound with illustrated paper covered board binding. No text other than the photographic images of words spraypainted in desperation on houses quickly and poignantly abandoned in New Orleans following the devastating storms of Katrina. Signed by the artist in metallic silver colored ink on the front free endpaper. Else, there are no other markings to the interior, and the binding is solid and tight, with sharp corners. 68 full color and full paged heartbreaking and occasionally morbidly funny images. Signed By Artist.…

Condición: Usado- bueno.

Hardcover. Condición: New. The photographs in Richard Misrach's Destroy This Memory are a stark, affecting reminder of the physical and psychological impact of Hurricane Katrina as told by those on the ground, and seen through the lens of a contemporary master. Rather than simply surveying the damage, Misrach--who has photographed the region regularly since the 1970s, most notably for his ongoing Cancer Alley project--found himself drawn to the hurricane-inspired graffiti: messages scrawled in spray paint, crayons, chalk or whatever materials residents and rescue workers happened to have on hand. At turns threatening, desperate, clinical and even darkly humorous, the phrases he captures--the only text that appears in the book--offer revealing and unique human perspectives on the devastation and shock left in the wake of this disaster. Destroy This Memory presents previously unpublished and starkly compelling material, all of which Misrach shot with his 4 MP pocket camera while also working on a separate archive of over 1,000 photographs with his 8 x 10 large-format camera. Created between October and December 2005, this series of images serves as a potent, unalloyed document of the raw experiences of those left to fend for themselves in the aftermath of Katrina. With no essay, titles or even page numbers in the way, the words on these homes, cars and trees offer a searing testament that continues to speak volumes, five years after their original inscription.Richard Misrach (born 1949) is credited with helping to pioneer the renaissance of color photography and large-scale presentation in the 1970s. He has exhibited extensively, and his work is held in the permanent collections of prestigious institutions such as The Museum of Modern Art, Whitney Museum of American Art, and The Metropolitan Museum of Art, in New York; National Gallery of Art, Washington, D.C.; Museum of Fine Arts, Houston; and Art Institute of Chicago.…