9788417173227 - Max Beckmann: Exile Figures de Llorens Serra, Tomàs; De Cos Martín, Leticia (17 resultados)

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First English Language Edition. hardcover in dust jacket., no flaws or wear. clean. no markings. no bumps, tears, creases. tight binding. appears unused.; english text.; 209pp., 61 color plates. color details. color figures in texts. catalogue. essays. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. A retrospective of Max Beckmann's career from before the First World War to his years in exile from Germany, first in Amsterdam and then New York This catalogue is published to accompany the exhibition at the Thyssen-Bornemisza Museum, Madrid, on Max Beckmann (1884-1950), one of Germany's leading 20th-century artists. Initially close to Expressionism and New Objectivity, Beckmann developed a unique and independent pictorial style, one filled with symbolic resonances that offered a powerful account of the society of his day. Curated by Tomas Llorens, the exhibition brings together more than fifty works, including paintings, lithographs and sculptures that cover Beckmann's years in Germany from the period prior to World War I, when he first achieved public recognition, to the rise of National Socialism in the 1930s, when he was expelled from the Frankfurt art school where he taught and was banned from exhibiting in public. The exhibition also focuses on the artist's years in Amsterdam and the United States where he lived after he was obliged to leave Germany. This section is based on four metaphors relating to exile, understood both literally and as the existential condition of modern man: Masks, which looks at the loss of identity associated with the condition of exile; Electric Babylon, which focuses on the modern city as the capital of exile; The Long Goodbye, which constructs a parallel between exile and death; and The Sea, a metaphor of the infinite, its powers of seduction and alienation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: As New. Unread book in perfect condition.

Llorens, Tomas. MAX BECKMANN: Exile Figures. 210 pages, including 130 color and 9 b&w plates. 4to, boards. Madrid, Museo Thyssen-Bornemisza, 2019.

Hardcover. Condición: Brand New. 01 edition. 209 pages. French language. 10.75x8.50x0.75 inches. In Stock.

Encuadernación de tapa dura. Condición: Nuevo. Estado de la sobrecubierta: Nuevo. In the autumn of 2018 the Thyssen-Bornemisza Museum in Madrid devotes a monographic exhibition to Max Beckmann (Leipzig, 1884 New York, 1950), one of Germany's leading 20th-century artists. Initially close to Expressionism and New Objectivity, Beckmann developed a unique and independent pictorial style of a realistic type but one filled with symbolic resonances, offering a powerful account of society of his day. Curated by Tomàs Llorens, the exhibition brings together more than 50 works, including paintings, lithographs and sculptures that cover Beckmann's years in Germany from the period prior to World War I, when he first achieved public recognition, to the rise of National Socialism in the 1930s when he was expelled from the Frankfurt art school where he taught and was banned from exhibiting in public. The exhibition also focuses on the artist's years in Amsterdam and the United States where he lived after he was obliged to leave Germany, based on four metaphors relating to exile, understood both literally and as the existential condition of modern man: Masks, which looks at the loss of identity associated with the condition of exile; Electric Babylon, which focuses on the modern city as the capital of exile; The long goodbye, which constructs a parallel between exile and death; and The Sea, a metaphor of the infinite, its powers of seduction and alienation. 21 x 27 cm 210 pages. Hardcover.

Condición: New. In.

Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. A retrospective of Max Beckmann's career from before the First World War to his years in exile from Germany, first in Amsterdam and then New York This catalogue is published to accompany the exhibition at the Thyssen-Bornemisza Museum, Madrid, on Max Beckmann (1884-1950), one of Germany's leading 20th-century artists. Initially close to Expressionism and New Objectivity, Beckmann developed a unique and independent pictorial style, one filled with symbolic resonances that offered a powerful account of the society of his day. Curated by Tomas Llorens, the exhibition brings together more than fifty works, including paintings, lithographs and sculptures that cover Beckmann's years in Germany from the period prior to World War I, when he first achieved public recognition, to the rise of National Socialism in the 1930s, when he was expelled from the Frankfurt art school where he taught and was banned from exhibiting in public. The exhibition also focuses on the artist's years in Amsterdam and the United States where he lived after he was obliged to leave Germany. This section is based on four metaphors relating to exile, understood both literally and as the existential condition of modern man: Masks, which looks at the loss of identity associated with the condition of exile; Electric Babylon, which focuses on the modern city as the capital of exile; The Long Goodbye, which constructs a parallel between exile and death; and The Sea, a metaphor of the infinite, its powers of seduction and alienation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - A retrospective of Max Beckmann's career from before the First World War to his years in exile from Germany, first in Amsterdam and then New York This catalogue is published to accompany the exhibition at the Thyssen-Bornemisza Museum, Madrid, on Max Beckmann (1884-1950), one of Germany's leading 20th-century artists. Initially close to Expressionism and New Objectivity, Beckmann developed a unique and independent pictorial style, one filled with symbolic resonances that offered a powerful account of the society of his day. Curated by Tomàs Llorens, the exhibition brings together more than fifty works, including paintings, lithographs and sculptures that cover Beckmann's years in Germany from the period prior to World War I, when he first achieved public recognition, to the rise of National Socialism in the 1930s, when he was expelled from the Frankfurt art school where he taught and was banned from exhibiting in public. The exhibition also focuses on the artist's years in Amsterdam and the United States where he lived after he was obliged to leave Germany. This section is based on four metaphors relating to exile, understood both literally and as the existential condition of modern man: Masks, which looks at the loss of identity associated with the condition of exile; Electric Babylon, which focuses on the modern city as the capital of exile; The Long Goodbye, which constructs a parallel between exile and death; and The Sea, a metaphor of the infinite, its powers of seduction and alienation.