Isbn: 9798855804096 - o: apostrophic ghosts and the disappearing acts of lyric poetry (suny series, literature...in theory) (18 resultados)

8vo. Original pictorial card covers (softback) (Fine). Pp. xii + 297, illus with b&w photos in text (no inscriptions).

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.…

Paperback. Condición: New. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.…

Condición: new.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: NEW.

Paperback. Condición: New. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.…

Paperback. Condición: New. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.…

Paperback. Condición: new. Paperback. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophea dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: new. Paperback. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophea dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Considers how a series of poets reimagined the possibilities of 'O' as a gesture of apostrophe and, even more so, of writing.In poetry circles, 'O' is commonly associated with apostrophe-a dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic 'O' alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides.…

Paperback. Condición: new. Paperback. Considers how a series of poets reimagined the possibilities of "O" as a gesture of apostrophe and, even more so, of writing.In poetry circles, "O" is commonly associated with apostrophea dramatized turn to call out to an absent friend or idea. This call, however, is made possible by a graphic sign it pretends not to acknowledge. O follows poets who were rethinking the apostrophic "O" alongside its symbolic, iconic, and material forms. Organized conceptually rather than chronologically, the book explores how works by W. B. Yeats, Wallace Stevens, Elizabeth Bishop, James Merrill, Emily Dickinson, and Terrance Hayes, as well as the singer-songwriter Carly Simon and the band The Cure, each turn at deeply human moments to call forth an alternative to the present. Culminating in an experimental epilogue cowritten with the Romanticist Manu Samriti Chander, O engages with ongoing, sometimes excessive debates about lyric poetry and literary critical method, finding modest ground between their respective sides. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Taschenbuch. Condición: Neu. O | Apostrophic Ghosts and the Disappearing Acts of Lyric Poetry | David Ben-Merre | Taschenbuch | SUNY series, Literature.in Theory | Englisch | 2026 | SUNY Press | EAN 9798855804096 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. …