9789198760729 - the perfect crime: concerning the murder of reality de a. staiger, jan; uchtmann, malte (22 resultados)
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Paperback. Condición: new. Paperback. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germanys six largest broadcasting channels. Based on the overrepresentation of fiction…al murder on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Paperback. Condición: New. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germany's six largest broadcasting channels. Based on the overrepresentation of fictional murder…on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces'.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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Paperback. Condición: New. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germany's six largest broadcasting channels. Based on the overrepresentation of fictional murder…on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces'.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: Chiron Media, Wallingford, Reino UnidoChiron Media
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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Condición: New. 2024. paperback. . . . . . Books ship from the US and Ireland.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 216 pages. 11.02x6.14x0.91 inches. In Stock.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germanys six largest broadcasting channels. Based on the overrepresentation of fiction…al murder on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Gazelle Books, Lancaster, LANCA, Reino UnidoGazelle Books
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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Paperback. Condición: New. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germany's six largest broadcasting channels. Based on the overrepresentation of fictional murder…on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces'.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. Neuware - Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germany's six largest broadcasting channels. Based on the overrepresentation of ficti…onal murder on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality. The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces'.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 39,70
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Paperback. Condición: New. Germany is a crime fiction country. If wanted, fictional murder and manslaughter can be witnessed many times a day throughout the main television networks. There are more than 238 crime series available on Germany's six largest broadcasting channels. Based on the overrepresentation of fictional murder…on German television, The Perfect Crime investigates the effect of crime series on our perception and behaviour. The work examines the use of imaging techniques within police work and its epistemic implications, as well as the question of how fictional narratives change our perception of reality.The work combines several photographic techniques and approaches: Staiger and Uchtmann have made photographs on the film sets of German crime series, overstaging scenes, leading to an abstraction of what is depicted contrasted with supposedly authentic imagery of corpses and crime scenes. In the portrait series various actors, who played victims and perpetrators in German crime series have been altered by artificial intelligence to create new possible versions of them, linked to the creation of phantom images in real police work. Furthermore, locations that have served as a movie set for a fictional crime scenes are documented as 3D reconstructions via photogrammetric methods, referring to the potential emergence of so-called 'fear spaces'.
