9788779341548 - artist as polyhistor: the 'intellectual superstructure' in the work of per kirkeby de morell, lars (16 resultados)
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 62,52
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Hardback. Condición: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics r…arely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 58,29
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Condición: New. pp. 294 Illus.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 57,02
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Condición: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology…to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . .
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Hardcover. Condición: new. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators a…nd critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 69,43
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Condición: New. 2005. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland. This work examines intellectual content in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology…to genetics and eros to crystallography. Num Pages: 294 pages, illus. BIC Classification: AC; AGB. Category: (P) Professional & Vocational. Dimension: 256 x 248 x 29. Weight in Grams: 1548. . . . . . Books ship from the US and Ireland.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 80,89
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Hardback. Condición: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics r…arely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 293 pages. 9.75x9.50x1.00 inches. In Stock.
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 70,86
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hardcover. Condición: New. Illustrated. Special order direct from the distributor.
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 89,65
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Condición: New. pp. 294.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 97,33
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Hardcover. Condición: Brand New. 293 pages. 9.75x9.50x1.00 inches. In Stock.
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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. KlappentextrnrnIt has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master s in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obvi.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 83,01
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Hardback. Condición: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics r…arely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 58,04
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Hardback. Condición: New. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators and critics r…arely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 104,96
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Hardcover. Condición: new. Hardcover. It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a Master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers -- as obviously only a sedimentary geologist can. Not only do curators a…nd critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, "A picture without intellectual superstructure is nothing." In "The Artist as Polyhistor", Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives -- everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely about something is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art. Not only do curators and critics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 101,20
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Buch. Condición: Neu. Neuware - It has become a commonplace in Per Kirkeby exhibition catalogues to note that he earned a master's in geology and participated in five research expeditions to Greenland, and to declare that he therefore paints in layers - as obviously only a sedimentary geologist can. Not only do curators and crit…ics rarely delve any deeper into the relation between the work of this prolific experimental artist and his background in Arctic Quaternary geology, but they also entirely ignore the many other academic interests that inform his art, both conceptually and visually. Yet Kirkeby himself has proclaimed, 'A picture without intellectual superstructure is nothing.' In The Artist as Polyhistor, Lars Morell provides the superstructure missing from other critical accounts by examining intellectual content and allusions in the Kirkeby oeuvre from eleven disciplinary perspectives - everything from theology to genetics and eros to crystallography. In addition, he has drawn on personal conversations with the artist, whose comments on the manuscript have also been incorporated into the final text. Morell maintains that art that is genuinely aboutsomething is necessarily full of conflict and unexpected juxtapositions. As a result, the works he has sought out here are rarely beautiful in formal terms, but instead tend to be dissonant and dynamic, featuring breaks and breaches and irreconcilable elements. With 150 handsome illustrations, chiefly in colour, and a wide-ranging but clearly written text, this volume will appeal equally to the general reader and the specialist in contemporary art.
