Isbn: 9788867495467 - deposition. ediz. inglese e portoghese (20 resultados)

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Paperback. Condición: New. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word "deposition" (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to São Paulo.…

Paperback. Condición: New. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word "deposition" (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to São Paulo.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: new. Paperback. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyers pavilion for the 34th Bienal de Sao Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word deposition (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to Sao Paulo. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2023. Bilingual. paperback. . . . . .

Condición: New.

Condición: New. 2023. Bilingual. paperback. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - Three artists reflect on the meaning of 'deposition' for the 34th Bienal de São PauloAccompanying an exhibition at Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume features work from three artists exploring the geological, legal and art-historical meanings of the word 'deposition.' Artists include: Marissa Lee Benedict (born 1978), David Rueter (born 1985) and Daniel De Paula (born 1987).…

Paperback. Condición: new. Paperback. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyers pavilion for the 34th Bienal de Sao Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word deposition (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to Sao Paulo. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word "deposition" (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to São Paulo.…

Condición: New.

Paperback. Condición: New. New Book, Direct from Publisher.

Paperback. Condición: New. Proceeding from an iconic installation by artists Marissa Lee Benedict, Daniel de Paula, and David Rueter in the central atrium of Oscar Niemeyer's pavilion for the 34th Bienal de São Paulo, this volume traces the salvage, displacement, and exhibition of the last corn commodities futures trading pit from the Chicago Board of Trade. Essays and interviews provide divergent lenses from which to view the work, moving from intimate to distant, scanning over the object, the artists, the art institution, and the architectures of the geopolitical landscape in which these elements operate. Section by section, the book works through the multiple, and compacted, meanings of the word "deposition" (geologic, legal, art historical), layering images and texts to build concrete yet non-linear relations, as the 32 fragments of the former trading floor are dragged from Chicago to São Paulo.…