9789058679987 - ohne worte: vocality and instrumentality in 19th-century music (geschriften van het orpheus instituut/collected writings of the orpheus institute, 12) (11 resultados)
Ohne Worte : Vocality and Instrumentality in 19th-Century Music
Torbianelli, Edoardo; Roudet, Jeanne; Bartoli, Jean-Pierre; Seaton, Douglass; Mossburger, Hubert
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Ohne Worte : Vocality and Instrumentality in 19th-Century Music
Torbianelli, Edoardo; Roudet, Jeanne; Bartoli, Jean-Pierre; Seaton, Douglass; Mossburger, Hubert
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related…questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. Contributors: Jean-Pierre Bartoli (Universite Paris-Sorbonne), Hubert Mossburger (Staatlichen Hochschule fur Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Universite Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Kunste Bern) What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Ohne Worte: Vocality and Instrumentality in 19th-Century Music (Collected Writings of the Orpheus Institute)
Bartoli, Jean-Pierre, Mossburger, Hubert, Roudet, Jeanne, Seaton, Douglass, Torbianelli, Edoardo
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2015. 1st Edition. Paperback. . . . . .
Ohne Worte : Vocality and Instrumentality in 19th-Century Music
Torbianelli, Edoardo; Roudet, Jeanne; Bartoli, Jean-Pierre; Seaton, Douglass; Mossburger, Hubert
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Ohne Worte: Vocality and Instrumentality in 19th-century Music
Bartoli, Jean-Pierre/ Mossburger, Hubert/ Roudet, Jeanne/ Seaton, Douglass/ Torbianelli, Edoardo
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 69,86
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Paperback. Condición: Brand New. 1st edition. 100 pages. French language. 9.75x6.00x0.75 inches. In Stock.
Ohne Worte : Vocality and Instrumentality in 19th-Century Music
Torbianelli, Edoardo; Roudet, Jeanne; Bartoli, Jean-Pierre; Seaton, Douglass; Mossburger, Hubert
- Tapa blanda
Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 69,65
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Condición: New.
Ohne Worte: Vocality and Instrumentality in 19th-Century Music (Collected Writings of the Orpheus Institute)
Bartoli, Jean-Pierre, Mossburger, Hubert, Roudet, Jeanne, Seaton, Douglass, Torbianelli, Edoardo
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 79,19
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Condición: New. 2015. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 53,94
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Condición: New. KlappentextrnrnThe musical thought and practice of canonical composers.What can music tell us - without words? Can it depict scenes, narrate stories,elucidate beliefs? And can it be an instrument through which we accessthe inner live.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 81,70
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Paperback. Condición: new. Paperback. What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? In Ohne Worte five scholars and performers probe these and related…questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. Contributors: Jean-Pierre Bartoli (Universite Paris-Sorbonne), Hubert Mossburger (Staatlichen Hochschule fur Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Universite Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Kunste Bern) What can music tell us-without words? Can it depict scenes, narrate stories, elucidate beliefs? And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today? Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 70,84
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Taschenbuch. Condición: Neu. Neuware - The musical thought and practice of canonical composersWhat can music tell us-without words Can it depict scenes, narrate stories, elucidate beliefs And can it be an instrument through which we access the inner lives not only of musicians from the past but of ourselves, today In Ohne Worte…five scholars and performers probe these and related questions to illuminate both the experience and performance of nineteenth-century music. Drawing on a rich range of sources, they reveal the musical thought and practice of canonical composers like Berlioz, Mendelssohn, and Schumann. Their work challenges us to reconsider our musical practices and the voices manifested in them, and it encourages the creation of an art that is both historical and transcendental. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).ContributorsJean-Pierre Bartoli (Université Paris-Sorbonne), Hubert Moßburger (Staatlichen Hochschule für Musik und Darstellende Kunst Stuttgart), Jeanne Roudet (Université Paris-Sorbonne), Douglass Seaton (Florida State University School of Music), Edoardo Torbianelli (Hochschule der Künste Bern).
